Each session in the programme has, in addition to its title, a unique identifier consisting of three components: a Roman numeral, a capital letter, and an Arabic numeral. The Roman numeral refers to the day of the conference (I-VII). The capital letter indicates a particular time period within each day (A=early morning, B=late morning, C=lunchtime, D=early afternoon, E=late afternoon, F=early evening, and G=late evening). The Arabic numeral identifies parallel sessions. As an example, the identifier “IID05” describes the fifth parallel session held on the second day of the conference, in the early afternoon.
Chairs are listed following the session title. Room codes are listed in square brackets following the session title. Organised panels are identified with an asterisk (*) preceding the name of the panel. Plenaries, films, workshops and Study Group welcome meetings are labelled accordingly.
- Sessions accessible online are identified in the programme with this icon:
- For more information about the conference, including registration, pleas visit the conference's website.
- Visit this page to learn about the workshops and concerts that will be held during the conference.
- Click here to download the conference's book of abstracts.
- Film Festival. The conference includes the screening of nine films. All films can be access online across the duragon of the conference at the following link: https://www.ictmusic.org/films_ictm2023. Please use password "Ghana2023!" (without the double quotes). Additionally, films will be screened in-person according to the schedule below.
Last update: 17 July 2023
Final Conference Programme
Day I: Thursday, 13 July 2023
| IA |
Opening Ceremony (chair: Svanibor Pettan) [CCAUD] |
| 09:00 |
|
Opening Ceremony |
10:30–11:00 Morning coffee break
| IB |
Keynote address (chair: Daniel Avorgbedor) [CCAUD] |
| 11:00 |
Olabode Omojola |
Keynote address |
13:00–14:30 Lunch break and Study Group welcome meetings
| IC01 |
Study Group welcome meeting (chair: Sylvie Le Bomin) [CC2] |
| 13:00 |
|
African Musics |
| IC02 |
Study Group welcome meeting (chair: Daniela Ivanova-Nyberg) [CC4] |
| 13:00 |
|
Music and Dance in Southeastern Europe |
| IC03 |
Study Group welcome meeting (chair: Şebnem Sözer Özdemir) [CC5] |
| 13:00 |
|
Music of the Turkic-speaking World |
| IC04 |
Study Group welcome meeting (chair: TBA) [CC3] |
| 13:00 |
|
Musics of East Asia |
| ID |
Plenary: * Indigenous Ghanaian music and dance research for community development, cohesion, and cultural continuity: new pathways forward (chair: Michael Frishkopf) [CCAUD] |
| 14:30 |
Eric Baffour Awuah |
Ghanaian music and dance research for community development: conceptualizing future trends |
| 15:00 |
Sylvanus Kwashie Kuwor |
Redefining the Role of Anlo-Ewe music and Dance forms in Knowledge Transmission |
| 15:30 |
Habib Iddrisu |
Balankung: Revival of an Indigenous Music-Dance Tradition |
| 16:00 |
Michael Frishkopf |
Traditional Music and Dance as Sustainable Social Technologies for Community Wellbeing: Singing and Dancing for Health in Ghana |
16:30–17:00 Afternoon coffee break
| IE01 |
IDENTITY IN COMMUNAL AND NATIONAL CONTEXTS (chair: Jean Kidula) [CCAUD] |
| 17:00 |
George Worlasi Kwasi Dor and Marie Agatha Ozah |
Interrogating the Contemporary Salience of the Iria, Girls’ Transitional Rites, among the Okrika People in the Rivers State, Nigeria |
| 17:30 |
Kanykei Mukhtarova |
Manas and the Guinness World Records: Search for Identity and the Nation-Building Process in New Kyrgyzstan |
| IE02 |
* Black Feminist Theory on Queer Hip Hop (chair: Lauron Kehrer) [CC1] |
| 17:00 |
Lauron Kehrer |
"Sissy Style": Gender, Race, and Sexuality in New Orleans Bounce |
| 17:30 |
Elliott H. Powell |
"Representing for My Ladies:" on Missy Elliott, Collaboration, and Black Queer Feminist Relationalities |
| 18:00 |
Shanté Paradigm Smalls |
Butch Bois and Masculinity in the Music of Young M.A |
| IE03 |
Global Perspectives on the Practice of Ethnomusicology (chair: Kwasi Ampene) [CC2] |
| 18:00 |
Ama Oforiwaa Aduonum |
Moving Away from Whiteness The Musicologist of Africa as an Indigenous Scholar |
| 17:30 |
Iyadh EL KAHLA |
Ethnomusicology, a Discipline in the Shadow of Tunisian Academia: State of Initiation, Present, and Prospect. |
| 17:00 |
Nico Staiti |
"Speranze Perdute": The Lost Hopes of a "Decolonized" Ethnomusicology. From an Italian Perspective |
| IE04 |
Understanding Festival Spaces: Activism, Sustainability, and Creativity (chair: Sergio Bordalo e Sá) [CC3] |
| 17:00 |
Bubulinë Syla |
Set me free Campaign - The case of Sunny Hill Festival and its political activism role through music and dance performances |
| 17:30 |
Solomon Gwerevende |
Applied ethnomusicology as decolonisation: Towards the development of muchongoyo cultural festival for sustainability in Zimbabwe |
| 18:00 |
Rafael Caro Repetto |
The street, the theatre, and the web: struggles and creativity in the carnival of Cádiz |
| IE05 |
Peacebuilding and Reconciliation: Performance Interventions in Societies (chair: Ukeme Udoh) [CC4] |
| 17:00 |
Yuan-Hsin Tung |
Performing Reconciliation? An Examination of Wayang Potehi and Its Implication for The Multicultural Society of Indonesia |
| 17:30 |
Ibrahim Uba Yusuf |
Peacebuilding Narrative in selected Hausa Music of Aminu Ala and Andy Batures |
| IE06 |
Music and Contexts of Health During the COVID-19 Pandemic (chair: Jennifer Sherrill) [CC5] |
| 17:00 |
Rita Adaobi Sunday-Kanu |
Rethinking the impact of Covid-19 pandemic on the musical cultures and research approaches in Nigeria |
| 17:30 |
Rudolph T. Bedeley |
Impact of COVID-19 on Music Major Students and Professional Musicians: The Case of Southeastern U.S. |
| IE07 |
Knowledge and Society: New Case Studies of Music Genres and Institutions (chair: Sylvia Bruinders) [AS216] |
| 17:00 |
Lúcia Campos |
AFRODIASPORA AND KNOWLEDGE: TOWARDS A PLURIEPISTEMIC MUSIC TEACHING IN BRAZIL |
| 17:30 |
Will Porter |
Cross-cultural collaborations in music education and public health at Addis Ababa juvenile detention center |
| 18:00 |
Barbara Alge |
Socopé, Ússua and Rumba from São Tomé and Príncipe: questions of "música tradicional" and "música urbana" |
| IF |
Plenary: * Roundtable— Boundaries, Borderlands, and Belonging: Translocal Performances as Decolonizing and Community-forming Forces (chair: Sarah Weiss) [CCAUD] |
| 18:45 |
Panellists |
Tan Sooi Beng, Rachel Ong, Kendra Stepputat, Sarah Weiss, Helena Simonett
|
Day II: Friday, 14 July 2023
| IIA01 |
* Jazz Cosmopolitanisms in Africa, Whose Cosmopolitanism? (chair: Oladele Ayorinde) [CCAUD] |
| 08:30 |
Richard (Rick) M. Deja |
Jazz and Afro-positivism: Music and Mobility in (and around) Malawi |
| 09:00 |
Adeolu O. Ogunsanya |
African Jazz Cosmopolitanism: A case of the Afrolinks Jazz Band, Ibadan, Nigeria |
| 09:30 |
Abiodun Adebiyi |
Jazz in Lagos city between 1986 and 1995: the Jazz 38 Experience |
| IIA02 |
Performing Resilience: Power Dynamics in Music and Dance (chair: Urmimala Sarkar) [CC1] |
| 08:30 |
Anna Hoefnagels |
"Stay Strong": Female Inuit Singer-Songwriters’ Songs of Resilience and Trauma |
| 09:00 |
Amritha Sruthi Radhakrishnan |
Dancing to 'Walk': Creating a transformative space through activism in dance - Maya Krishna Rao and contemporary dance in India |
| 09:30 |
Grijda Spiri |
Suppression of Grief and Oppression of Social Behavior under Albanian Communist Agenda |
| IIA03 |
Archives and Decolonisation: Accessibility, Ethics, and Sharing (chair: Sarah Weiss) [CC2] |
| 08:30 |
Mark Perry & Dominick Tucker |
Towards the Decolonization of Native American Music Recordings |
| 09:00 |
Fatima NURLYBAYEVA |
Sounds of the Turkic World: Decolonization of Musical Archives |
| 09:30 |
Nicole Madeleine Pooley |
Music archives and the ethics of digital accessibility |
| 10:00 |
Minako Waseda |
Japanese-American Oral History Digital Archive "Hidden Legacy": Toward the Accumulation and Sharing of Ethnomusicological Data |
| IIA04 |
Voices and Representations of Women in Traditional and Commercial Song and Dance (chair: Ama Oforiwaa Aduonum) [CC3] |
| 08:30 |
EKPO, Omotolani Ebenezer |
Music Discourse Analysis of "Women Song and Dance of Peace": The Wukari Jukun Narrative |
| 09:00 |
Shi Lei |
Strategic Discourse and Expressions of Revolution: Women's Songs and Performances in the Central Soviet Area of China, 1929–1934 |
| 09:30 |
Iva Nenić |
Playing (With) the Gender: Recontextualizing Womanhood Through the Gusle Music Tradition |
| 10:00 |
Elileojo Laura Etemah |
Women’s Visibility and Representation in the Field of Music Production. A Comparative Analysis of the Ghanaian and Nigerian Music |
| IIA05 |
* The Use of Phylogeny to Understand the Evolution of Musical Instruments in Oral Populations (chair: Sylvie Le Bomin) [CC4] |
| 08:30 |
Sylvie Le Bomin |
The Use of Phylogeny to Understand the Evolution of Musical Instruments in Oral Populations |
| 09:00 |
Salomé Strauch |
Cultural Evolution: The Cladistic Analysis of the Morphology of Central African Harps |
| 09:30 |
Pierre Darlu |
From Matrix to Tree: Parsimony Applied to the Evolution of Central African Harps. |
| 10:00 |
Guillaume Lecointre |
The Usefulness of Phylogenies |
| IIA06 |
Movements Across Boundaries: Diasporic, Digital Spaces, and Dance (chair: Kirk Sullivan) [CC5] |
| 08:30 |
Jasmina Talam |
Popular Music and Identity: Bosnian music bands in Sweden |
| 09:00 |
Samuel Weigel |
Digital Minyanim: Jewish musical heritage in transeuropean contexts |
| 09:30 |
Segun Odusoro and Olupemi Oludare |
Rethinking and Decolonizing Contemporary African Music and Dance: The Role of Konkolo Rhythm in Naija Hip-Hop as Agency for Cult |
| 10:00 |
