A Non-Governmental Organization in Formal Consultative Relations with UNESCO
ICTM Musics of East Asia Study Group
7th Symposium
13-15 May, 2022, Online
Symposium Program
All Times are CST
(CST for Beijing, Singapore, Manila and Taipei; one hour earlier for Vietnam, Indonesia; one hour later for Korea and Japan; two hours later for Australia)
Day 1 Friday, 13 May, 2022
(Host: Alison TOKITA, Monash University)
8:10-8:30
OPENING CEREMONY
Worlds of welcome by Hee-sun KIM (Chair, MEA), Alison TOKITA and Shzr-Ee TAN (Co-Chairs, Program Committee), Hsin-Wen HSU (co-organizer)
8:30 -10:30
Panel 1 Gender and Popular Music Across the Region
Chair: Alison TOKITA (Monash University)
8:30 Yuxin MEI (University of North Texas)
The Shining “Others”: A Case Study of Three Contemporary Female Pipa Musicians
9:00 Wenzhuo ZHANG (The State University of New York at Fredonia)
“We are not anonymous”: Gender and Self-identity in Tan Weiwei’s December 2020 Virtual Performance
9:30 Sunhong KIM (University of Michigan)
"Imagining South Korea through Musical Borrowing: Suga’s Taech’wit’a in K-pop"?
10:00 Eden JONES (Houghton College near NY)
K-pop, BTS, and The Global Dissemination of the Contemporary Korean Voice in a period of World-Wide Pandemic
11:00-13:00
Panel 2 Chinese Art Song and Diverse Expressions of Musical Modernity in the First Half of the Twentieth Century
Chair: Lin-Yu LIOU (Nara University of Education)
Organizer: Joys CHEUNG
11:00 Joys CHEUNG (National Taiwan Normal University)
Composition, Commentary and Collegiality in the Translated Modernity of Early Chinese Art Song
11:30 Stephen JONES (Brigham Young University)
Proved Foundations with Pentatonic Inflections: “Longing for Home,” the First Art Song of Huang Zi and Wei Hanzhang
12:00 Arturo Irrisari IZQUIERDO (Hong Kong Baptist University)
“I should have my own personality”: Identity Negotiation in Tan Xiaolin’s Art Songs
12:30 Discussant: Hannes JEDECK (University of Bonn)
13:00-14:30
LUNCH
14:30-15:30
Keynote Speech
Chair: Hee-sun KIM (Kookmin University)
Keynote Speaker: Ying-fen WANG (National Taiwan University)
“Music Industry, Asian Identities, and Trans-imperial Connectivity: Perspectives from Colonial Taiwan”
16:00 -18:00
Panel 3 South Korean Perspectives on Performing Arts of North Korea
Chair: Jocelyn CLARK (Pai Chai University)
Organizer: Hee-sun KIM (Kookmin University)
16:00 Ihn-gyo BAE (Kyungin National University of Education)
The Beginning of the Juche Era and the Direction of National Music in North Korea
16:30 Jini KIM (Konkuk University)
A Study on North Korean Popular Arts in the 1970s: The Daily Routine of “Political Socialization” through Mass Dance and Mass Song
17:00 Hee-sun KIM (Kookmin University)
Politics of Overseas Performances of North Korea during the Cold War Period
17:30 Seung-hee HA (Dongguk University)
Changes in the Gender Structure of North Korean Musical Groups
18:00-19:00
Social Hour for All Participants
Day 2 Saturday, 14 May, 2022
(Host: Shzr Ee TAN, Royal Holloway, University of London)
9:00 -11:00
Panel 4 Resounding Taiwan (I): Intercultural Articulations
Chair: Shzr Ee TAN (Royal Holloway, University of London)
Organizer: Hsin-Wen HSU (National Taiwan Normal University)
9:00 Ming-yen LEE (Nanyang Academy of Fine Arts)
A Quest for Taiwan Guoyue: The Taipei Chinese Orchestra and the Articulation of Taiwanese Musical Identity
9:30 Chun-bin CHEN (National Taipei University of the Arts)
Highway Nine Musical Stories: Musicking of Taiwanese Indigenous People at Home and at the National Concert Hall
10:00 Hsin-Wen HSU (National Taiwan Normal University)
The Gospel in Motion: Hakka Hymnody and Contextualization
10:30 Meredith SCHWEIG (Emory University)
The Voices of Teresa Teng: Legacy, Agency, and Multivocality
11:00-11:30
Coffee Break
11:30 -13:30
Panel 5 Resounding Taiwan (II): Sounds, Media, and Subjectivity
Chair: Joys CHEUNG (National Taiwan Normal University)
Organizer: DJ W. HATFIELD (National Taiwan University)
11:30 Tasaw Hsin-chun LU (Academia Sinica / National Taiwan University)
