Each session, in addition to its title, has a unique identifier consisting of three components: a Roman numeral, a capital letter, and, in most cases, a number. The Roman numeral refers to the day of the conference (I-VII). The capital letter refers to the time period of one of four sessions held each day: A = early morning, B = late morning, C = early afternoon, and D = late afternoon. The numbers refer to one of the twelve or thirteen sessions held on the same day at the same time, so-called "parallel sessions": 1-13. If there is no number in the session identifier, then it is a plenary session. So, for example, the identifier IIC5 means that the session occurs on the second day of the conference in the early afternoon, and is numbered arbitrarily as 5 of 13 parallel sessions, whereas IIB is a plenary session on the second day in the late morning.
Each session has been identified with a two-letter code that labels which of the six conference themes it fits into:
PG = Music and New Political Geographies in the Turkic-speaking World and Beyond
How have new and emerging political and cultural alliances at the junction of a decision to merge or to choose independence used music to further their geopolitical goals and how have musicians and their audiences resisted new forms of economic and political domination and hegemony through music-making and dancing?
CM = The Creators of Music and Dance
What is the status of studies of individual creators of music, dance, artistic institutions, and scholarship? These creators may be musicians, singers, dancers, composers, choreographers, instrument-makers, social activists, government officials, or scholars. How do we understand the role of these individual creators in particular societies? How do we define creativity in terms of contributions to aesthetic forms? What cultural and social power do we attribute to individual creators? What cultural and social restraints do individual creators work under in particular communities?
DB = Music, Dance, the Body, and Society
How do processes of inclusion and exclusion work at the intersection of the body and society? How is the body politic formed by musicking and dancing bodies? How does society use music and dance performances to heal ailing bodies and reintegrate them into society? How do people use their able or (dis)abled bodies to counter social exclusion through music and dance performance? How is the gendered body interpreted and made in music and dance performance? How do minorities, immigrants, and displaced people use their musical and dancing bodies to deal with the power of the mainstream to define their social status?
SE = Sound Environments: From Natural and Urban Spaces to Personal Listening
How is ethnomusicology responding to developments in the field of sound studies? How might ethnomusicological methods and perspectives contribute to sound studies? How do individuals and communities respond to their sound environments through personal listening choices, the building of new performance venues, the creation of new songs, performance styles, and genres, and the use of new electronic media and listening devices?
VR = Visual Representation of Music Cultures
What methodological and theoretical issues are still prominent in this long-established area of study? On the other hand, how do new electronic visual media affect the transmission of musical and dance knowledge? How do they affect the social life of music and dance in particular societies? How are these new media altering our research methods? How can the visual images in these new media be adequately archived and preserved? How do these new media, and the opportunities they provide for self-expression, alter the balance of representation between researchers and research subjects? What is the relationship between representations of, and the flow of knowledge about, “traditional” and popular musics in these new media?
NR = New Research
Final Conference Programme
(last update: 16 July 2015)
Thursday, 16 July 2015
| IA |
ZH Opening Ceremony |
| 9:00 |
|
Welcome addresses by ICTM President Salwa El-Shawan Castelo-Branco, Kazakh National University of Arts Rector Aiman Mussakhajayeva, and TÜRKSOY Secretary General Düsen Kaseinov followed by a short concert performance by young musicians, the winners of the recent Festival of Creative Youth of Kazakhstan under the auspices of UNESCO "Children in the Rhythm of the World" |