Daniel Suer |
Dances with Tables. Altered Materialities of Dance Practices in Heavy Metal as Response to the COVID-19 Pandemic |
| IIA07 |
* Musicking Toward Peace in Sub-Saharan Africa: Explorations in Sustainable Peacebuilding Through Music-Making and Dance (chair: Roberta King) [AS216] |
| 08:30 |
Megan Meyers |
Creativity from Chaos: Meaning-Making through Musiking in Mozambique |
| 09:00 |
Daniel Dama |
Fulbe Singing and Dancing Toward Peace: Healing and Interfaith Dialogue in Benin |
| 09:30 |
James Krabill |
Singing Peace: A Study of Peace Themes in the Early Songs of the Harrist Church among the Dida People of Ivory Coast |
| 10:00 |
Roberta King |
The Pursuit of Peace through Group Composing, Creating Songs of Forgiveness in Kenya |
10:30–11:00 Morning coffee break
| IIB01 |
Individuals and Their Influence in the Development of Ethnomusicology and Anthropology (chair: Tan Sooi Beng) [CCAUD] |
| 11:00 |
Chris Batterman Cháirez and Jacob Reed |
Music in the Thought of Franz Boas: Notes Towards a Musical History of Anthropology |
| 11:30 |
LING Jiasui |
Historical Site: Hugh Tracey's African Music Archives and His Practice on "Archive-making" |
| 12:00 |
Don Niles and Carlos Yoder |
The Council’s Executive Secretaries, 1963–69: The Challenges of Doing Research on the Council’s History |
| 12:30 |
Mr. Bernett Nkwayi Mulungo |
An African Composer |
| IIB02 |
Contexts and Conflicts: The Challenges and Opportunities of Applied Ethnomusicology (chair: Helena Simonett) [CC1] |
| 11:00 |
Ukeme Akpan Udoh |
Borderline Colonisation in Applied Ethnomusicology: Appropriation or Changes in the Ibibio traditional music of Nigeria |
| 11:30 |
Huib Schippers |
Beyond the Field: Reapplying Ethnographic Skills to Succeed and Survive in Applied Ethnomusicology |
| 12:00 |
Musicultura Group |
Archives and Applied Ethnomusicology in Contexts of Social Conflict: Reflections on the Musicultura Archives in Rio de Janeiro |
| IIB03 |
Music within Diverse Environments: Material, Urban, and Digital Spaces (chair: Meri Haami) [CC2] |
| 11:00 |
Josh Brew |
Of Materiality and the Environment: Towards a Sustainable Ecology with Palmwine Music? |
| 11:30 |
Olusegun Stephen Titus |
Nigeria Popular Music and Dance on Human and Planetary Well-Being: Lagos Urban Pollution and Environmental Sustainability |
| 12:00 |
Jenna Sears |
Digital Jewish Soundscapes: A Ritual Study of Shabbat Services in Response to Covid-19 |
| IIB04 |
Diasporic Identities in Dance and Music (chair: Kendra Stepputat) [CC3] |
| 11:00 |
Urmimala Sarkar |
Push and Pull of Performative Assertions: Marking Presence Through Dance in Diaspora |
| 11:30 |
Catherine Foley |
Bharatanatyam and the Embodiment and Negotiation of Identity: The Indian Diaspora in Ireland |
| 12:00 |
Gayle Murchison |
Remixing Zap Mama: Marie Daulne, Hip Hop, and the African Diaspora Ecos |
| IIB05 |
Christianity and Global Music: Liturgy, Community, and Identity (chair: Isaac Ibude) [CC4] |
| 11:00 |
Heather MacLachlan |
Excellence, inclusivity and ethics in American church music-making |
| 11:30 |
Marco F. Lutzu |
Ntonobe: Music and Dance in the Catholic Liturgy among the Fang in Equatorial Guinea |
| 12:00 |
If-not-God Moses |
Negotiating the Intersectional Identities in the Music Culture of the Deeper Christian Life Ministries in Nigeria |
| IIB06 |
Women in Performance: Tradition, Change, and Meaning (chair: Omolara Loko) [CC5] |
| 11:00 |
Anna Rezaei |
Performing Shahnameh in Iran: Naqqals, women and embodied emotion |
| 11:30 |
Ifeanyi Onyedika Okafor |
Traditional Marriage Songs By Ezinifite Women in Aguata LGA, Anambra Nigeria |
| 12:00 |
George Pioustin |
Creating the Ideal Woman Through Performance: Change and Continuity of Margamkali Tradition of the Syrian Christians of Malabar |
| IIB07 |
* Interdisciplinary Dialogue for the Study of the Evolution of Musical Instruments: The Ngombi Project on African Harps. (chair: Rémy Jadinon) [AS216] |
| 11:00 |
Marc Allassonnière-Tang & Sylvie Le Bomin |
Comparing lexical and instrumental distances to infer language history: Preliminary results with harps in Central Africa |
| 11:30 |
Susanne Fürniss |
Where are the harps? Musical Iconography in European Writings from the 16th to the 19th Century |
| 12:00 |
Rémy JADINON |
Diversity of Uganda Harps, from Museum Collections to Today's Practices. |
| 12:30 |
François Fabre; Jean-Loïc Le Carrou & Baptiste Chomette |
Central Africa harps: a study of strings’ geometrical and mechanical properties |
| IIB08 |
Film screening [Archive] |
| 11:00 |
Athena Katsanevaki |
The Fairy Tale of the Island of Creta or "The Prince and the haunted island". Duration: 25m 5s |
13:00–14:30 Lunch break and Study Group welcome meetings
| IIC01 |
Study Group welcome meeting (chair: TBA) [CC5] |
| 13:00 |
|
Mediterranean Music Studies |
| IIC02 |
Study Group welcome meeting (chair: Marie Agatha Ozah) [CC2] |
| 13:00 |
|
Music, Education and Social Inclusion |
| IIC03 |
Study Group welcome meeting (chair: Mayco Santaella) [CC3] |
| 13:00 |
|
Performing Arts of Southeast Asia |
| IIC04 |
Study Group welcome meeting (chair: George Murer) [CC1] |
| 13:00 |
|
Audiovisual Ethnomusicology |
| IIC05 |
Study Group welcome meeting (chair: TBA) [CC4] |
| 13:00 |
|
Iconography of the Performing Arts |
| IID01 |
Roundtable—* Human Rights, Social Justice, and the Sustainability of Traditional Performing Arts (chair: Catherine Grant) [CCAUD] |
| 14:30 |
Panellists |
Ruth Opara, Yuan-Hsin Tung, Guilnard Moufarrej, Katarzyna Skiba, Subash Giri
|
| IID02 |
Studies of Global Opera and Ballet (chair: Rafael Caro Repetto) [CC1] |
| 14:30 |
Akiko Nozawa |
The Banjaran Sari Opera: The Imagined Hindu-Javanese Performing Arts of Indonesia |
| 15:00 |
Deng Jia |
The Mermaid and the Beginnings of Chinese Folk Ballet |
| IID03 |
* Audiency beyond the concert hall (chair: Samuel Horlor) [CC2] |
| 14:30 |
Rainer Polak, Samuel Horlor, and Lara Pearson |
Theorizing audiency |
| 15:00 |
Samuel Horlor |
Ubiquitous audiency: Attention and everyday musical encounters in China |
| 15:30 |
Rainer Polak |
Embedded audiency: Performing as audiencing at music-dance events in Mali |
| 16:00 |
Lara Pearson |
Audiencing gestures and social interaction in Karnatak music lessons |
| IID04 |
Negotiating Dance in Heritage and Festival Contexts (chair: Emmanuel Cudjoe) [CC3] |
| 14:30 |
Kapambwe Lumbwe |
Negotiating Continuity and Change in Zambian Cultural Music and Dance for Surviving in a Changing World: A Case Study of Banthu |
| 15:00 |
Jeanette Mollenhauer |
Reframing multicultural festivals: a vital catalyst for decolonizing ‘Australian dance.’ |
| IID05 |
Film Discussions I (chair: Frank Gunderson) [CC4] |
| 14:30 |
Athena Katsanevaki |
The Fairy Tale of the Island of Creta or "The Prince and the haunted island" |
| 15:00 |
Tiziana Palandrani |
Bordar la luz (Embroidering the light) |
| 15:30 |
Temi Ami-Williams |
Transforming the Transformed: Motion Capture as a means for Safeguarding Intangible Cultural Heritage . |
| IID06 |
Indigenous and Local Modes of Transmission in Dance and Music (chair: Paul Ntoh Afor) [CC5] |
| 14:30 |
Peter Lell |
Exploring the Notion of "Transmission" in Contemporary Contexts: Learning Afghan Rubab |
| 15:00 |
Nate Holder |
Investigating the absence of Barbadian Tuk Music in UK Music education |
| 16:00 |
Lasanthi Manaranjanie Kalinga Dona
|
Healing Rituals and their Presence in Education in Sri Lanka |
| IID07 |
Music and Dance Education: Changing Contexts and Decolonization (chair: Ihechi Elizabeth Achom) [AS106] |
| 14:30 |
Chen Yu Hao |
Sounding Hands: Manual Signs in Early Chinese Deaf Education |
| 15:00 |
Nozuko Nguqu |
Indigenous African Music (IAM) performance assessment challenges: The case of Umlazi District |
| 15:30 |
Antonio Bukhar Ssebuuma |
Teaching Afro-fusion in higher education as a means to aid decolonisation in dance studies. |
| 16:00 |
Timothy Rice |
Decolonizing music curricula in service to society |
| IID08 |
* Arts Management, Cultural Policy, & the African Diaspora 1 (chair: Antonio C. Cuyler) [AS216] |
| 14:30 |
Alasambom Nyingchuo |
Cultural Policy and the Film Sector in Cameroon |
| 15:00 |
Brea Heidelberg |
Theorizing Street Cred: Exploring the Impact of Barriers to Entry and Advancement of (Hopeful) Black Arts Administrators |
| 15:30 |
Ndubuisi C. Ezeluomba |
Cultural Patrimony and Discussion of the 1897 Invasion of Benin Kingdom: Some Questions for Arts Management Abstract |
| 16:00 |
Amos Darkwa Asare |
Arts Management and Cultural Policy in Ghana |
| IID09 |
Conflict, Reconciliation, and Imagining Freedom. (chair: Svanibor Pettan) [INHUB1] |
| 14:30 |
Olga Zaitseva-Herz |
Songs become weapons: Ukraine and Russia in 2022 |
| 15:00 |
Dion Malcolm Eaby-Lomas |
Kwaito’s Legacy of Imagining Freedom: Amapiano as Aesthetic and Convivial Encounter |
| 15:30 |
Jeongin Lee |
Remembering the Forgotten War: Sound and Mnemonic Imagination in the DMZ Soundscape |
| IID10 |
Global Histories of Music and Dance (chair: Christiano Tsope) [INHUB2] |
| 14:30 |
Débora Grácio Santos |
"We just liked singing and dancing"- the role of Folklore groups during the 20th Century Portuguese dictatorship |
| 15:00 |
Matildie Wium |
Revisiting Gerhard Kubik’s Àló studies: Serendipity, Convivial Scholarship and Historical Ethnomusicology |
| 15:30 |
Astrid Nielsch |
From Africa to Spain: Dance Music for Harp From C. 1700 |
| 16:00 |
Lee, Mei-Yen |
The Theoretical and Practical Significance of the Yayuewu of Confucianism in Taiwan’s Confucian Ritual Ceremony |
16:30–17:00 Afternoon coffee break
| IIE01 |
* Shifting Aesthetics and Reimagining Meanings of Spirit Encounters: Sound, Movement, and Religious Hybridity in Southeast Asia (chair: Lorenzo Chiarofonte ) [CCAUD] |