Constructing “Enchanted Golden Triangle” through Music and Dance in a Yunnan Diasporic Community in Taiwan
12:00 DJ W. HATFIELD (National Taiwan University)
Quoting the Ocean: Sounding Indigenous Art as a Challenge to Settler Multiculturalism
12:30 Wilson Yick Sau LAU (National Taiwan University)
Sounding “Southern” in the Air: Constructing Nanyō (Nanyang) on Radio Broadcast in Colonial Taiwan
13:00 Nancy GUY (University of California San Diego)
Listening to Taiwan’s Musical Garbage Trucks: Hearing the Slow Violence of Environmental Degradation
13:30-15:00
LUNCH
14:30-15:00
MEA BOARD MEETING
15:00-16:00
ASSEMBLY of GENERAL MEETING
16:00-16:30
Coffee Break
16:30 -18:30
Panel 6 Intermedia and Globalization
Chair: DJW. HATFIELD (National Taiwan University)
16:30 Simon JONES and Tim EDWARDS (University of Adelaide)
Soundscape of Wuxia Films: The Musical Choices That Define the Works of King Hu
17:00 Yang QIAN (Jeonbuk National University)
The Evolution and Reconstruction of the Image of Mulan in the Opera Mulan Psalm
17:30 Matthew WERSTLER (Northern Illinois University)
The Pursuit of Intangible Cultural Heritage: A Spatial Analysis Approach to Singing and ICH Recognition in Southwest China
18:00 Ling ZHAO (Changshu Institute of Technology)
A Fiddle that Can Speak: An Investigation Based on Gux hieb in Guizhou Province
Day 3 Sunday, 15 May, 2022
(Host: Hsin Wen HSU, National Taiwan Normal University)
9:00 -11:00
Panel 7 Indigenous Music and Identity
Chair: Hilary FINCHUM-SUNG (Association for Asian Studies)
9:00 Shuo YANG (University of Pittsburgh)
Non-oppositional Voices and Bodies: Religious Agency of Bai Women in Yunnan, Southwest China
9:30 Isabelle WEI (Taipei National University of the Arts)
Negotiation, Articulation and Resistance: A Case Study on Thao Person Mao Xin-Xiao and Cultural Tourism on Music and Dance during the Transwar Period (1920s-1960s).
10:00 Catherine INGRAM (University of Sydney)
The ‘Bones of Songs’, Creativity, and Appropriation in Kam (Dong) Musical Culture
10:30 Mercedes M. DUJUNCO (Yunnan University Center for Ethnomusicology)
Chaoyu Gequ: An Unpopular Chinese Popular Music
11:00-11:30
Coffee Break
11:30-13:30
Panel 8 Ritual Musics, Ancient and Modern
Chair: Alison TOKITA (Monash University)
11:30 Michiko HIRAMA (Kyoto City University of Arts)
Court Music and Dance as a Ruling Mechanism for the Maintenance of Social Order: A
Comparative Study of Ancient Japan and China
12:00 Naoko TERAUCHI (Kobe University, Japan)
A Local Song or a Court Song? -- A Revival of a Saibara Song “Sakurabito” in Nagoya
12:30 Lijun LIN (Communication University of Zhejiang, Zhejiang Province, China)
Folk Belief and Subjectivity: An Investigation Based on Chen jinggu’s Belief and “Temple Fair of Zhangshanzhai” of China
13:00 Iljung KIM (The University of British Columbia)
Re/Presenting Korean Buddhist Chant: A New Hybrid Notation System
13:30-14:30
LUNCH
14:30-16:00
Panel 9 Traditional Musics and Contemporary Practices
Chair: Naoko TERAUCHI (Kobe University)
14:30 Jocelyn CLARK (Pai Chai University)
The Appreciation-Inspiration-
15:00 Seung-hee YANG (Gayageum National Treasure, South Korea)
Transmission of Gayageum Sanjo since its Progenitor Kim Chang-jo – Analysis of the Lineage of Sanjo Works in North and South Korea
15:30 Zhu LIU (The University of Adelaide)
Theory vs Practice: The Changing Temperaments of the Chinese Lute Pipa since the Ming Dynasty (1368)
16:00-6:30
Coffee Break
16:30 -18:30
Panel 10 Intercultural Encounters
Chair: Hsin-Wen HSU (Taiwan National Normal University)
16:30 Ying-Hsien CHEN (University of Helsinki)
Kantele in Japan: Reception, Borealism, and Representation
17:00 Francesco SERRATORE (Shanghai Conservatory of Music)
The Transnational Musical Life of the Wencheng’s Emigrants in Milan and Amsterdam
17:30 Jan CREUTZENBERG (Ewha Womans University)
Classical or Traditional? Korean-German Music Theatre Interweavings
18:00 Tsan-Huang TSAI (University of Adelaide)
Remapping the World of Musics: The Curation of Chinese Musical Instruments at the
Metropolitan Museum of Art
18:30-18:45
CLOSING CEREMONY