| 11:00 |
Tea and Coffee Break |
| IB |
ZH PLENARY SESSION: Music And New Political Geographies In The Turkic-Speaking World And Beyond (Hiromi Lorraine Sakata) |
| 11:30 |
Alexander Djumaev (UZ) |
National Building And Music In Post-Soviet Central Asia: Priorities And Tendencies |
| 12:00 |
Zhang Boyu (CN) |
Multiple Meanings Of Intangible Cultural Heritage Protection In China |
| 12:30 |
Catherine Grant (AU) |
Vital Signs: Assessing The Vitality And Viability Of 100 Music Genres |
| IC1 |
304 Music, Sound, And Architecture In Islam (SE) (Michael Frishkopf) |
| 14:30 |
Federico Spinetti (DE) |
Explorations In Auditory Culture And Architecture In Iran And Bosnia-Herzegovina |
| 15:00 |
Nina Ergin (TR) |
Ottoman Patrons Of 16th-Century Mosques In Istanbul And Their Qur'anic Recitation Programmes |
| 15:30 |
Michael Frishkopf (CA) |
Sound, Architecture, And Islamic Reform: The Attenuation Of Ritual Resonance In The Built Environment Of Cairene Saint Veneration |
| 16:00 |
Irene Markoff (CA) |
Polysemics, Proxemics, And Portability In The Construction Of Alevi-Bektashi Rituals And Ritual Space In The Transnational Perspective |
| IC2 |
404 Musical Preservation, Evolution, And Inheritance In Mainland China And Taiwan (Tsai Tsung-Te) |
| 14:30 |
Liu Yan-Qing (CN) |
Musical Resource, Transcription, And Methodology: Publishing Difficulties And Influences Of On Ikki Muqam In Xinjiang China |
| 15:00 |
Yuan Ye-Lu (CN) |
Musical Practice And Inheritance Of Chanhe Taoism In Contemporary Taiwan |
| 15:30 |
Tsai Yun-Shan (TW) |
Sound Revival And Musical Representation: A Case Study Of Fry-Counting Songs In Taiwan |
| 16:00 |
Liu Li (CN) |
The Recurrence And Continuing On Traditional Musical Culture From The Rise Of Gufeng Music |
| IC4 |
301 Institutional Support Of Music And Dance Creativity (CM) (Daniel Fredriksson) |
| 14:30 |
Daniel Fredriksson (SE) |
Falun Folk Music Festival - Discursive Transformations Of Music And Place |
| 15:00 |
Shumaila Hemani (CA) |
Choreographing Diplomacy: The Creators Of The National Music And Dance Ensemble Representing Pakistan As 5000 Year Old |
| IC5 |
301 Musical Creation In Fields Of Globalization And Cosmopolitianism (CM) (Kiku Day) |
| 14:30 |
Jennifer Game-Lopata (AU) |
Sounding The Tarhu: How Ideals Of Acoustic Sound And Globalisation Guided The Creation Of The Tarhu; And Continue To Shape Contemporary Approaches To Improvisation Practices. |
| 15:00 |
Kiku Day (DK) |
Musical Creation In A Global Context |
| 15:30 |
Ioannis Tsioulakis (UK) |
Music And Cosmo-Sceptism: A View From Athens, Greece |
| IC6 |
Workshop (empty session) |
| IC7 |
238 Film (Sachi Amano) |
| 14:30 |
Kumiko Uyeda (US) |
Fretless Spirit: The Tonkori's Journey (Japan) (42 minutes) |
| IC8 |
202 Kazakh Musical Instruments And Contemporary Context (NR) (Saule Utegalieva) |
| 14:30 |
Zhanar Mukhamejanova (KZ) |
Oral National Traditions Of Training On The Dombra In Modern Education Of Kazakhstan |
| 15:00 |
Raushan Maldybayeva (KZ) |
Modification Of The Kazakh Musical Instruments In The 20th Century |
| 15:30 |
Akbota Turumbetova (KZ) |
The Musical Art Of K.Akhmediarov As An Achievement Of Developing Of Kazakh Traditional Instrumental Music |
| 16:00 |
Zaure Smakova (KZ) |
Kazakhstan Button Accordion School For Years Of Independence |
| IC9 |
332 Lutes And Laments In Central Asia: Memory, History And Emotion (NR) (Richard Kent Wolf) |
| 14:30 |
Elmira Kuchumkulova (KG) |
Respect Graces The Living, Lamentation Graces The Dead”: Kyrgyz Ritual Music Of Koshok |
| 15:00 |
Pei-Ling Huang (US) |
Beyond The Archive Of The Sino-Empire: Contesting The Naming Of 'Lute' Iconography In The Kizil Grottoes Of Xinjiang |
| 15:30 |
Katie Freeze (US) |
History, Identity And Longing In The Himalayan Folk Lute Traditions Of Western Tibet And Ladakh |
| 16:00 |
Richard Kent Wolf (US) |
Bulbulik: Lament And Emblem At The Crossroads Of Tajikistan And Pakistan |
| IC10 |
333 Music, Theory, And Ethnicity (NR) (Ardian Ahmedaja) |
| 14:30 |
Ruard William Absaroka (UK) |
Alienation And Ethnomusicology, Revisited |
| 15:00 |
Wu Yuan-Rong (CN) |