| 17:00 |
Gene Lai |
Taking cues from Taoist and Hindu Folk Deities: The Development of Singaporean and Malaysian Uṟumi Mēḷam |
| 17:30 |
Xiaorong Yuan |
The Crown Prince, Teochew Opera and forming the Chinese-Thai Community: the study of Chinese-Thai Operatic Activities in Bangkok |
| 18:00 |
Luigi Monteanni |
Coarse and noisy: genre formations, imagined genealogies and aesthetic commentary between réak and extreme metal in West Java |
| Session sponsored by the ICTM Study Group on Performing Arts of Southeast Asia |
| IIE02 |
Collaboration, Community, and Wellbeing in Music Research (chair: Marcia Ostashewski) [CC1] |
| 17:00 |
Huang Wan |
A newly emerging ‘pitiful’ sound: Okinawan Ryukyu Karen in the views of Art Therapy and Well-being |
| 17:30 |
Ming-Hui Ma |
Forming a Collaborative Relationship between a Researcher and the Researched in Contemporary Taiwan: A Case Study from Beiguan |
| IIE03 |
Materialities of Music (chair: Lee Watkins) [CC2] |
| 17:00 |
Great Lekakul |
Reconceptualisations of Phin Pia's Sound Identity in Contemporary Lanna Culture |
| 17:30 |
Avril McLoughlin |
Exploring the nature of music theory in the context of Irish traditional music |
| 18:00 |
María del Mar Ocaña Guzmán |
How does ‘heritage’ sound? Researching sound-archives logics, materialities, and violence(s) |
| IIE05 |
Politics and the Nation: Negotiating Collective Identities in Music and Dance (chair: Eyram Fiagbedzi) [CC4] |
| 17:00 |
Roozbeh Nafisi |
Iranian Traditional Music in Lives of Iranians Under the Rule of the Islamic Republic |
| 17:30 |
Guo Jingxuan |
Conflict and Compromise：Music and Dance at Canton Fair in the Cultural Revolution |
| 18:00 |
Kolawole Gbolahan Cornelius |
Reclaiming the Poetics of Indigenous Labrosones (Horns/Trumpets) |
| 18:30 |
Juliana Catinin |
"New Packaging for Old Interests, the Hook of the Right Made the Left Become a Fish": Discussion on Neoliberalism, Ideology and Depoliticization in Ethnomusicology |
| IIE06 |
Musical Analysis and Representation in Genres and Media (chair: Cristiano Tsope) [CC5] |
| 17:00 |
YiJing Fang |
The study of Wind and Thunder of Wu Zhi Zhai Qin's Score |
| 17:30 |
Eshantha Joseph Peiris |
Decolonizing Understandings of Rhythm |
| 18:00 |
Scott Currie |
"That Bassline Is Nyabinghi!": Resonances of African Diasporic Roots Drumming in Jamaican Reggae Riddims |
| IIE07 |
* Arts Management, Cultural Policy, & the African Diaspora 2 (chair: Antonio C. Cuyler) [AS216] |
| 17:00 |
Karen Chandler |
Uniquely Gullah: Africanisms in Jazz |
| 17:30 |
Eyram E. K. Fiagbedzi and Richardson Commey Fio |
Ghana’s Cultural Policy and (Dis)Empowerment: A Three-Decade’s Reflections on the Centres for National Culture (CNC) |
| 18:00 |
Suzanne Alleyne |
Examining the Black British Arts Management Experience Through the Lens of Power |
| 18:30 |
Pawlet Brookes |
Black British Cultural Practice in an Era of Change |
| IIE08 |
Global Communities: Identity, Education, and Sustainability (chair: Felix Morgenstern) [INHUB1] |
| 17:00 |
Ya-Chen Lee |
Identity Empowerment of Shen Ai Indigenous Children-Aetós Studio: Community Music Initiative, Social Media Strategy in Taiwan |
| 17:30 |
XIN LU, FENGJIAO ZHANG, JIA LIU |
Using the TPACK model to explore the challenges and countermeasures of online music education during COVID-19 |
| 18:00 |
Chara Charalambous |
Limassol Carnival Serenades: An Applied Ethnomusicological Approach to Sustaining Sound Communities |
| IIE09 |
Representation and Identity: Cultural Intersections in Local Music Practices (chair: Joshua Amuah) [INHUB2] |
| 17:00 |
Dave Wilson |
Representing African Music at the Site of a European Jazz Festival |
| 17:30 |
Eric A. Galm |
Transatlantic Intersections of Faith, Place, and Space in the Brazilian Congado Mineiro |
| 18:00 |
Babak Nikzat |
"Only We Can Play Dammām With the Right Mood!" The role of people of African heritage in religious ceremonies in southern Iran |
| 18:30 |
Yao Cui |
Negotiating Musical and Cultural Spaces within the Chinese Diaspora: The Toronto Chinese Orchestra as Case Study |
| IIE10 |
Film screening [Archive] |
| 17:00 |
Tiziana Palandrani |
Bordar la Luz (Embroidering the Light). Duration: 39m 28s |
| IIF |
5th Assembly of Study Group Chairs (chair: Lee Tong Soon) [CCAUD] |
| 19:00 |
|
The assembly is open to representatives of Study Groups only (one Chair or other representative per Study Group) |
Day III: Saturday, 15 July 2023
| IIIA01 |
* Sub-Saharan African Music in Foreign Travellers’ Accounts: Cultural Encounters, Epistemological Problems, Methodological Challenges (part 1) (chair: Susanne Fürniss) [CCAUD] |
| 09:00 |
Gabriela Currie and Simon Mwaniki |
Encountering Music in Africa: the Kingdom of Kongo in Early Modern European Writings |
| 09:30 |
Susanne Fürniss |
Giovanni Antonio Cavazzi's 17th-Century Account of Angola: Musical Iconography as a Source for the History of Musical Instrument |
| 10:00 |
Nine Agneray-Fofana |
Giovanni Antonio Cavazzi's 17th-Century Account of Angola and Its Illustrations: Cross-References to Early Musical Practices |
| IIIA02 |
* Ecomusicology and Performance 1 (chair: Myfany Turpin) [CC1] |
| 09:00 |
Clint Bracknell |
Performing Noongar Song on Country |
| 09:30 |
Sudiipta Dowsett |
Milpirri Eco-Somatics: Hip-Hop and Warlpiri Embodied Senses of Place |
| 10:00 |
Georgia Curran |
Warlpiri Women Ceremonies About Fire and Rain: Australian Aboriginal Songs as Repositories of Biocultural Knowledge |
| Session sponsored by the ICTM Study Group on Music and Dance of Oceania |
| IIIA03 |
* Raciality, Gender and Music Flows in the Context of Commercial Recordings: Three Case Studies in Portuguese-Speaking Countries (chair: Ana Flávia Miguel) [CC2] |
| 09:00 |
Cristiano Tsope |
Colonial Ideologies, Policies and Absence of Local Musical Practices in Radio Mozambique 78 rpm Records |
| 09:30 |
Ana Flávia Miguel |
Cesária Évora and the Overture of Routes for Other Cape-Verdean Women's Voices |
| 10:00 |
Pedro de Moura Aragão |
Macumbas and Batuques for Sale: Racialization and the Construction of Otherness in the Brazilian Phonographic Industries |
| IIIA04 |
* Bringing Back the Sounds of Historical Siwa? Challenges and Potentials of Musical Repatriation (chair: Matthias Pasdzierny) [CC3] |
| 09:00 |
Matthias Pasdzierny |
Music East & West? The German-Jewish Ethnologist and Composer Brigitte Schiffer and her recordings of the Siwa people (1932/33) |
| 09:30 |
Salwa El-Shawan Castelo-Branco |
Repatriating Brigitte Schiffer’s Sound Recordings from Siwa |
| 10:00 |
Valentina Schiattarella |
Repatriating Brigitte Schiffer’s Siwa Recordings From a Linguistic Perspective |
| IIIA05 |
Materiality and Sound [CC4] |
| 09:00 |
Isabel Frey |
The afterlife of Yiddish folksong and the materiality of the Yiddish voice |
| 09:30 |
Nicola Renzi, Laura Chiara Amato |
Gendered Sounds and Materiality in the Sicilian Puppet Theatre |
| 10:00 |
Bo Yang |
The Pūtōrino from New Zealand: Approaches to the Analysis and Meaning of an Instrumental Sound |
| IIIA06 |
* Popular Music and Activism in Cross-Cultural Reverberations: Possibilities and Limitations across the Asia-Pacific (chair: Pei-ling Huang) [CC5] |
| 09:00 |
Tasaw Hsin-chun Lu |
Facebook Revolutionary Soundscape: Song Remaking and Affective Attunement Amongst the Sino-Myanmar "Generation Z" |
| 09:30 |
Yuan-Yu Kuan |
Riding Global Musical Waves: Indigenous Resistance Through Intercultural Musicking in Contemporary Taiwan |
| 10:00 |
Pei-ling Huang |
Ecological Perspectives on Popular Music Platforms and Online Activist Campaigns after the 2022 Pakistan Megafloods |
| IIIA07 |
* Ethnomusicological Turn in Higher Music Education Curricula in Brazil and Mozambique: Challenges and Decolonial Propositions (chair: Luis Ricardo Silva Queiroz) [AS106] |
| 09:00 |
Francisco de Assis Santana Mestrinel |
Decolonizing Brazilian Popular Percussion |
| 09:30 |
Luis Ricardo Silva Queiroz |
Dialogues and Interactions among Afro-Brazilian Culture and Music Higher Education in Brazil |
| 10:00 |
Joaquim Borges A. Gove |
An Ethnomusicological Look at the Student Representations in Higher Music Education Curriculum at Universidade Eduardo Mondlane |
| IIIA08 |
The Significance of Place in Music and Dance Practices (chair: Eduardo Reis Falcao) [AS216] |
| 09:00 |
José Alberto Daniel Chemane |
Exploring ngalanga’s recontextualization within contemporary music in Mozambique |
| 09:30 |
Mridupankhi Rajkumari |
The Satra Arts of Assam: negotiating antiquity, authenticity and modernity |
| 10:00 |
Cara Stacey, Mark Aranha, Kristy Stone |
Ife and Bilal: An intercultural, practice-based intervention |
| IIIA09 |
New Perspectives on Music and Dance in the Diaspora (chair: John Collins) [INHUB1] |
| 09:00 |
Allia guillot |
Fusion in Gnawa Music: A Study in Moroccan Diasporas |
| 09:30 |
Marin Naruse |
Japanese Island Music Diaspora: An Autoethnographic Case Study From an Amami Island 島唄 唄者 (Shimauta Singer) in Tokyo |
| 10:00 |
Andrew Ssebulime |
Trondheim: A Ugandan Dance Microcosm |
| IIIA10 |
Instruments and Materials in Diverse Contexts (chair: Julie Searles) [INHUB2] |
| 09:00 |
Anthony Dzisah |
Surrogate Techniques and Performance Practice of the Dondo (Hourglass-Drum) in the Context of the Eʋe Presbyterian Church, Ghana |
| 09:30 |
Andrew Snyder |
Traditional Associativism as a Socio-Economic Foundation for the Untraditional Ventures of a Portuguese Brass Band |
| 10:00 |
Daniela Ivanova-Nyberg |
Sound-Making Bodies, Objects, Technologies: Exploring the "Materiality" of Bulgarian Music and Dance |
10:30–11:00 Morning coffee break
| IIIB01 |
