International Council for Traditions of Music and Dance

A Non-Governmental Organization in Formal Consultative Relations with UNESCO

ICTM Study Group on Music and Allied Arts of Greater South Asia

Chair: Richard K. Wolf rwolf@fas.harvard.edu

Co-chair:  Anna Stirr stirr@hawaii.edu

Secretary: Natalie Sarrazin nataliesarrazin@hotmail.com

The mission of the ICTM Study Group on Music and Allied Arts of Greater South Asia is to foster the study of sound, music and allied arts in South Asia broadly conceived. We  encourage collaborative and comparative work with colleagues across the region and areas connected through geographical contiguity, diaspora, trade, and the internet.  We wish to promote the acts of doing and making—whether that involves performing, dancing, composing, drawing, or any other relevant form of participation—as integral parts of scholarly study.  We strive toward inclusiveness with regard to scholarly approaches and participation.

This study group will meet approximately every two years, generally in conjunction with another regionally defined group and in a variety of international locations.  All ICTM members in good standing are welcome to join and non-ICTM members will generally be invited to attend its meetings.


 

CALL FOR PAPERS IN NEPAL 2026 (MARCH 1 DEADLINE)

 

Mountains in Sound and Motion: 

The Himalayas and Adjacent Regions in South Asian Expressive Practices 

 

July 28, 2026

 

The Fourth Symposium of the International Council for Traditions of Music and Dance (ICTMD) Study Group on Music and Allied Arts of Greater South Asia (MAAGSA) is scheduled to take place in Kathmandu, Nepal on July 28, 2026 (click here for symposium website). It will be held as a one-day, intimate, thematically unified preconference in person in conjunction with Social Science Baha and Kathmandu University in Kathmandu, Nepal, immediately preceding the Annual Conference on Nepal and the Himalaya (which will take place from July 29-31, 2026). 

 

This one-day symposium will involve up to 20 presentations in 5 sessions, plus a concurrent poster session and an evening film screening session. We encourage submissions of unified panels, but will accept individual submissions as well. Due to the small size of this symposium, clear adherence to the theme will be especially important for selection. 

 

Call for Papers

 

The mountainous borderlands of Asia, and their connected foothills and plains, are the locus and inspiration for varied performing arts within and beyond the regions they adjoin. Circulating through mythology, mobilities, and media, these borderlands have developed an affecting presence in the arts throughout South Asia and adjacent regions. This preconference invites scholars of the performing arts (including the performed aspects of literary arts) to come together in examining the roots and routes of expressive practices across these regions, connecting the translocal and hyper-local through sounds, stories, performed poetry, movement, ritual, media, and related expressive practices. In this conversation we aim to reconsider the regions that shape modern imaginations of Asia. 

 

We invite full panels or individual presentations on the following themes:

 

  • Music, dance, and related expressive practices of the Hindu Kush-Himalaya (Nepal, Bhutan, and mountainous borderland regions of India, Pakistan, Afghanistan, Kyrgyzstan, Tajikistan, Uzbekistan, China, & Myanmar), historically and in the present day
  • Aspects of the Hindu Kush-Himalaya as imagined and artistically represented from elsewhere: cosmologies, myths, legends, sonic and choreographed representations, etc. 
  • Histories of cross-regional connections: roots and routes of traveling performers; traveling stories, songs, instruments and other material culture; translocal heritages of apparently hyper-local practices; etc. 

 

Presentation time: total 20 minutes-15 minute presentations with 5 minutes for questions

 

What kind of presentations are acceptable?

  • Regular academic presentations of 15 minutes in length. 
  • Poster presentations. Posters of varied sizes are acceptable, no larger than 36 inches by 48 inches. There are many templates available online. 
  • Films that fit the themes of the preconference. We plan to have some time for film screening in the evening, so films need not fit into the 15 minutes allotted for presentations. 

 

Abstracts for this symposium are due March 1, 2026.

 

Submit Abstract for Organized Panel

 

Submit Abstract for Individual Paper, Poster, or Film

 

The language of the symposium is English. All film and video must be subtitled in English. 

 

Presenters must be members of MAAGSA and ICTMD. 

 

If you have submitted to the Annual Conference on Nepal and the Himalaya, please kindly refrain from submitting the same paper to this symposium unless you find out it has NOT been accepted to that conference (after February 15, 2026). You are welcome to submit a different paper to MAAGSA!

 


 

 

Call for Papers: Third Symposium of MAAGSA in Bangladesh July 11-13, 2024 (*Note new deadline: Feb 2, 2024)

The Third Symposium of the International Council for Traditions of Music and Dance (ICTMD) Study Group on Music and Allied Arts of Greater South Asia is scheduled to take place at the Department of Dance, Dhaka University, Bangladesh, July 11-13, 2024.  The theme of the Study Group meeting this year will be “The Climate Crisis and its Impact on the Arts.”  We encourage papers and panels that address this theme as well as a wide range of other issues concerning South Asian music and allied arts (e.g.

Call for Papers, Dec 12-14 2019, Colombo (May 1 deadline)

The Second Symposium of the International Council for Traditional Music (ICTM) Study Group on Music and Allied Arts of Greater South Asia is scheduled to take place in conjunction with the annual research symposium of the University of Visual and Performing Arts (UVPA) in Colombo, Sri Lanka, Dec. 12-14 2019.  The theme of the Study Group meeting this year will be “South Asian Music in the World.”  The keynote speaker is Frank Korom (Boston University).

Innaugural meeting of the ICTM Study Group on Music and Allied Arts of Greater South Asia

On March 4-6, 2016, Richard K. Wolf hosted a conference on the music of South, Central and West Asia at Harvard University with the intent of sharing work among researchers working in and beyond the bounds of South Asia and creating an ICTM study group. The conference was successful in attracting a wide range of topics and scholars with a variety of theoretical orientations and at varying stages of their careers.