A Map To Classical Aesthetics: The Metamorphosis Of Traditional Aesthetics |
| 15:30 |
Ardian Ahmedaja (AT) |
The Designation Of Concepts In Studies On Multipart Music |
| 16:00 |
Rui Pedro Pereira de Oliveira (PT) |
Music To My Eyes: The Documentary Film As An Ethnomusicological Research-Publishing Medium |
| IC11 |
125 Pilgrimage, Migration And Processions: Sonic Journeys And Moral Meaning (NR) (Alessandra Ciucci) |
| 14:30 |
Giovanni Giuriati (IT) |
Circulation Of Sounds: Performing Sonic Spaces In Processional Music |
| 15:00 |
Margarethe Adams (US) |
Liquid Modernity And Shifting Belief: Music And Shrine Pilgrimage In Post-Soviet Kazakhstan |
| 15:30 |
Francesca Cassio (US) |
“Carry Me Across The World Ocean”. Sikh Diaspora And Spiritual Journey |
| 16:00 |
Alessandra Ciucci (US) |
Sound, Memory, And The Ethical Horizon Of Migration Across The Mediterranean (Morocco-Italy) |
| IC12 |
335 Modernity And Musical Creativity (CM) (Jill Ann Johnson) |
| 14:30 |
Saleem Zoughbi (PS) & Reem Handal (PS) |
The Composition Of Classical Music Driven By Traditional Music In The Orient: Occidentalism Versus Orientalism. |
| 15:00 |
Jill Ann Johnson (SE) |
Explaining New Musical Landscapes: Explorations Of Non-Dichotomous Approaches (Sweden) |
| 15:30 |
Lukas Park (AT) |
Hua'er King Zhu Zhonglu: Expanding Stylistic Boundaries Through Individual Singing Techniques |
| IC13 |
128 Assembly Of ICTM National And Regional Representatives |
| 14:30 |
|
|
| 16:30 |
Tea And Coffee Break |
| ID1 |
304 History And Preservation Of Sound (SE) (Gisa Jähnichen) |
| 17:00 |
Gisa Jähnichen (DE) |
Contextual Sound Preservation Of Musical Life |
| 17:30 |
Alla Sokolova (RU) |
Indifference And Self-Restriction As Mechanisms Of Identity Preservation Of The Musical And Sound Environment (Adyghea, Russia Case Study) |
| 18:00 |
Yang Jiaojiao (CN) |
The Clash Between The Nomads And Yijing: The Role Of The Kazakh Folk Musician Aqїn In Bagua Town, Xinjiang |
| ID3 |
425 Shanghai City Soundscapes (SE) (Xiao Mei) |
| 17:00 |
Xiao Mei (CN) |
Documenting Shanghai's Living Spaces Via Community Engagement |
| 17:30 |
Li Ya (CN) |
Perceptions Of Shanghai: The Experience Of Individual Jiangnan Sizhu Musicians |
| 18:00 |
Jiao Ying (CN) |
The Analysis Of Soundscape Evolution Along The Huangpu River |
| ID4 |
301 Negotiating Creativity Within The Irish Traditional Performing Arts: Case Studies From The Irish World Academy Of Music And Dance (CM) (Catherine Foley) |
| 17:00 |
Catherine Foley (IE) |
Conformity, Confrontation And Negotiation Of Aesthetic Fields In Irish Traditional Step Dance Practices At The Irish World Academy |
| 17:30 |
Niall Keegan (IE) |
Will I Need A Degree For This Session? The Negotiation Of Aesthetic, Institution And Tradition Within Traditional Music Programmes At The Irish World Academy |
| 18:00 |
Sandra Joyce (IE) |
“He That Sings A Lasting Song Thinks In A Marrow-Bone” (Yeats) Traditional Song And Creativity At The Irish World Academy |
| ID5 |
403 Turkish Bodies In Motion (DB) (Alyssa Mathias) |
| 17:00 |
Sevi Bayraktar (TR) |
Choreographies Of Urban Resistance |
| 17:30 |
Alyssa Mathias (US) |
“Lose Weight With Dance!”: Shaping Turkish Women’s Bodies To The Global Sounds Of Zumba Fitness |
| 18:00 |
Sebnem Sozer Ozdemir (TR) |
Traditional Performing Arts In Turkey As A Means For Transmitting "Adab": The Act Of "Mesk" |
| ID6 |
CH Workshop |
| 17:00 |
Trần Quang Hải (FR) |
Siberian Overtone Singing |
| ID7 |
238 Film (Zhang Ying) |
| 17:00 |
Zhiyi Cheng (CN) |
Sounding Nomads In Northern China (45 minutes) |
| ID8 |
202 LP And CD Album Art (VR) (Atesh Sonneborn) |
| 17:00 |
Clare Suet Ching Chan (MY) |
From Oral Tradition To Audio-Visual Culture: Indigenous Orang Asli Folktales Of Malaysia – Narration, Dialogue, And Music In A CD. |
| 17:30 |
Nicola Bizzo (IT) |
Apology Of Album Covers: A Short Manifesto |
| ID9 |
332 Ritual, Minorities, And Identity In Music And Dance (NR) (Judith Cohen) |
| 17:00 |
Mike Anklewicz (CA) |
Ritual And Liminality In The Contemporary Klezmer Scene |
| 17:30 |
Paromita Kar (CA) |
Recontextualization Of Rituals In Odissi Dance |
| 18:00 |
Jessica Roda (CA) |
The Artification Of Sephardic Music By Famous International Artists: Françoise Atlan And Yasmin Levy Experiences |
| ID10 |
