International Council for Traditions of Music and Dance

A Non-Governmental Organization in Formal Consultative Relations with UNESCO

Bibliography of major works by Tsukada Kenichi (塚田 健一)

This page lists the major works by Tsukada Kenichi (塚田 健一), as an appendix to issue 142 of the Bulletin of the ICTM (January 2020).

Books

  1. Luvale Perceptions of Mukanda in Discourse and Music (University Microfilms International, 1988).
  2. 『アフリカの音の世界―音楽学者のおもしろフィールドワーク』(新書館, 2000). (The Sonic World of Africa, Shinshokan, 2000) 
  3. 『世界は音に満ちている―音楽人類学の冒険』(新書館, 2001). (The World is Filled with Music, Shinshokan, 2001)
  4. 『アフリカ音楽学の挑戦―伝統と変容の音楽民族誌』(世界思想社, 2014). (Challenge of African Musicology, Sekaishisho sha, 2014)
  5.  『文化人類学の冒険―人間・社会・音楽』(春秋社, 2014). (Adventure of Cultural Anthropology, Shunju sha, 2014).
  6. 『アフリカ音楽の正体』(音楽之友社, 2016). (The Real Nature of African Music, Ongaku no tomosha, 2016) 
  7. 『エイサー物語―移動する人、伝播する芸能』(世界思想社, 2019). (The Eisa Story, Sekaishisho sha, 2019)

Articles

  1. 「台湾山地ブヌン族の口琴と和音唱法の起源」『東洋音楽研究』第45号 (1980) , 1-44頁. (“The Jaw's Harp and the Origin of the Triadic Chorus of the Bunun Tribe in the Taiwanese Mountains,” Toyo ongaku kenkyu: the journal of the Society for the Research of Asiatic Music, vol. 45 (1980), pp. 1-44)
  2. “Bamboo Flutes and Iatmul Musical Heterogeneity.” Bikmaus (Journal of Papua New Guinea Affairs, Ideas and the Arts) , vol.4, no.4 (1983), pp.85-92.
  3. “Variation and Unity in African Harmony: A Study of Mukanda Songs of the Luvale in Zambia.” In Florilegio Musicale: Festschrift Kataoka Gido zum 70. Geburtstag, ed. Usaburo Mabuchi et al. (Ongaku no tomo sha, 1990), pp.157-197.  
  4. “Kalindula in Mukanda: The Incorporation of Westernized Music into the Boys’ Initiation Rites of the Luvale of Zambia.” In Tradition and Its Future in Music, ed. Yoshihiko Tokumaru et al. (Mita Press, 1991), pp. 547-551.
  5. “The Study and Reception of African Music in Japan.” In Proceedings of the International Conference on African Music and Dance: Problems and Prospects, ed. Kwabena Nketia (ICAMD, 1992), pp.56-67.
  6. “Drumming, Onomatopoeia and Sound Symbolism among the Luvale of Zambia.” In Cultures sonores d'Afrique, ed. Junzo Kawada (Institut de Recherches sur les Langues et Cultures d’Asie et d’Afrique, 1997), pp.349-393.
  7. “Harmony in Luvale Music of Zambia.” In Africa. The Garland Encyclopedia of World Music, vol.1, ed. Ruth Stone (Garland, 1998), pp.722-743.
  8. “Music and Education: Iatmul.” In Australia and the Pacific Islands. The Garland Encyclopedia of World Music, vol.9, ed. Adrienne Kaeppler (Garland, 1998), pp.257-258.
  9. “Japanese Drums Meet African Drums: A Cross-Cultural Study of ‘Phonaesthetic’ Aspects of Japanese and Fanti Music Cultures.” In Intercultural Music, vol.3, ed. Akin Euba and Cynthia Tse Kimberlin (MRI Press, 2001), pp.149-168.
  10. “Asafo and Fontomfrom: Conflict and Unity in Fante Society of Ghana.” In Cultures sonores d'Afrique II: Aspects dynamiques, ed. Junzo Kawada et Kenichi Tsukada (Hiroshima City University, 2001), pp.31-59.
  11. 「ハイライフとフォントムフロム―ンクルマの文化政策とガーナ宮廷音楽の変容」『アフリカ研究』第60巻(2002), 41-52頁. (“Highlife and Fontomfrom: Nkrumah’s Cultural Policy and the Change of Court Music in Ghana.” Journal of African Studies, vol. 60 (2002), pp. 41-52)
  12. “Africa and East Asia.” In The World's Music: General Perspectives and Reference Tools. The Garland Encyclopedia of World Music, vol.10, ed. Ruth Stone (Routledge, 2002), pp.27-39.
  13. “Luvale Drumming and Sound Symbolism: An Analysis by Wavelet Transform.” Working Paper Series 3 (Hiroshima City University, 2002), pp.1-17.
  14. “Cultural Policy and ‘Copyright’: Nkrumah and Fante Music in Postcolonial Ghana.” In Cultures sonores d'Afrique III, ed. Junzo Kawada et Kenichi Tsukada (Hiroshima City University, 2004), pp.27-52.
  15. “Asafo and Fontomfrom as Indices of Social Sentiments among the Fante (Ghana).” In African Perspectives: Pre-colonial History, Anthropology, and Ethnomusicology, ed. Regine Allgayer-Kaufmann and Michael Weber (Peter Lang, 2008), pp.251-272.     

CDs

  1. Zambia: The Songs of Mukanda : Music of the Secret Society of the Luvale People of Central Africa (Multicultural Media, 1997). The US release of a CD containing Tsukada’s field recordings with notes, originally released in Japan in 1992.
  2. Kenichi Tsukada & Ryuichi Sakamoto Selections: Traditional Music in Africa, schola vol.11 (共編著, エイベックス, 2012). A CD with a 120-page booklet co-edited and co-authored by Tsukada and Sakamoto, Avex, 2012.