* Sub-Saharan African Music in Foreign Travelers’ Accounts: Cultural Encounters, Epistemological Problems, Methodological Challenges (part 2) (chair: Janie Cole) [CCAUD] |
| 11:00 |
Daniela Castaldo |
Pieter de Marees’ ‘Description and Historical Tale of the Golden Kingdom of Africa’: Music and Instruments in Texts and Images |
| 11:30 |
Janie Cole |
Foreign Narratives of Musical Encounters in the Christian Kingdom of 16th- and 17th-Century Ethiopia |
| 12:00 |
Estelle Joubert |
Atlantic Seafaring and Musical Depictions of the Khoekhoe in Southern Africa |
| Session sponsored by the ICTM Study Group on African Musics |
| IIIB02 |
* Ecomusicology and Performance 2 (chair: Georgia Curran) [CC1] |
| 11:00 |
Sebastian J. Lowe |
Breathing With a River |
| 11:30 |
Myfany Turpin |
The Potency of Vocal Production in Central Australian Aboriginal Society |
| Session sponsored by the ICTM Study Group on Music and Dance of Oceania |
| IIIB03 |
* Musics and Human Rights Violations in Latin America and the Caribbean (chair: Javier Silvestrini) [CC2] |
| 11:00 |
Julio Mendívil |
Huayno music and the memories of the armed struggle of Sendero Luminoso in Ayacucho, Peru |
| 11:30 |
Pablo Rojas Sahurie |
Singing to Violence: Music and Resistance to the Chilean Dictatorship |
| 12:00 |
Javier Silvestrini |
Plena in San Juan, Pounding the Untold |
| Session sponsored by the ICTM Study Group on Music and Dance in Latin America and the Caribbean |
| IIIB04 |
Case Studies of the Black Atlantic and Beyond (chair: Birgitta J. Johnson) [CC3] |
| 11:00 |
Alaba Ilesanmi |
"Songs for Survival": A Case Study of Fela’s Reincarnation in the Black Atlantic Soundscape |
| 11:30 |
Elina Djebbari |
Towards the Creole Atlantic? From Transatlantic Creolized Quadrilles to the Bollo Music Dance Genre of the San Pedro Region, Ivo |
| IIIB05 |
Sounding the Past in the Present: New Perspectives on Music Histories (chair: Hande Sağlam) [CC4] |
| 11:00 |
Farah Zahra |
Displaced Archives: A [Hi]story of the Cassettes’ Collections of the Iraqi Maqam |
| 11:30 |
Tanja Halužan |
Traditional Music of Central Croatia in the Production of Early Domestic Record Companies – a Nucleus of the Local Repertoire St |
| 12:00 |
Steven Moon |
Music at the Abode of Felicity: Composition and Performance by the Women of the Ottoman Imperial Harem |
| 12:30 |
Saumya Mani Tripathi |
Muharram in Kashmir: Historical Trauma, performance and Resistance |
| IIIB06 |
Gender and Power: Women’s Voices in Global Contexts (chair: Rachel Ong) [CC5] |
| 11:00 |
Chia-An (Victor) Tung |
One Women Religious and Gender Power: The Musical Legacy of Isabel Taylor in Formosa |
| 11:30 |
Purab Riddhi Chaudhuri |
Role of women and power of the spoken word in singing traditions within the indigenous Apatani of Arunachal Pradesh, India. |
| 12:00 |
Yalda Yazdani |
The Female Voice of Afghanistan: An Ethnographic Research by Focusing on the Musical Activities of Women singers in Afghanistan and the Impacts of Migration |
| IIIB07 |
* Composing New Music in Africa: Conceptual, Aesthetic and Pedagogical Perspectives (chair: Lukas Ligeti) [AS216] |
| 11:00 |
Martin Scherzinger |
Making Melodies in the Time of Mbira |
| 12:00 |
Onche Rajesh Ugbabe |
African Symphonism: A West African Perspective on the Use of Traditional Music Elements in Orchestral and Chamber Music |
| 12:30 |
Lukas Ligeti |
New Directions in Composition and Pedagogy Based on Concepts from African Music Traditions |
| IIIB08 |
* Beyond the "Digital Return": "New Heritage/s," Sustainability, and the Decolonisation of Music Archives in South Africa, Kenya a (chair: Lee Watkins) [INHUB1] |
| 11:00 |
Lee Watkins |
Mechanical Reproduction and the Decolonisation of the Aura in Hugh Tracey's Shellac Records |
| 11:30 |
Tom Mboya |
Present–Ing the Past in Luo Popular Music |
| 12:00 |
Markus Coester |
Decolonial Means What? Conditions of "Digital Return" and the Re/Creation of New Music Heritage |
| 12:30 |
Daniel Avorgbedor |
Discussant |
| IIIB09 |
Film screening [Archive] |
| 11:00 |
Richard Wicksteed |
SanDance! Duration: 60m |
13:00–14:30 Lunch break and Study Group welcome meetings
| IIIC01 |
Study Group welcome meeting (chair: TBA) [CC2] |
| 13:00 |
|
Multipart Music |
| IIIC02 |
Study Group welcome meeting (chair: Kendra Stepputat and Rafael Caro Repetto) [CC3] |
| 13:00 |
|
Sound, Movement, and the Sciences |
| IIIC03 |
Study Group welcome meeting (chair: TBA) [CC1] |
| 13:00 |
|
Indigenous Music and Dance |
| IIIC04 |
Study Group welcome meeting (chair: TBA) [CC4] |
| 13:00 |
|
Maqām |
| IIID |
Plenary: 46th Ordinary Meeting of the General Assembly of Members (chair: Svanibor Pettan) [CCAUD] |
| 14:30 |
|
The General Assembly is open to all ICTM members in good standing |
| Registration links to join the General Assembly have been emailed to all ICTM members in good standing |
16:30–17:00 Afternoon coffee break
| IIIE01 |
Musical Conflict and Dispossession (chair: Salwa El-Shawan Castelo-Branco) [CCAUD] |
| 17:00 |
Razia Sultanova |
Afghanistan Dispossessed: Burqa, Bans, and Music in the Time of Taliban-2 |
| 17:30 |
Gale Franklin |
Listening to Whiteness: The Sounds and Silences of the "Freedom Convoy" Occupation in Ottawa |
| IIIE02 |
Indigeneity and the Environment (chair: Georgia Curran) [CC1] |
| 17:00 |
Meri Haami |
He Whiringa Hīnaki: A Kaupapa Māori Ecomusicological Framework Using Te Awa Tupua |
| 17:30 |
Ijeoma Iruka Forchu |
Decolonising the Concept of Environment in Igbo Indigenous Music |
| IIIE03 |
* The Lives of Musical Things: Dialogues Forged by Folk Music Artefacts and Materials in the Context of Post-folklorism (chair: Maria do Rosário Pestana) [CC2] |
| 17:00 |
Maria do Rosário Pestana |
From the archive to the repertoire: pathways of memory, emotions and learning through historical sound records |
| 17:30 |
Lucas André Wink |
Ethnographies of/in sound. An opportunity for open listening to learn about the traditional playing of bass drums |
| 18:00 |
Rui Filipe Duarte Marques |
Dialogues around the luthier's workbench: reflections on the study of musical instruments as repositories of knowledge and memor |
| IIIE04 |
Roundtable—* Academics and Practitioners Decolonize Music Studies, Advancing the Inclusion of Autochthonous Music in Puerto Rico. (chair: Sara Selleri) [CC3] |
| 17:00 |
Panellists |
Sara Selleri, Pablo Luis Rivera, Margarita Sánchez Cepeda, Jaime O. Bofill Calero, N/A
|
| Session sponsored by the ICTM Study Group on Music, Education and Social Inclusion |
| IIIE05 |
New Case Studies and Approaches to Fieldwork (chair: Elina Seye) [CC4] |
| 17:00 |
Rakesh Kumar |
The Complex Nature of Multisite Ethnographic Fieldwork on the Siddi Goma/Dhamal, in Gujrat, India |
| 17:30 |
Juan Diego Diaz |
Let’s Travel Together: Reflections on Accompanied Ethnomusicological Fieldwork in West Africa |
| IIIE06 |
Navigating COVID-19: Music Practices and Experiences (chair: Rita Sunday-Kanu) [CC5] |
| 17:00 |
Bonnie B. McConnell |
Women’s musical networks and COVID-19 communication in the Gambia |
| 17:30 |
Eric Koome Murianki |
A One-Man Choir: Ogama’s Choral Music Practices in Spreading the Awareness of the COVID-19 Pandemic in Kenya |
| 18:00 |
Bipasha Guptaroy |
Navigating Through the Covid -19 Pandemic – Experiences of some Indian Dance Practitioners |
| IIIE07 |
Taste, Touch, and Hearing: Ethnomusicology and the Senses (chair: Nii Dorte) [AS106] |
| 17:00 |
James Félix |
The Food-Music Relationship and Cultural Expression: A Manifesto for Gastromusicology |
| 17:30 |
John Wesley Dankwa |
Theorizing Sonic Experience in Dagara Funeral Ceremonies in Northwest Ghana |
| IIIE08 |
Instrument Relationships: Integrations, Intersections, and Identities (chair: Sylvie Le Bomin) [AS216] |
| 17:00 |
Yan LI |
Joint Inheritance, Sharing and Identity: Ethnic Integration in Yunnan Cross-ethnic Wedge Drum Music Culture |
| 17:30 |
Masaya Shishikura |
A Japanese Musical Instrument in Africa: Intersecting Journeys of Taishōgoto and Karayuki-san |
| 18:00 |
Salvatore Morra |
Reconsidering North African Lutes: Histories, Features and African Identities |
| IIIE09 |
Film screening [Archive] |
| 17:00 |
Temi Ami-Williams |
Transforming the Transformed: Motion Capture as a means for Safeguarding Intangible Cultural Heritage. Duration: 10m |
Day IV: Sunday, 16 July 2023
| IVF |
Remembering Terada Yoshitaka: A Memorial Session (chair: Svanibor Pettan) [GH] |
| 19:30 |
Panellists |
TBA |
Day V: Monday, 17 July 2023
| VA01 |
* Transatlantic Bridge: An African-Brazilian Discussion About Yoruba as a Connecting Element (chair: Peter Ninaus) [CCAUD] |
| 08:30 |
Peter Ninaus |
Decolonization of the (research) system on the example of the Yoruba culture |
| 09:00 |
Olupemi Oludare |
Rethinking Transatlantic elements in Musical Languages: the Musical and Linguistic Expressions in Yoruba Traditional Instrument |
| VA02 |
Changes and Developments in Instrumental Practice (chair: Mayco A. Santaella) [CC1] |
| 08:30 |
Eric J. Schmidt |
Capital Nomads: Wodaabe Artists at the Margins of the Tuareg Guitar Scene in Niamey |
| 09:00 |
Nico Mangifesta |
Expanding the Sonic Palette by Reshaping Instrumental Ensembles in Balinese New Music for Gamelan |
| 09:30 |
Samuel Elikem Nyamuame |
Just Improvise: How Having Fun Is Leading to the Destruction of Ghanaian Drum Music Performance Practices |
| 10:00 |
Xiao Mei，Xing Yuan |
Sensing Strange Histories — Material Changes of Chinese Chordophones in the 20th Century |
| VA03 |
Film Discussions 2 (chair: Celeste Landeros) [CC2] |
| 08:30 |
Frank Gunderson |
Beloved Youth of Many Days - Stories About Mlimani Park Orchestra |
| 09:00 |
Lea Hagmann |
Beyond Tradition – of Yodelling and Yoiking |
| VA04 |