333 Genetic And Cultural Evolution: What We Could Learn By Traditional Musics. Which Method To Use? (NR) (Sylvie Le Bomin) |
| 17:00 |
Sylvie Le Bomin (FR) |
The Evolution Of Musical Gabonese Heritage |
| 17:30 |
Susanne Fürniss (FR) |
Methodological Considerations On The Research Of Historical Testimonies In Orally Transmitted Music Of Today |
| 18:00 |
Evelyne Heyer (FR) |
Genetic And Linguistic Evolution Of Central Asia Populations. And What About Music? |
| ID11 |
125 Reconceptualizing Tradition (NR) (Saida Daukeyeva) |
| 17:00 |
Nargiza Khinkov-Aitbayeva (KZ) |
«Kui» Genre In Symphonic Music Of Gaziza Zhubanova (On Example Of «Zhiger» Symphony) |
| 17:30 |
Batyrlan Abenov (KZ) |
The Cultural Heritage Of Kui Art Of Nurgisa Tlendiev |
| 18:00 |
Alibi Abdinurov (KZ) |
Popular Genres Of Modern Symphonic Music Composers Of Kazakhstan |
| ID13 |
108 ICTM Study Group Business Meeting: Music Of The Turkic-Speaking World |
| 17:00 |
|
|
Evening Concert in Zhambyl Hall
Music of the Great Steppes: From Master to Apprentice |
| 19:00 |
Songs, dances and instrumental tunes performed solo, in ensembles, and orchestral arrangements by members of staff and undergraduates of KAZNUA on Western and Kazakh traditional instruments will be followed by a performance by the world famous violinist, Rector of KAZNUA, Professor Aiman Mussakhajayeva. |
Friday, 17 July 2015
| IIA1 |
304 The Sounds Of Religious Ceremonies I (SE) (Jonathan Charles Kramer) |
| 9:00 |
Qi Kun (CN) |
Representing Complex By Simple: The Study Of Funeral Ritual Sounds In A Village Of Hunan Province In Central China |
| 9:30 |
Sebanti Chatterjee (IN) |
Making Of A Choral Repertoire In Shillong: Sounds In Translation |
| 10:00 |
Jonathan Charles Kramer (US) |
Gongs, Drums, And Firecrackers: How The Music/Noise Dichotomy Sonically Shapes Ritual Time |
| 10:30 |
Nailia Glasunova (RU) |
Zikr: The Original Basis And Paradoxes Of Modern Tradition (Uzbekistan) |
| IIA2 |
404 The Influence Of Political, Social, And Cultural Changes To The Traditional Music In Asia (NR) (Tsai Tsung-Te) |
| 9:00 |
Tsai Tsung-Te (TW) |
Transculture And Identity: Historical And Social Environment Of Chinese Indonesian Wayang Potehi |
| 9:30 |
Zhou Yun (CN) |
Tradition And Changes Of Han-Buddhism Music In The Contemporary China |
| 10:00 |
Chen Ching-Yi (TW) |
Imagined Nation: National Music (Guoyue) And Postcolonial Cultural Politics In Contemporary Taiwan |
| 10:30 |
Wei Xin-Yi (TW) |
The Vestige Of Silk Road And Modern Variation: Case Study On A “Mysterious Role” Of Tibetan Opera |
| IIA3 |
425 Music In The Post-Soviet Turkic World (PG) (Liesbet Nyssen) |
| 9:00 |
Liesbet Nyssen (NL) |
Soviet Cultural Policies Pertaining To Khakas Post-Soviet Revivalist Folk Music Making |
| 9:30 |
Nailya Almeeva (RU) |
Song Folklore Of The Kryashen People Of The Volga Region As A Self-Identity Factor Of An Ethnic Community (On The Problem Of Regional Variations Of The Turkic Speaking Culture) |
| 10:00 |
Yamashita Masami (JP) |
Consciousness As Turkic-Speaking People From Discourses Of Sakha Folk Music |
| 10:30 |
Kalmurza Kurbanov (UZ) |
Qyssakhan: Performer Of Written And Oral Literature And His Role In Karakalpak Society |
| IIA4 |
301 Sounding Islam In Central Asia: Power, Experience And Meaning (SE) (Saida Daukeyeva) |
| 9:00 |
Saida Daukeyeva (KZ) |
Voicing A Way To The Afterlife: Controversy Over Lamentation In Kazakh Funeral And Commemorative Rituals |
| 9:30 |
Rachel Harris (UK) |
Internet Rumours And The Changing Sounds Of Uyghur Religiosity |
| 10:00 |
Guzel Sayfullina (NL) |
Abystai – The Keepers Of Religious Musical-Poetical Traditions In The Culture Of Tatar Muslims |
| IIA6 |
CH Workshop |
| 9:00 |
Ncebakazi Mnukwana (ZA) |
An Emergent Model Into The Teaching Of Iingoma Zamgqirha, Traditional Healer's Musical Arts |
| IIA7 |
238 Film (Dave Wilson) |
| 9:00 |
Roberta R. King (US) |
[un]Common Sounds: Pursuing Music, Peacebuilding, And Interfaith Dialogue (58 minutes) |
| IIA8 |
202 Kazakh Musical Instruments In Contemporary Context (NR) (Gulnara Kuzbakova) |
| 9:00 |
Bazaraly Muptekeev (KZ) |
The Value Of Oral And Traditional Heritage Of Kazakhstan And The Great Silk Road |
| 9:30 |
Zhumabek Kadirkulov (KZ) |
History Mangistau Kui Originates From "Aksak Кoulan" |
| 10:00 |
Korlan Kartenbayeva (KZ) |