* Redefining Black Music Research in Salvador Bahia – African Diaspora Music Practices in Ethnomusicology and Music Education (chair: Katharina Doring) [CC3] |
| 08:30 |
Marcio Pereira de Jesus |
Decolonizing Black Music in Bahia - Brazil: Terminologies and Categories for Thinking About African Musical Arts in the Diaspora |
| 09:00 |
Laurisabel Maria de Ana da Silva |
Black Sociabilities Built With Samba as a Tool in the Carnival of Nordeste De Amaralina, Salvador, Bahia |
| 09:30 |
Katharina Doring |
Black Neighborhoods and Music Practice Beyond the Spotlights of Carnival in Bahia |
| 10:00 |
Gilberto Gil Santiago |
Musical Reading for Rhythmists: Rhythmic knowledges and praxis in Salvador between "street" and "academy". |
| VA05 |
Moving Across Gender Boundaries in Dance and Music (chair: Marko Kölbl) [CC4] |
| 08:30 |
ZHENGLIJUN |
Study and Research on the "Cross-Dressing" Phenomenon in the Zhuang’s（壮族) Shigong (师公) Ritual in Guangxi, China |
| 09:30 |
Beatrice Sakyibea Nyarko |
Exploring the Boundaries of Motherhood and the Aging Female Dancing Body in the Professional Dance Category in Ghana |
| 10:00 |
Nancy Henaku |
"Minyɛ bɛrima mi dɔ benada" (I am not an impotent man): Ghanaian Hiplife and the Rhetorics/Politics of Gender |
| 10:30 |
Könczei Csilla |
"My Nanny was a good Hayduck dancer…" Masculinities and femininities in traditional dance cultures |
| VA06 |
Negotiating the Transmission and Distribution of Music and Dance (chair: Catherine Foley) [CC5] |
| 08:30 |
Emmanuel Cudjoe |
From the palace to the academy: transmission politics within Kete dance performance in Ghana. |
| 09:00 |
Ely Lyonblum |
Student-led Approaches to Teaching Foundations of Equity in Music Studies |
| 09:30 |
Moses Adjetey Adjei |
The Significance of the Repertoire and Performance Style of the La Youngsters Choir: A Decolonial and Didactic Model for Contemp |
| 10:00 |
Şebnem Sözer Özdemir |
Learning to Express the Human Heart with a Single Fan and a Single Body in Japanese Kamigatamai Tradition |
| VA07 |
New Approaches to Global Popular Music and Gender (chair: Austin Emielu) [AS216] |
| 08:30 |
Wonder Maguraushe |
Welcome Imbube performing queens! Gendered cultural dynamics in contemporary music performance in Zimbabwe |
| 09:30 |
Ihechi Elizabeth Achom |
Theoretical Perspectives on the Performance Practices of Selected Female Popular Musicians in Southern Nigeria. |
| 10:00 |
Rebecca S. Miller |
`Aching The Notes’ and Challenging The Industry: Negotiating Gender on the Irish Showband Stage, 1957–1975 |
| VA08 |
The Social Power of Music in Protest, Solidarity, and Rebellion (chair: Toyin Samuel Ajose) [INHUB1] |
| 08:30 |
Ioannis Christidis |
Remembrance, Inter-Community Solidarity and Active Citizenship – Syrian Politically Charged Music in Europe |
| 09:00 |
Rui Vilela |
Listening Session 03: Sonic fragments of decolonisation - the sound archive of the Liberation Movement in Guinea-Bissau |
| 09:30 |
Kai Tang |
Musical Rebellion as a Means of Social Control: Centrally Regulated Music Industry and the Rise of Mainland Chinese Rock |
10:30–11:00 Morning coffee break
| VB |
Plenary: * Roundtable— (Re)Writing the (Ethno)Musicological Canon: Africa, Music Historiography, and Their Others (chair: ZdravKo Blažeković and Tina Frühauf) [CCAUD] |
| 11:00 |
Panellists |
Daniel Kodzo Avorgbedor, Bridget Chinouriri, Imani Sanga, Patricia Opondo, Nico Staiti
|
| Session sponsored by Répertoire International de Littérature Musicale (RILM) |
13:00–14:30 Lunch break and Study Group welcome meetings
| VC01 |
Study Group welcome meeting (chair: Siri Mæland) [CC2] |
| 13:00 |
|
Ethnochoreology |
| VC02 |
Study Group welcome meeting (chair: Beatriz Herrera and Javier Silvestrini) [CC3] |
| 13:00 |
|
Music and Dance in Latin America and the Caribbean |
| VC03 |
Study Group welcome meeting (chair: Natalie Sarrazin) [CC4] |
| 13:00 |
|
Music and Allied Arts of Greater South Asia |
| VC04 |
Study Group welcome meeting (chair: TBA) [CC5] |
| 13:00 |
|
Music in the Arab World |
| VC05 |
Study Group welcome meeting (chair: TBA) [CC1] |
| 13:00 |
|
Musical Instruments |
| VD01 |
Roundtable—* Activism: Five Cases in the Face of Tragedy, Despair and the Confrontation of Political Systems. (chair: Marita Fornaro Bordolli) [CCAUD] |
| 14:30 |
Panellists |
Julio Mendívil, Marita Fornaro Bordolli, Silvia Martínez García, Enrique Cámara de Landa, Adriana Cerletti
|
| VD02 |
* Antagonistic Moves Towards Activism and Militarism: Gender and its Resonances in Popular Dance Music in Syria, Nigeria and Turke (chair: Sevi Bayraktar) [CC1] |
| 14:30 |
Dotun Ayobade |
"Killin Dem": Masculinity and Ambivalent Activism in Burna Boy’s Stagecraft |
| 15:00 |
Shayna Silverstein |
"And if we die, we die by dancing": Masculinity, Militarism, and Social Dance in the Syrian War |
| 15:30 |
Olabanke Oyinkansola Goriola |
Dissenting Bodies and Gender freedom in Afrobeats: Hermes Iyele’s Dance Experiments |
| 16:00 |
Sevi Bayraktar |
Folk Dance and Gender-bending as an Activist Tool for Political Participation in Turkey |
| VD03 |
* Colonialism Remixed? Music, Music Professionals, and the Rebuilding of Socio-Cultural Infrastructure in Global De/Post/Neo-Col (chair: Victor A. Vicente) [CC2] |
| 14:30 |
Victor A. Vicente |
Dancing Decoloniality: Post/Colonial Struggles in Indian Film Songs |
| 15:00 |
Natalie Sarrazin |
Decolonizing the "Colonial Mindset": Indian Music and Arts Education in the 21st Century |
| 15:30 |
Kenneth Schweitzer |
Looking through the Lens of Decolonialization: The Near-Collapse of the Cuban Neo-Colonial Tourism Industry |
| 16:00 |
Jon McCollum |
Music Diplomacy, Ethnomusicology, and the De-Colonization of Knowledge |
| VD04 |
Activism and Agency in Global Music and Dance (chair: Marcia Ostashewski) [CC3] |
| 14:30 |
Aristedes Narh Hargoe |
Dance Theatre and Activism in Ghana: An analysis of ‘Aze Yilo?’ (Is it Witchcraft?) |
| 15:00 |
Teona Lomsadze |
We Will Win the War: Transformation of the Social and Political Activism Through Soviet and Post-Soviet Georgian Popular Music |
| 15:30 |
Joseph Kunnuji |
Àlọ́ as Cultural Activism: Theorising the Agency of Yorùbá Storytelling |
| 16:00 |
Weida Wang |
Constructing London Sinophone Communities through Sound |
| VD05 |
Roundtable—* Returning to Whole Practice – Embodiology in Response to COVID-19 (chair: S. Ama Wray) [CC4] |
| 14:30 |
Panellists |
S. Ama Wray, Carol Penn, Samuel Elikem Nyamuame, Cyrian Reed
|
| VD06 |
Performativity: Exploring the Contexts and Creativity of Performance in New Research (chair: Siboné Oroza) [CC5] |
| 14:30 |
Kafui Marcus C. Tay |
Vɔrsakpe’: Exploring Practice and Discussing Its Artistic Presentation |
| 15:00 |
Bronwen Clacherty |
Performing "Herstory": Where Performance and Historical Research Meet |
| 15:30 |
Sylvia Bruinders |
Listening Together: Performative Practices around Goema in the Western Cape, South Africa |
| 16:00 |
Kristina Dolinina |
How Much Does the Body Know? Decolonizing of/Through Kathak Dance and Dancing Body in India and Indian Diaspora |
| VD07 |
* Performing Arts and the Royal Courts of Southeast Asia (chair: Mayco Santaella) [AS216] |
| 14:30 |
Lorenzo Chiarofonte |
"The dance movements are Burmese rather than Siamese": A preliminary enquiry into the "Dance of the 9 gems" |
| 15:00 |
Raja Iskandar Bin Raja Halid |
Music, Sufis and Power: The ‘Mystic-King’ Interdependency in Malay Sultanates |
| 15:30 |
Mayco A. Santaella |
Performing Pusaka: Court Heritage Among the Kaili in Central Sulawesi, Indonesia |
| 16:00 |
Ricardo D. Trimillos |
Discussant |
| Session sponsored by the ICTM Study Group on Performing Arts of Southeast Asia |
| VD08 |
Sustainability and Transmission in Instrumental Traditions and Practices (chair: Ukeme Udoh) [INHUB1] |
| 14:30 |
James Nderitu Kiragu |
Challenges and the Sustainability of the Kayamba Music Instrument of Kenya |
| 15:00 |
Jose R. Taton, Jr. |
"Losing the Voice": The Waning Limug (Voice) of Gong Instruments in Contemporary Music, Dance, and Ritual Practices in Panay Isl |
| 15:30 |
Temitope Oluwatosin Popoola |
Training Procedure and proficiency of Aloyinlapa African Drumming Institute in Lagos Nigeria |
| 16:00 |
Mirjana Zakić |
Music creators in contemporary instrumental practice of Serbia |
| VD09 |
The Movement of People and Music: Refugees, Migrants, and Transnationalism (chair: Dominic D.B. Makwa) [INHUB2] |
| 14:30 |
Jennifer Sherrill |
Performing Citizenship: The Role of R.A.D. Music International in Refugee Integration on Lesvos, Greece |
| 15:00 |
Mark Lenini Parselelo |
Creating Nairobi Music Sound Through the Lives of Migrant and Refugee Workers |
| 15:30 |
Samuel Boateng |
Caleb Quaye in Britain: Migration, Decolonization, Jazz Transnationalism, 1895–1922 |
| VD10 |
Film screening [Archive] |
| 14:30 |
Frank Gunderson |
Beloved Youth of Many Days - Stories About Mlimani Park Orchestra. Duration: 1h 51m |
16:30–17:00 Afternoon coffee break
| VE |
Plenary: * Contemporary Dialogues Across the BlackAtlantic: Examining African & Diasporic Connections in Education, Religion & Popular Music (chair: Birgitta J. Johnson) [CCAUD] |
| 17:00 |
Birgitta J. Johnson |
"Black Music is King: Tracing Beyoncé’s Centering of the African World in Global Pop" |
| 17:30 |
Loneka Wilkinson Battiste |
Eu Vim de Longe: Africa and Coco da Xambá |
| 18:00 |
Fredara M. Hadley |
Center of a World: Exploring Encounters with African Music at Historically Black Colleges and Universities |
| VF01 |
17th Assembly of National and Regional Representatives (chair: Svanibor Pettan) [CCAUD] |
| 18:45 |
|
The assembly is open to National and Representatives only (Liaison Officers and Chairs of National and Regional Committees) |
| VF02 |
Welcome meeting for ICTM Early Career Scholars (chairs: Marcia Ostashewski and Kendra Stepputat) [CC1] |
| 18:45 |
|
The meeting is open to all early career scholars |
Day VI: Tuesday, 18 July 2023
| VIA01 |
* Teaching "West African Drumming and Dance" in the 21st Century: Challenges and Strategies (chair: Patricia Tang) [CCAUD] |
| 08:30 |
Brendan Kibbee |
Sabar Entrainment and Urban African Sociality |
| 09:00 |
Elina Seye |
Teaching and learning sabar dance in and out of Senegal |
| 09:30 |
Patricia Tang |
Pedagogies of Sabar |
| VIA02 |
Representing Ourselves and Others (chair: Zdravko Blažeković) [CC1] |
| 08:30 |
Zdravko Blažeković |
Carsten Niebuhr’s Reisebeschreibung Nach Arabien Und Andern Umliegenden Ländern: European Views of the Arabic Music |
| 09:00 |
George Murer |
Amarg Unbound: Musical-Cultural Representations Crossing the (Imagined) Thresholds of the Tamazgha |
| 09:30 |
Jean Ngoya Kidula |
The Aporic Complexity of ‘Africanisims’ in Music Studies on the Continent and Diaspora |
| 10:00 |
Área de Antropología del Cuerpo (Broguet, Julia; Corvalán, María Laura y Rodríguez, Manuela) |
Y Vos… ¿De Dónde Sos? A Performance About Racism in Argentina |
| VIA03 |
Music Cultures across Urban Spaces: Immigration, COVID, and Identity (chair: Divine Kwasi Gbagbo) [CC2] |
| 08:30 |
Luo Ai Mei |
Musical Explorations About City and City Immigrants: Hakkaness in Taipei City |
| 09:00 |
Laura Risk |
Nostalgia, Resilience, or Cringe? Discourses of Traditional Music and Dance in 21st-Century Quebec |
| 09:30 |
Michael Ohene Okantah Junior |
The Impact of COVID 19 Restrictions on Hiplife Performance in Ghana |
| 10:00 |
Sara McGuinness |
Creativity in Response to Crisis: Remote Music Production in London’s Fringe Music Communities During the Covid-19 Pandemic |
| via04 |
Gender Identity and Representation (chair: Christian Onyeji) [CC3] |
| 08:30 |
Lydia Barrett |
"This is Not a March; It is a Dance": Community, Gender, and Transformation in Benin’s National Anthem |
| 09:00 |
Silvia Bruni |
The sons of Jemaa el-Fna and the sons of the "Queen". Music and Gender Issues in Moroccan Contexts |
| 09:30 |
Fang WANG |
Symbiosis and Partition: Research on the Gender Stratification of Bayin Seated Singing of the Buyi Ethnic Group in Guizhou Provi |
| VIA05 |
Music in Motion: Migrations, Networks, and Circulations (chair: Emmanuel Cudjoe) [CC4] |
| 08:30 |
Daniel Fredriksson and Hållbus Totte Mattsson |
Calle Jularbo and the Gammeldans: Music, networks, mediatisation |
| 09:00 |
MOHAMED HASEEB N |
Transnational Musical Flow Around the Indian Ocean: Migration, Emotion and Music of the Gulf Wives |
| 09:30 |
Dominic D.B Makwa |
Imbalu Performances in Sacred Sites: Inventorying Circumcision Musicking and Dancing for Tourism in Bududa, Uganda |
| VIA06 |
Studies of Performance: Traditions and Innovations (chair: Obed Acquah) [CC5] |
| 08:30 |
Benjamin Obeghare Izu |
Emerging trends in African traditional dance practices: a case study of the Ema royal dance of the Urhobo people, Nigeria |
| 09:00 |
Iddrisu Saaka, John Dankwa and Shirley Sullivan |
Blurring the Surface |
| 09:30 |
Matěj Kratochvíl |
From censorship to commercial „spice". Sexuality in folk songs in the socialist and post-socialist culture of the Czech lands. |
| VIA07 |
The Sonic and Social Analysis of Musical Instruments (chair: Don Niles) [AS106] |
| 08:30 |
Emmanuel Osei-Owusu |
The Ghana National Symphony Orchestra and the Politics of Identity in Post-Nkrumah’s Era. |
| 09:00 |
Peremoboere Ayebatonye-fatayi |
Exploring the Egbelegbele Musical Instrument and Dance in Bomo Kingdom |
| 09:30 |
Shan Du |
Sonic Identity of the Goddesses: Musical Instruments and Sound Objects in the Nava Durgā Performance (Bhaktapur, Nepal) |
| 10:00 |
Richard Jankowsky |
Ambiguities of Otherness in the Social Life of the Tunisian Bagpipes |
| VIA08 |
* Communities of Practice, Collaborative Creativity Processes and Musical Instruments Circulation in Tricontinental Portuguese-spe (chair: Jorge Castro Ribeiro) [AS216] |
| 08:30 |
Jorge Castro Ribeiro |
Talking about Violas: Collaboration and Agency Towards the Autonomy and the Artistic Visibility of a Musical Instrument |
| 09:00 |
Leonardo Medina |
The Brazilian rabeca community of practice: agency and creative collaboration processes for the expansion and construction of 'o |
| 09:30 |
Timóteo Cuche |
Musical Creativity in Maputo: the collaborative case of the TP50 artistic group |
| 10:00 |
Lucas de Campos |
How Afro are the brazilian popular chordofones? Musical practices in question by historical iconography |
| Session sponsored by the ICTM Study Group on Music and Dance in Southeastern Europe |
| VIA09 |
Sounding the Diaspora in Global Contexts (chair: Masaya Shishikura) [INHUB1] |
| 08:30 |
Felix Morgenstern |
Translocal Irish Folk Music in Austria: Evading National Identity? |
| 09:00 |
Kirk E. Sullivan |
Sounding the Diaspora: The Homeland Imaginary in Popular Cook Islands Song |
| 09:30 |
Giuseppe Sanfratello |
Mama Africa’: diasporic musical practices of the African communities in Catania (Sicily) |
| 10:00 |
Linda Cimardi |
African Musics in Nonaligned Yugoslavia |
10:30–11:00 Morning coffee break
| VIB01 |
* Destabilizing Colonial Masks?: Collaborative Research-Creation Methodologies From Latin America / Part 1 (chair: ColectivA TranslatinA) [CCAUD] |
| 11:00 |
Silvia Citro and Soledad Torres Aguero |
Politics of Representation in Indigenous Rituals: An Intercultural and Collaborative Research-Creation Process of Ancient Music |
| 11:30 |
Adil Podhajcer |
Decolonizing Musicality, Ontologizing Reciprocity. Becoming an Andean/Sikuri in a Feminine and Dissident Community. |
| 12:00 |
Beatriz Herrera Corado |
Discussant |
| Session sponsored by the ICTM Study Group on Music and Dance in Latin America and the Caribbean |
| VIB02 |
Asserting Resistance through Dance and Music (chair: Rebecca Miller) [CC1] |
| 11:00 |
Priyakshi Kumari Agarwal |
Dancehall: A Tool for Resistance Through A Feminist Lens In Kingston, Jamaica |
| 11:30 |
Ana Maria Diaz Pinto |
Underground Reggaetón in Santiago de Chile: Embodied Politics of Morality and Resistance |
| VIB03 |
* Counter-Colonial and Community-Based Dialogues in the South Atlantic: The Case of the Quilombista School Dandara Dos Palmares (chair: Renan Ribeiro Moutinho) [CC2] |
| 11:00 |
Caroline Lima Souza de Lucena, Juliana Freire, and Renan Ribeiro Moutinho |
Matricentrality and aesthetic-political creations as methodologies of war in a quilombista school |
| 11:30 |
Brett Pyper |
Sound praxes in Dialogue across the South Atlantic |
| Session sponsored by the ICTM Study Group on Applied Ethnomusicology |
| VIB04 |
Roundtable—* Understanding America, the Essential Contribution of Afro-American Music to the Sociocultural Meaning of the Continent (chair: Fernando Palacios Mateos) [CC3] |
| 11:00 |
Panellists |
John Herlyn Antón Sánchez, Alex Schlenker, Héctor Tascón, Welson Tremura, Daniel Avorgbedor
|
| VIB05 |
Encounters and Representations Across Time and Space (chair: Urmimala Sarkar Munsi) [CC4] |
| 11:00 |
CLAUDIO RAMIREZ URIBE |
Circulation and Memory in the Villancico de Negro: The representation of Africans and Afrodescendants from Siglo de Oro to Son J |
| 11:30 |
Leslie Gay |
Diasporic markers and transatlantic translations: Race and Ben Webster's jazz reception in Denmark |
| VIB06 |
Studies of Global Opera and Choral Music (chair: Isaac Ibude) [CC5] |
| 11:00 |
Nepomuk Riva |
The Image of Africa in the German Opera Scene. Black Actors, Discrimination and Empowerment |
| 11:30 |
Emmanuel Nii Adjei Sowah, Joshua Alfred Amuah () |
Decolonising Ghanaian choral music performances: A Case Study of hybridising items from Handel’s Messiah with selected Ghanaian |
| 12:00 |
Emaeyak Peter Sylvanus |
Keyboard-mediated Orchestras in West African Choral Music Performances: Trends in Nigeria and Ghana |
| VIB07 |
Gender Identities in Dance and Music Traditions (chair: Ihechi Elizabeth Achom) [AS106] |
| 11:30 |
Marilio Wane |
Gender issues in the process of secularization of traditional dances in Mozambique |
| 12:00 |
Ilaria Meloni |
Transcendent voices, restrained gender identities: an ethno-phoniatric investigation on Javanese female singing tradition |
| 12:30 |
Judith Olson |
Traditional Dance Gender Roles in the Modern World: Hungarian Dance Practiced by Locals and Interpreted by Internationals |
| VIB08 |
* Metaphors We Groove by: Music, Dance, Class and Mobility in the Lusophone African and Afro-Diasporic Realm (chair: Stefanie Alisch) [AS216] |
| 11:00 |
Ellen Hebden |
Visions of Success: Navigating Gendered Knowledge and Class Advancement in Tufo Groups in Mozambique |
| 11:30 |
Pedro Filho Amorim |
"Tira o pé do chão": Commodification, Class appropriation and Whitewashing in Bahia’s Carnival music and dance |
| 12:00 |
Martin Ringsmut |
Kolá San Jon, Class, and the Postcolonial Spatialization of Mindelo, Cabo Verde |
| 12:30 |
Stefanie Alisch |
Estamos sempre a subir: Kuduro, Class Mobility and Aspiration in Angola |
| VIB09 |
Folk Traditions: Questions of Identity, Practice, and Voice (chair: Xiao Mei) [INHUB1] |
| 11:00 |
Tingting Tang |
Cultural Expressions in the Cracks: The Naxi Folk Song and Dance al ka bba laq in Sanba Township of Sub-Tibetan Shangri-La, China |
| 11:30 |
Žanna Pärtlas |
Do Folk Tunes Have Gender? Seto Multipart Song Tunes in Women’s and Men’s Versions |
| 12:00 |
Alla El Kahla |
The Study of Cultural Change in Tunisian Music; Identity Issues, Dynamic, Shifts, and Prospect; Questioning Around? |
| 12:30 |
Kolawole Gbolahan Cornelius |
Reclaiming the Poetic of Indigenous Labrosones (Horns/Trumpet) |
| VIB10 |