The Kazakh Musicologists And Ethnographers Who Contributed In A Development Of National Music Instruments |
| 10:30 |
Danara Akhmetzhanova (KZ) |
Pazyryk Harp From The Point Of View Of Ethnomusicology And Musical Archaeology |
| IIA9 |
332 Methodological Reflections On Empowerment And Community Engagement. Strategies In Applied Ethnomusicology From A Comparative Perspective (NR) (Britta Sweers) |
| 9:00 |
Mary Elizabeth Saurman (TH) |
Carving New Paths Of Transmission Processes Through Community Engagement In Music And Other Expressive Arts |
| 9:30 |
Patricia Opondo (ZA) |
Performance As An Analytical Framework In Applied Ethnomusicology Projects |
| 10:00 |
Ana Flavia Miguel (PT) |
New Ways Of Engaged Ethnomusicology: Experiences In Portugal |
| 10:30 |
Todd Saurman (TH) |
Reflections On Reflexivity In Applied Ethnomusicology |
| IIA10 |
333 Technology, Mediation And Popular Music – An Actor-Network-Theory’s Perspective (NR) (Chu Meng Tze) |
| 9:00 |
Sun Chun-Yen (TW) |
A Mountain Love Song Between Cross Cultural Couples: A Study Of The Origin And Imagined Identity Of “The Maiden Of Malan” |
| 9:30 |
Kuo Ta Hsin (TW) |
Karaoke As Mediator: Lǎo Gē老歌 Saxophone Amateur Musical Practice In The City Of Taichung, Taiwan |
| 10:00 |
Zeng Yu Hang (TW) |
Creative Motivation Of Taiwanese Doujin Composition Teams -- A Case Study Of “Vvv! Productions” With Hatsune Miku Music |
| 10:30 |
Chu Meng Tze (TW) |
Creating Rock Band Wave In Taiwan – Neighborhood-Based Musical Instrument Store As Mediator |
| IIA11 |
125 Recontextualizing Kazakh Epic Tradition (NR) (Meruert Kurmangaliyeva) |
| 9:00 |
Gulmira Musagulova (KZ) |
The Implementation Of Recitation In Kazakh Epos |
| 9:30 |
Zhangul Kozhahmetova (KZ) |
Revisiting The Musical And Structural Organization Of Kazakh Aytys |
| 10:00 |
Ulday Imangaliyeva (KZ) |
Kazakh Epos "Kyz Zhibek": History And Modernity. |
| 10:30 |
Alma Dossanova (KZ) |
Aitys In The Context Of Preservation Of National Traditions Of The Kazakh |
| IIA12 |
335 The Sound Environment Of Ritual Music In Asia (SE) (Giovanni Giuriati) |
| 9:00 |
Zhang Fang (CN) |
Ask For “Qi Gu Niang”--The Ritual Soundscape Of A Village Western Hunan (China) |
| 9:30 |
Roslyn Dunlop (AU) |
Maulelo, A Multimedia Ritual Performance From East Timor And Its Relevance To The Society It Originated From Today |
| 10:00 |
Inderjit N Kaur (US) |
Privileging Sound: Authenticity, Authority, And Aesthetics In Sikh Sacred Music |
| 10:30 |
Ho Li-Hua (TW) |
Who's Who? The Groups, Creators and Performers of Para-liturgical Music-Dance in Taiwan |
| IIA13 |
108 ICTM Study Group Business Meeting: Audiovisual Ethnomusicology |
| 9:00 |
|
|
| 11:00 |
Tea And Coffee Break |
| IIB |
ZH PLENARY SESSION: The Creators Of Music And Dance (Ricardo D. Trimillos) |
| 11:30 |
Edwin Seroussi (IL) |
Moshe Cordova: Turkish Jewish Composer In Exile |
| 12:00 |
Heejin Kim (KR) |
South Korean Composers And The Post-War Singing Movements: Debates On The Politics Of Musical Idioms |
| 12:30 |
Jakari Sherman (IE) |
Invisible Influence: A Study Of The Creators Of Choreography Within African-American Fraternity And Sorority-Style Competitive Stepping |
| IIC1 |
304 Roundtable: ICTM And Its Sister Societies (NR) |
| 14:30 |
Svanibor Pettan (SI), Chair |
Panellists: Dinko Fabris/IMS (IT), Goffredo Plastino/IASPM (UK), Donald DeVito/ISME (US), Urmimala Sarkar/WDA (IN) |
| IIC2 |
404 Music In Art, Museums, And Manuscripts (VR) (Tamila Dzhani-Zade) |
| 14:30 |
Paul Michael Taylor (US) |
Observations On Presenting And Preserving Music In Museums And Libraries |
| 15:00 |
Anne Caufriez (BE) |
The French Ballad "The Song Of Roland", A Example Of Creativity In Traditional European Music |
| 15:30 |
Maryam Gharasou (IR) |
Zâr In Persian Gulf (Iran) |
| 16:00 |
Silvia Rocío Ramirez Castro (CO) |
Safeguarding Traditional Musical And Chorographical Expressions In Colombia |
| IIC3 |
425 Conflicts, Coalitions, And Contests: The Inter-Regional Cultural Politics Of Throat-Singing (Xöömei) In Tuva, Mongolia, And Inner Mongolia (PG) (Charlotte D’Evelyn) |
| 14:30 |
Robert O. Beahrs (US) |
Claiming An “Epicenter” For Circa-Altai Xöömei: The Politics Of Nomadic History, Ethnography, And Ethnic Particularity In Post-Soviet Tuvan Throat-Singing Scenes |
| 15:00 |
Charlotte D'Evelyn (US) |
Overcoming Categories: Xöömei Practitioners In Inner Mongolia, China |
| IIC4 |
301 Musical Creativity Between Tradition And Modernity (CM) (Richard Kent Wolf) |
| 14:30 |
Bo-Wah Leung (CN) |
Creativity In Cantonese Opera In Hong Kong Since Mid-20th Century |
| 15:00 |
Anna Yates (KR) |
The Individual In P’ansori: Finding The Contemporary In Tradition |
| 15:30 |
Angela Koufou (UK) |
Understanding Greek Musical Culture During The Interwar Years (1922-1940) |
| 16:00 |
Huang Wan (CN) |
An Unsealed “Time Capsule”: Decoding The Vocal “Style” In Okinawan Folksong Singing By “Argentinian-Uchinanchu” |
| IIC5 |
403 Dancing Bodies And Space As Boundary Markers (DB) (Andrée Grau) |
| 14:30 |
Georgiana Gore (FR) |
Dancing Bodies And Shifting Spaces |
| 15:00 |
Andrée Grau (UK) |
Dance, Spatiality, And The Hierarchy Of Places: A Crosscultural Enquiry |
| 15:30 |
Ann David (UK) |
Transformation Through Ritual: Bodies As Sacred Space |
| 16:00 |
Elina Djebbari (UK) |
Afro-Cuban Music And Couple Dance In 1960’S Mali: Youth, Modernity And Political Empowerment |
| IIC6 |
CH Workshop (Saida Yelemanova) |
| 14:30 |
Alexander Djumaev (UZ) and Otanazar Matyakubov (UZ) |
Uzbek Traditional Music With Nodira Permatova (Voice), Nabijon Kadirov (Ghijak), Mirgiyos Muhiddinov (Doira) of Freghana-Tashkent Tradition and Rustam Boltaev (Tanbur, Tar, Dutar, Doira), Shuhrat Razakov (Dutar, Tanbur, Tar, Doira), Ochilboi Matchanov (Dutar, Tar, Doira, Voice) of Khoresm Maqam Tradition |
| IIC7 |
238 Films (Zita Skorepova) |
| 14:30 |
Jana Belišova (SK) |
Audiovisual Capturing Of Lament Songs Of Slovak Roma In The Context Of Their Life Stories (20 minutes) |
| |
Sashar Zarif (CA) |
Dance Of Mugham - Sama Of Rast (Azerbaijan) (18 minutes) |
| IIC8 |
202 Multiperspectival Scholarly Approaches To Music And Dance: A Case Study Of Intangible Cultural Heritage In The Republic Of Macedonia (NR) (Velika Stojkova Serafimovska) |
| 14:30 |
Velika Stojkova Serafimovska (MK) |
ICH Or Identity––What Are We Safeguarding? |
| 15:00 |
Ivona Opetcheska-Tatarchevska (MK) |
Ambiguity In The System For The Safeguarding Of Intangible Cultural Heritage In Macedonia |
| 15:30 |
Dave Wilson (US) |
Who Safeguards Which Heritage And Why?: State-Sponsored Ritual As Intangible Cultural Heritage |
| IIC9 |
332 Traditional Kazakh Music In Contemporary Context (NR) (Gulnara Kuzbakova) |
| 14:30 |
Khalikberghen Abilzhanov (KZ) |
Present State Of Our Cultural Heritage (Musical-Ethnographic Materials On East Kazakhstan Region) |
| 15:00 |
Zarina Makanova (KZ) |
The Music Ethnographic Description Of Turgay Region Of Kazakhstan |
| 15:30 |
Lyudmila Belozyor (KZ) |
On Influence Of Folklore In Kazakh Culture |
| IIC10 |
333 Traditional Musical Instruments In Contemporary Context (NR) (Oh-Sung Kwon) |
| 14:30 |
Sachi Amano (JP) |
The Meaning Of The Key In Nohkan Tunes : Analysis Through Scores Based On Finger Hole Pattern, Frequency And Overtone Mode |
| 15:00 |
Oh-Sung Kwon (KR) |
The True Nature Of The Yatga, The Zither Of Mongolia |
| 15:30 |
Yunkyong Jin (KR) |
A Comparative Study Of Music Played By Korean And Chinese Double Reed Instrument |
| IIC11 |
125 Music In The Context Of Political Geographies (PG) (J. Lawrence Witzleben) |
| 14:30 |
Razia Sultanova (UK) |
The Soviet Union’s Influence Upon Music In The Turkic Speaking World |
| 15:00 |
John Morgan O'Connell (UK) |
The Pulse Of Asia: Musical Diffusion And Environmental Determinism In The Turkic World |
| 15:30 |
Amin Aghaie Koohi (IR) |
Musical Traditions Of Qashqai Tribe |
| 16:00 |
Susana Sardo (PT) |
How To Overthrow Menaces With Music? The Case Of A Cape Verdean Community In Lisbon (Portugal) |
| IIC13 |
108 ICTM Study Group Business Meeting: Iconography Of The Performing Arts |
| 14:30 |
|
|
| 16:30 |
Tea And Coffee Break |
| IID1 |
304 Musical Expressions Of Identity In East Asia (DB) (J. Lawrence Witzleben) |
| 17:00 |
Shih Yingpin (UK) |
Breaking With Tradition: The Identity Crisis Of The Taiwanese Beiguan Community |
| 17:30 |
Masaya Shishikura (JP) |
Transcending Musical Bodies: Embodiment Of Multiple Bonds Of The Ogasawara Islands (Japan) |
| 18:00 |
Wang Xianyan (CN) |
The Identity Of Folk Guchui (Wind And Percussion Ensemble) Musicians In Contemporary China |
| IID2 |