Film screenings [ARCHIVE] |
| 11:00 |
Athena Katsanevaki |
The Fairy Tale of the Island of Creta or "The Prince and the haunted island". Duration: 25m 25s |
| 11:30 |
Tiziana Palandrani |
Bordar la Luz (Embroidering the Light). Duration: 39m 28s |
13:00–14:30 Lunch break and Study Group welcome meetings
| VIC01 |
Study Group welcome meeting (chair: Svanibor Pettan, Mayco Santaella, Hande Sağlam) [CC3] |
| 13:00 |
|
Music and Minorities |
| VIC02 |
Study Group welcome meeting (chair: TBA) [CC2] |
| 13:00 |
|
Applied Ethnomusicology |
| VIC03 |
Study Group welcome meeting (chair: Georgia Curran) [CC4] |
| 13:00 |
|
Music and Dance of Oceania |
| VIC04 |
Study Group welcome meeting (chair: TBA) [CC5] |
| 13:00 |
|
Music and Dance of the Slavic World |
| VIC05 |
Study Group welcome meeting (chair: Razia Sultanova) [CC1] |
| 13:00 |
|
Global History of Music |
| VID01 |
* Destabilizing Colonial Masks?: Collaborative Research-Creation Methodologies From Latin America / Part 2 (chair: Beatriz Herrera Corado) [CCAUD] |
| 14:30 |
Lucrecia Raquel Greco |
Contra Colonial Knowledge: Researching Through Somatic and Animist Performances |
| 15:00 |
María Gabriela López-Yánez |
"Desdisfrazando" Our Dances: Research-Creation-Destabilizing Methods to Approach Ecuadorian Dances in Public Universities |
| 15:30 |
Beatriz Herrera Corado |
A Pedagogical Mediation of Intergenerational Transmission With Youth in Guatemala’s K’iche Speaking Communities. |
| 16:00 |
Silvia Citro |
Discussant |
| Session sponsored by the ICTM Study Group on Music and Dance in Latin America and the Caribbean |
| VID02 |
* Listening to the Post-Empire: Music as a Decolonial Device in Contemporary Goa (India) (chair: Susana Sardo) [CC1] |
| 14:30 |
Eduardo Falcão |
From the Manor Houses to the Digital Media. The Musical Repertoire of the Agapito de Miranda Collection (1911-1995) in the Face |
| 15:00 |
Nalini Elvino de Sousa |
Archive Reloaded: The Case of the Tiatrist Francis de Tuem and the Resignification of the Old Anti-Colonial Cantaram |
| 15:30 |
Kelwin Monteiro |
The Empire Sounds Back. Post-colonial Music in Goa as a Tool for Social Justice and Equity. The Case of the Mando Festival |
| 16:00 |
Susana Sardo |
Fado de Goa: A Singular Case of Sound Decoloniality |
| VID03 |
Conflict and Peace-Making in Dance and Music (chair: Rui Marques) [CC2] |
| 14:30 |
Samuel Yohanna Davou & Festus Ife Olisaeke |
Music as a Catalyst in Conflict Management: The Feminist Factor among the Hausa/Fulani of Northern Nigeria |
| 15:00 |
Mohamed Adam Sulaiman |
The Functional Role of Music and Dance in making conflict and peace (Sudan as model 2003-2020) |
| 15:30 |
Darren Culliney |
Comhaltas Narratives: The Place of Irish Traditional Music in the Journey from Conflict to Peace in Northern Ireland |
| 16:00 |
Sky Mkuti |
Terror in Cradle of the Makonde Nation: Embracing Peace through Cultural Heritage in Mozambique |
| VID04 |
Technology Spaces: Commercial, Digital, and Electronic Musical Practices (chair: Ifeanyi Okafor) [CC3] |
| 14:30 |
Rudi Garrido da Costa Lima |
Brazilian Grime: the work of ANTCO and the Afrodiasporic electronic music scene in "Jamaicaxias" |
| 15:00 |
Kingsley Kwadwo Okyere |
Clave as Musicking Technology in Afrobeats |
| 15:30 |
Charles Mandor Asenye |
Blockchain Technology as a Veritable Tool to Combat Music Piracy in Nigerian Commercial Music Scene |
| VID05 |
* Music Archaeology in Africa (chair: Raquel Jiménez Pasalodos and Joshua Kumbani) [CC4] with session introduction by Raquel Jiménez Pasalodos and Joshua Kumbani |
| 14:30 |
Joshua Kumbani |
A Snapshot of Music and Sound-Related Archaeological Artefacts From Southern Africa |
| 15:00 |
Sarah Wurz |
Archaeoacoustics and Cape region of South Africa |
| 15:30 |
Neemias Santos da Rosa and Margarita Díaz-Andreu |
Listening to Ancient Images: The Acoustics of San Rock Art Sites |
| Session sponsored by the ICTM Study Group on Music Archaeology |
| VID06 |
Cultural Dialogue: Music for Peace and Well-Being (chair: Mark Lenini Parselelo) [CC5] |
| 14:30 |
Oliver Shao |
"Music for Peace" Projects and the International Refugee Regime |
| 15:00 |
John Nutekpor |
Kutrikuku: Tenacity in Ghanaian-Irish Cultural Dialogue |
| 15:30 |
Afor Paul Ntoh |
Kwem Music and Dance Culture of the Meta People in Cameroon |
| 16:00 |
Susan Binwie Tanwie and Gideon Danja |
A Study of Traditional Music and Dance Performances in Kauyawa Day, as a Tool for Conflict Transformation amongst Internally Displaced Persons in Maiduguri, Nigeria |
| VID07 |
Development and Transformation of Musical Instruments (chair: Nina Baratti) [AS216] |
| 14:30 |
Stephen Aidoo |
Construction Procedures of Ghanaian Traditional Musical Instruments and Their Contemporary Usage. A Focus on Atenteben and Gyil |
| 15:00 |
Kiku Day |
The Dark Side of the Shakuhachi: Masculinity, Nationalism and Militarism |
| 15:30 |
Ruirui Ye |
The Development of the Zheng in the Digital Era |
| 16:00 |
Christine Dettmann |
Searching for Ancestry in Africa: The Case of the Brazilian Berimbau and Angolan Mbulumbumba |
| VID08 |
Film screening [Archive] |
| 14:30 |
Siboné Oroza |
"When I´m on Stage, I Rule": Cholita Futurism in Cochabamba, Bolivia. Duration: 1h 35m |
16:30–17:00 Afternoon coffee break
| VIE |
Plenary: Negotiating Gender and Sexuality in Global Music and Dance (chair: Adwoa Arhine) [CCAUD] |
| 17:00 |
Christian Onyeji and Elizabeth Onyeji |
Adamma Music and Dance Genre: Oddities and Paradoxical Subversion of Gender Binaries in the Igbo Socio-Cultural Milieu |
| 17:30 |
Rose Merin |
Ways of ‘Showing’ and ‘Being’ in Nangiarkoothu: On Gendered and Subaltern Bodies in an Intangible Cultural Heritage |
| 18:00 |
Mary Akyaamah Amoateng and Grace Takyi Donkor |
Women and Music Education in Ghana: Perspectives from the Department of Music, University of Ghana |
| 18:30 |
Marko Kölbl |
Queering Ethnomusicological Refugee Studies |
| Session sponsored by the ICTM Study Group on Music, Gender, and Sexuality |
Day VII: Wednesday, 19 July 2023
| VIIA01 |
Performance Politics: Music and Dance in National Discourse (chair: Susana Sardo) [CCAUD] |
| 08:30 |
Eric Wittersheim and Monika Stern |
Music Collectives and the Spirit of Independence in the Republic of Vanuatu |
| 09:00 |
Jessica Kai-sze Fung |
Localism and Nationalism: The Politics of Cantonese Music in Hong Kong |
| 09:30 |
Aggrey Nganyi Wetaba |
"Khabusie" - Let It Dawn; Political Reading of a Prayerful Song-Dance in Western During Kenya’s 2022 Elections |
| VIIA02 |
Approaches to Dance Research: Practice, Filmmaking, and Printing (chair: Beatriz Herrera Corado) [CC1] |
| 08:30 |
Kofi Anthonio |
Embodied Devices: Exploring Rhetoric Within Selected Indigenous Dance Forms as Socially Affective |
| 09:00 |
Sumedha Bhattacharyya |
Space as Material: Exploring Materials in Dance Filmmaking |
| 09:30 |
Ana Maria de Sousa Leitao |
Generative Dance: The Practice of a Relational Ontology for the Construction of the "We" |
| VIIA03 |
Film Discussions 3 (chair: Samuel Benagr) [CC2] |
| 08:30 |
Siboné Oroza |
"When I´m on Stage, I Rule": Cholita Futurism in Cochabamba, Bolivia |
| 09:00 |
Celeste Landeros |
Earl of Mar's Daughter |
| 09:30 |
Sebanti Chatterjee and Mr. Soumik Mukherjee |
Ki Sur Voice |
| VIIA04 |
Style, Affect, and Groove: Performance Practice and Analysis of Dance and Music (chair: Silvia Citro) [CC3] |
| 08:30 |
Loko Omolara Olasunbo |
Stylistic Features and Performance Practice of Agidigbo Music Among the Ogu People of Badagry |
| 09:00 |
Ana Pais |
Rhythms of Affect in Ritual Practices of Candomblé (Salvador Da Bahia) |
| 09:30 |
Juan Sebastian Rojas |
How Groove, Collective Singing, and Dance Unite. A Performance Analysis of Colombian "Bullenrap" Music |
| 10:00 |
Godson Atsu Sokpor |
Multi-Modality of Music for Dance: Interrogating Prescriptive, Descriptive and Directive Dimensions of Performance Cultures With |
| VIIA05 |
Exploring Sound in Society (chair: Samuel Horlor) [CC4] |
| 08:30 |
Shzr Ee Tan |
Acoustic Regimes of Labour and Leisure: Transient Worker Sonic Life in Southeast Asia |
| 09:00 |
Juracy do Amor Cardoso Filho |
Music (In)Visible: Excluded People and Sonorities |
| 09:30 |
Oyinlola Esther Oladiipo |
Sounding Olumo Rock and Valley in Abeokuta, Nigeria |
| VIIA06 |
Questioning Traditions: Heritage, Variations, and Practice (chair: Andrew Snyder) [CC5] |
| 08:30 |
Vida Onoh |
Music as Cultural Sustenance and Practices Among the Mbebe People of Nigeria |
| 09:00 |
Inoue, Sayuri |
What are the Norms? The Range of Variations in the Performance of Myanmar Classical Songs |
| 09:30 |
Rebeka Kunej and Siri Mæland |
Spaces for Traditional Dancing in Europe: Examples From North and South-East |
| 10:00 |
Daniel Tércio |
Dancing With the National Flag |
| VIIA07 |
Political Histories of Global Music: Prohibition, Activism, and Democratization (chair: Ana Flávia Miguel) [AS216] |
| 08:30 |
Oldřich Poděbradský |
From Sunny Grave to Odyssey: The Prohibition of the Creative Process in Socialist Czechoslovakia |
| 09:00 |
Monika E. Schoop |
Contesting Historical Revisionism: Popular Music, Memory Activism and the Marcos Dictatorship |
| 09:30 |
KettyJackline W. Maina |
"Tujiangalie": Transforming Society through Musical Self-inquiry |
| 10:00 |
Emmanuel Siaw, Kwasi Sarfo and Papa Kow Agyefi |
Music and Democratization: An Evaluation of the Contribution of Popular Music in Deepening Multi-Party Democracy in Ghana. |
| VIIA08 |
Constructing New Theoretical Frameworks for Dance and Music (chair: Leslie Gay) [INHUB01] |
| 08:30 |
Spiros Th. Delegos |
Decolonising Rebetiko: Employing Heterotopia as an Analytical and Interpretive Device |
| 09:00 |
Matthew A. Williams |