404 Bodies Moving And Dance In Time And Space (DB) (Keith Howard) |
| 17:00 |
Shan Chuah (MY) |
Travelling Through Time And Space When The Refugee Monks Dance (Tibet) |
| 17:30 |
Keith Howard (UK) |
Colluding With The Enemy? The Impact Of North Korea On Recent South Korean Innovations In Dance And Dance Notation |
| 18:00 |
Mohammad Reza Azadehfar (IR) & Maryam Shariari (IR) |
Say Body Movements, Don’t Call It Dance: Lamentation Ritual Ceremonies In Dashtestan In Sothern Iran |
| IID3 |
425 Music And Political Geography In Asia (PG) (Hilarian Francis Larry) |
| 17:00 |
Tanner Jones (US) |
Military Expansion On The 'Island Of Peace': Protest Through Shamanic Ritual (South Korea) |
| 17:30 |
Suzuki Seiko (FR) |
Okinawan Folksong And ‘Forbidden Song’: Rô Takenaka’s Musical Theory |
| 18:00 |
Hilarian Francis Larry (SG) |
The Political, Cultural And Musical Impact Of Western Colonisation On The Young-Nation States In Lautan Melayu (The Malay Sea) |
| IID4 |
301 Biographies Of Individual Musicians (CM) (Naila Ceribašić) |
| 17:00 |
Cassandre Balosso-Bardin (UK) |
Xeremiers De Sa Calatrava, From Heyday To Unemployment: A Life Dedicated To The Xeremies, The Mallorcan Bagpipes |
| 17:30 |
Gulnara Saitova (KZ) |
Chokan Walikhanov – The Life And Folkways Of Eastern Turkestan Women: Information From Kashgaria Travel Notes |
| IID6 |
128 Workshop |
| 17:00 |
Lesley Hall (UK) |
Scottish Cèilidh Dances |
| IID7 |
238 Films (Yukako Yoshida) |
| 17:00 |
Gao Hejie (CN) |
From Tradition To Legend: A Story Of Kecak Dance In Bali Island (30 minutes) |
| 17:00 |
Naresh Kumar (IN) |
Blind Musicians At Sikh Shrines (India) (30 minutes) |
| IID8 |
202 Composition Creativity And Tradition (NR) (Gulnara Abdirakhman) |
| 17:00 |
Bayan Mukusheva (KZ) & Fatima Nurlybayeva (KZ) |
The Meaning Of Folk Traditions In Development Of Kazakh Piano Music |
| 17:30 |
Vladimir Manyakin (KZ) |
Concerning The “New Musical And Creative Kinds” Of Kazakhstan |
| 18:00 |
Marianna Ostankovich (KZ) |
Formation Of A European Style School Of Composition In South Kazakhstan |
| IID9 |
332 Central Asian Music: Interrogating The Concept Of Tradition (Faroghat Azizi) |
| 17:00 |
Faroghat Azizi (TJ) |
Dance Parts In Cyclic Forms Of Tajik Traditional Music |
| 17:30 |
Roza Amanova (KG) |
Kyrgyz Kyuis For Komuz |
| 18:00 |
Sa'dullo Karimov (TJ) |
Dance Rhythms In A Tajik Falak |
| IID10 |
333 Music Creators and Agency (CM) (Shzr Ee Tan) |
| 17:00 |
Ning Ying (CN) |
Ethnic Group·Political Boundary· Identity：Tracing The Transmission Roots And Branches Of Yanbian Pansori In The China-Korea Transnational Context |
| 17:30 |
Shzr Ee Tan (UK) |
Hipsters, Nostalgia And Heritage Branding: Musical Revivals In Singapore |
| 18:00 |
Anda Beitāne (LV) |
The Role Of Individual Creators In The Local Multipart Music Practices In North-Eastern Latvia |
| IID11 |
125 Traditional Kazakh Music In Contemporary Context (NR) (Saniya Bazheneyeva) |
| 17:00 |
Toizhan Yeginbayeva (KZ) |
Issues Of Studying The Musical Heritage Of Abay Kunanbayev |
| 17:30 |
Almagul Smetova (KZ) |
Traditional Vocal School Of Pavlodar Region (Kazakhstan) |
| 18:00 |
Saniya Bazheneyeva (KZ) |
Creators Of Music Are The Guardians Of Tradition |
| IID12 |
335 Theory And Practice Of Central Asian Music (NR) (Saida Yelemanova) |
| 17:00 |
Otanazar Matyakubov (UZ) |
On The Theory And Practice Of The Central Asian Maqomat |
| 17:30 |
Ilyas Kozhabekov (KZ) |
Genesis And Structure Of Rhythm-Metric System Of Kazakh Traditional Song |
| 18:00 |
Iroda Dadadjanova (UZ) |
Transitions Of Musical Transmission In Uzbek Ssr: Female Performers With The Political Context Of The Time |
| IID13 |
108 Inaugural Meeting Of ICTM Study Group Chairs |
| 17:00 |
|
|
Evening Concert in Zhambyl Hall
Festival of Young Kazakh Musicians |
| 19:00 |
Instrumental, vocal music, and dances will be performed by 12-to-17-year-old musicians, the winners of the recent Festival of Creative Youth of Kazakhstan "Children in the Rhythm of the World," held in Kazakhstan under the auspices of UNESCO. |
Evening Concert in Chopin Hall
Korean Traditional Dance and Music with performers from Dankook University, Seoul |
| 19:00 |
TBA |
Saturday, 18 July 2015
| IIIA1 |
304 Modern Soundscapes (SE) (Tom Solomon) |
| 9:00 |
Elnora Mamadjanova (UZ) |