Toward a Semiotic Theory for Gospel Music |
| 09:30 |
Ilario Meandri |
Semantic Interoperability and Ontological Representation for Ethnomusicological Digital Archives |
| 10:00 |
TEOH Yang Ming |
A Reverse Path to the Study of Asian Music and the Challenge of Analytical Approaches |
| VIIA09 |
* African Organological Materiality and Instrumentality Competitiveness in Global Music Industry: A Case of Zimbabwe Creative Cult (chair: Perminus Matiure) [CC7] |
| 11:00 |
Jerry Rutsate |
Ngoma Materiality and Instrumentality |
| 11:30 |
Phineas Magwati |
A Philosophical Account for the Organological Scope of Hosho/Hoso and Magagada Instruments |
| 12:00 |
Mercy Kayumba |
Innovative Measures for Circumventing the Scarcity of Materials for Making Isitshikitsha Dance Costumes and Percussive Gumboot |
| 12:30 |
Perminus Matiure |
Material Provision for the Revival of Musical Instruments Construction and Circulation Among the Zezuru People of Zimbabwe |
10:30–11:00 Morning coffee break
| VIIB01 |
* Transformation of Anatolian Music: Music and Collective Memory of the Alevis, Armenians, Zaza’s and Aşıks (chair: Hande Sağlam) [CCAUD] |
| 11:00 |
Martin Greve |
Music in "Greater Dersim": Loss, Nostalgia, and Reconstruction |
| 11:30 |
Ulaş Özdemir |
Alevi Cassette Culture and Memory: The Continuous Rediscovery of Historical Audio Recordings in Alevi Music Performance |
| 12:00 |
Burcu Yildiz |
Digital Recollections of Armenian Folk Songs: Reflections of Diasporic Memory with the Houshamadyan Project |
| 12:30 |
Hande Sağlam |
The Master-Apprentice Relationship in the Âşık Tradition and Its Role in the Continuity of Collective Memory |
| VIIB02 |
Performance in Educational Contexts (chair: Brett Pyper) [CC1] |
| 11:00 |
Silvia van Zyl |
Accessible Music Education for the Visually Impaired Pianist in South Africa |
| 11:30 |
Netéske Horton |
Towards Improving Jazz Education in South Africa: The Impact of the National Youth Jazz Festival at Secondary Level |
| 12:00 |
Kathy Armstrong and Stacey Can-Tamakloe |
Reimagining the Global Music Ensemble |
| VIIB03-1 |
Roundtable—* Decolonising Terminology: The World in Dance Words: Methodological Perspectives (chair: Egil Bakka) [CC2] |
| 11:00 |
Panellists |
Egil Bakka, Ronald Kibirige, Mark Lenini Parselelo, Nerda Khara, Natasha Martin
|
| Session sponsored by the ICTM Study Group on Ethnochoreology |
| VIIB03-2 |
Roundtable—* Decolonising Terminology: The World in Dance Words: Theoretical Perspectives (chair: Georgiana Gore) [CC2] |
| 12:00 |
Panellists |
Georgiana Gore, Gediminas Karoblis, Olabanke Oyinkansola Goriola, Maria Kardash, Sebnem Sozer Ozdemir
|
| Session sponsored by the ICTM Study Group on Ethnochoreology |
| VIIB04 |
* Material and Cultural Lives of Instruments in the Tensions Between the Past and the Present, Between the Sacred and the Profane (chair: Valeriya Nedlina) [CC3] |
| 11:00 |
Yannick Wey |
Tracing the Peculiar Career of the Hammered Dulcimer in the Alpine Region Through Its Craftings and Materials |
| 11:30 |
Valeriya Nedlina |
Neo-Traditionalism and Innovations in Kazakh Instruments and Music-making |
| 12:00 |
Manami Suzuki |
Telli Kur’an : Saz as A Sacred Instrument in Alevi |
| 12:30 |
M. Emin Soydaş |
Filling the Gaps: Current Plucked Lutes as a Source for the Reconstructed Kopuz |
| VIIB05 |
Conflict and Peace-Making: Cultural Dialogues in Music and Dance (chair: Linda Cimardi) [CC4] |
| 11:00 |
Sérgio Bordalo e Sá |
Dealing With Differences: Dance and Conflict in Cinema |
| 11:30 |
Hee Sook Lee-Niinioja |
Deeply Rooted Arirang Melodies and Texts in Uniting Koreas and Diasporas: A Synchronous Commonality and Hybridity of Nostalgic T |
| 12:00 |
Balakrishnan Raghavan |
Faiz Through a Feminist Lens: "Hum Dekhenge" in Protest, Translation, and Performance |
| 12:30 |
Sheilla (Aishetu) Nelson |
When Women Refuse Water In Honey’s Stead: Dialogic Gender Representations in Selected Ga Proverbs and Traditional Songs |
| VIIB06 |
Crossings And Borders: Understanding the Movement of Music through Hybridity, Decolonization, And Recontextualization (chair: Pei-ling Huang) [CC5] |
| 11:00 |
Rui Guerra Augusto Laranjeira |
Unce: A Mozambican music of Arabian influence |
| 11:30 |
Chia-Wei Yang |
Hybridity, Performance, and Indigenous Modernity: A Case Study on Taiwanese Indigenous Music-Dance Performance |
| 12:00 |
Liz Przybylski |
Music Crossing Borders: Decolonization through Refusal |
| VIIB07 |
Transmission and Learning in Global Contexts (chair: Damascus Kafumbe) [AS106] |
| 11:00 |
Huber, Gertrud Maria |
Practice of Folk Music in Higher Education: Student Well-Being at the Göttweig Monastery During the COVID-19 Pandemic |
| 11:30 |
Felicia O. Ezeugwu |
Indigenous Music and Youths’ Transformation: Ogene Music Performance Ensemble of Amodu Awkunanaw Community in South Eastern Nigeria |
| 12:00 |
Giulia Ferdeghini |
Melody and Performance of Beyta Dimdim, a Kurdish Oral Epic as to Be Found in Bahdinan (Iraq) |
| 12:30 |
Wong Siao Ern & Chan Cheong Jan |
"No Right or Wrong, But there Actually Is": Experiences of Navigating Intersection of Discourses in Learning Jazz Improvisation |
| VIIB08 |
* Roundtable and Journal Issue Launch: Research-Mentoring-Publishing as a Cyclical Process: Some Perspectives and Experiences from the African Context(s) (chair: Anri Herbst) [AS216] |
| 11:00 |
Panellists |
Anri Herbst, Mike Schramm, Emaeyak Sylvanus, Lee Watkins, Wilhelm Delport, George Worlasi Kwasi Dor |
| VIIB09 |
Explorations of Historical Music Practices: Performance Groups, Societies, and Companies (chair: Raquel Jiménez Pasalodos) [INHUB1] |
| 11:00 |
Paul Nicholas Roth |
Cultivating Counter-Coloniality in Don Cherry's Organic Music Society |
| 11:30 |
Juan Felipe Miranda Medina |
A Third "Grand Narrative" in the Afro-Peruvian Revival |
| 12:00 |
Orlando Fernão |
The Historical Recordings From the Ndau Community in the Berlin Phonogrammarchiv: The Beginning of a Re-study |
| VIIB10 |
Approaches to Music and Dance as Agencies of Well-being (chair: Joanna Boampong) [INHUB2] |
| 11:00 |
Wei, Xin-Yi |
Music Ontology, Knowledge Translation, and Synthetic Culture: A Case Study on Taiwanese Indigenous Kavalan Healing Ritual Music and Dance under the National Identity Mechanism |
| 11:30 |
Ellen E Hebden |
Rejuvenation Through Remembering: Sonic Care at Night Clubs for the Aging in Northern Mozambique |
| VIIB11 |
Film screening [Archive] |
| 11:00 |
Celeste Landeros |
Earl of Mar's Daughter. Duration: 17m |
13:00–14:30 Lunch break and Study Group welcome meetings
| VIIC01 |
Study Group welcome meeting (chair: Marko Kölbl and Rachel Ong) [CC2] |
| 13:00 |
|
Music, Gender, and Sexuality |
| VIIC02 |
Study Group welcome meeting (chair: Susana Sardo) [CC3] |
| 13:00 |
|
Sources and Archives for Music and Sound Studies |
| VIIC03 |
Study Group welcome meeting (chair: Marcia Ostashewski) [CC1] |
| 13:00 |
|
Sacred and Spiritual Sounds and Practices |
| VIIC04 |
Study Group welcome meeting (chair: Raquel Jiménez Pasalodos) [CC4] |
| 13:00 |
|
Music Archaeology |
| VIID02 |
Understanding the Sacred in Musical Practice (chair: Heather MacLachlan) [CC1] |
| 14:30 |
Li Jiaqi |
Mediating God and the Secular World: Women Chanters in Hui Communities in Shandong Province, China |
| 15:00 |
Scott Valois Linford |
Singing for Rain: Music in the Religious Revival of Jola Priestess Aline Sitoé Diatta |
| 15:30 |
Julius Loth Sanga |
The Influence of the Muziki Wa Dansi on Gospel Music in Tanzania |
| 16:00 |
Marcia Ostashewski |
Singing Samoyilka: Relationships, Intimacies, and Community in Ukrainian Byzantine Liturgy |
| VIID03 |
Performers and Composers: The Impact of Individuals on Musical Traditions (chair: Felicia Sandler) [CC2] |
| 14:30 |
Anuran Dasgupta |
Centering the Margins: Komal Kothari’s re-structuring of Rajasthani musical culture and history |
| 15:00 |
Mark Stone |
The Music of Bernard Woma: Composition-in-Performance on the Dagara Gyil |
| VIID04 |
Relationships between Music and Language (chair: Myfany Turpin) [CC3] |
| 14:30 |
Divine Kwasi Gbagbo |
Musical Plots in Language Spaces: The Case of Ewe Language in West Africa |
| 15:00 |
Yuto Ozaki ＆ Patrick E. Savage |
Similarities and differences in a global sample of song and speech recordings |
| 15:30 |
Imani Sanga |
Musical Figures of Decolonization in Shafi’s Swahili Novels Vuta N’kuvute and Kasri ya Mwinyi Fuad |
| VIID05 |
Negotiating the Sacred in Music and Dance (chair: Tingting Tang) [CC4] |
| 14:30 |
MU Qian |
Louder Dhikr: Mediation and Transmission of Uyghur Sufi Sounds |
| 15:00 |
Shuo Yang |
A Performance Platform without Religious Sound: The Heritagization of the Guerx Sal Lad Festival of the Bai in Southwest China |
| 15:30 |
Marcia Ostashewski |
Singing Samoyilka: Relationships, Intimacies, and Community in Ukrainian Byzantine Liturgy |
| VIID06 |
* Cross, Exceed, Proliferate, and Blur: Negotiating Western and West African Music Ontologies (chair: Michael Birenbaum Quintero) [CC5] |
| 14:30 |
Toyin Samuel Ajose |
Beyond Sacred Spaces’: Gospel Music and Everyday Street Culture in Lagos, Nigeria |
| 15:00 |
Adébólá Òla |
Recentering the Àgídìgbo in Speech Surrogacy Discourse |
| 15:30 |
Nathaniel Braddock |
The Rhythm, the Rhythm: Borders of Method and Composition in Ghana’s Guitar Tradition |
| 16:00 |
Michael Birenbaum Quintero |
Approaching the Ìṣẹ̀ṣẹ Ear: Ethnomusicology, Sound Studies and Yorùbá Acoustemology |
| VIID07 |
Film screening [Archive] |
| 14:30 |
Sebanti Chatterjee and Soumik Mukherjee |
Ki Sur Voice. Duration: 29m |
16:30–17:00 Afternoon coffee break
| VIIE |
Closing Ceremony (chair: Svanibor Pettan) [CCAUD] |
| 17:00 |
|
The closing ceremony is open to all |