Expending The Boundaries And Extending Horizons: Musical Heritage Of Central Asia In Contemporary Context |
| 9:30 |
Fikri Soysal (TR) |
Bozlaks: A Turkic Folk Songs From Central Anatolia |
| 10:00 |
Zakiya Sapenova (KZ) & Christopher Williams (KZ) |
The New Kazakh Cultural Diplomacy: International Listener Perceptions Of Kazakh Music |
| 10:30 |
Zuzana Jurková (CZ) |
Three Musical Tales of Prague |
| IIIA2 |
404 Music Traditions of the Turkic-speaking World (NR) (Irene Markoff) |
| 9:00 |
Özlem Doğuş Varlı (TR) & Köksal Öztürk (TR) |
Re-Construction Of Music And Dance In New Geographies And Governments In A Territories Of Macahel |
| 9:30 |
Zulfiya Muradova (UZ) |
The New Research Data On Ancient Frictional Chordophones Of The Central Asian Region |
| IIIA3 |
425 Music In Post-Soviet Caucasus (PG) (Alexander Djumaev) |
| 9:00 |
Alla Bayramova (AZ) |
Azerbaijani Traditional Musicians In Literature And In Museum Collections |
| 9:30 |
Tamila Dzhani-Zade (RU) |
Civilizational Layers Of Azerbaijanian Music Culture In The Twentieth Century |
| 10:00 |
Caroline Bithell (UK) |
Polyphony, Tourism And The Turn To Europe: Singing Encounters And The Politics Of Heritage In Post-Soviet Georgia |
| 10:30 |
Elena Spirin (FR) |
The Path To National Identity: Western And Georgian Features In Giya Kancheli’s Cycle Of Seven Symphonies |
| IIIA4 |
301 Creating Identity Through Musical Creativity (CM) (Galina Sychenko) |
| 9:00 |
Lorenz Beyer (DE) |
How Do Individual Musicians Influence Regional Identity? Labrassbanda And Die Cubaboarischen – Two Case Studies From Upper Bavaria |
| 9:30 |
Zita Skorepova (CZ) |
From Czech Refugees To Austrians With Czech Roots: Determinants Of Musical Creativity Of Contemporary Viennese Czechs |
| 10:00 |
Galina Sychenko (RU) |
Epics, Melodies, Creativity (V.E. Tannagashev’s Case Study) |
| 10:30 |
Zhang Ying (CN) |
Ethnic Identity And Cultural Memory：Study On Torgut Mongolia Urtin Duu (Long-Song) Of Xinjiang Province |
| IIIA5 |
403 Ritual And Music In Asia (DB) (Christine Yun-May Yong) |
| 9:00 |
Christian Daniel Koehn (DE) |
Ne-En Lobong - Music, Dance, And The Construction Of Socio-Cultural Realities Among The Moken Sea Nomads (Burma/Thailand) |
| 9:30 |
Christine Yun-May Yong (US) |
Shifting Angin: Contemporary Practice Of The Main Puteri In Kelantan, Malaysia |
| 10:00 |
Guan Bingyang (CN) |
Lonely Loudness: “Kylin Whip”And Soundscape In Modern Chinese City |
| IIIA6 |
CH Workshop |
| 9:00 |
Seola Kim (US) |
Different Approaches To Create Ajaeng (Korean Bowed Zither) Music From Composers And Performer-Composers |
| IIIA7 |
238 Film (Robert O. Beahrs) |
| 9:00 |
Liu Guiteng (CN) |
Voices Around The Xar Moron River: A Study On Mongolia Laiqing Ritual Music In Horqin (45 minutes) |
| 9:45 |
Gulzada Omarova (KZ) & Kaiyrgazy Tolen (KZ) |
Folklore Expeditions In Mongolia (30 minutes) |
| IIIA8 |
202 Recontextualizing Tradition (NR) (Meruert Kurmangaliyeva) |
| 9:00 |
Elena Babakova (KZ) |
Realization Of Elements Of Kazakh Traditional Music Culture In Contemporary Feast Rites |
| 9:30 |
Riza Almukhanova (KZ) |
Magical Attributes In The Traditional Musical Culture |
| 10:00 |
Baglan Babizhan (KZ) |
Traditional Song Culture Of Kazakhs And Instrumental Accompaniment |
| 10:30 |
Pernebek Shegebayev (KZ) |
Monodiya And "Polyphony" In The Kazakh Music For Dombra |
| IIIA9 |
332 Dance And Choreography In Changing Contexts (NR) (Gulnara Kuzbakova) |
| 9:00 |
Lyazzat Ukeyeva (KZ) |
Revival Of The National Traditions In Creative Activity Of Bulat Ayukhanov |
| 9:30 |
Aygul Kulbekova (KZ) |
Traditional Culture In The Context Of National Choreography |
| 10:00 |
Irina Bakayeva (KZ) |
National Music Of The Dance Scenes In “Tomiris” Opera By A. Serkebayev |
| 10:30 |
Toigan Izim (KZ) |
The Role Of Folklore And Other Arts In The Development Of Kazakh Dance |
| IIIA10 |
333 Music And Identity In History And Society (NR) (János Sipos) |
| 9:00 |
Ekaterina Pyatkova (CA) |
Evoking Cultural Identity Through The Elements Of Traditional Music In Russian Folk Metal |
| 9:30 |
Scott Valois Linford (US) |
Jola Music And The Ambiguation Of Identity Production (Senegal/Gambia) |
| 10:00 |
János Sipos (HU) |
A Monograph Of The Kyrgyz Folksongs – The Result Of A Long Fieldwork Series |
| 10:30 |
Rakhat-Bi Abdyssagin (KZ) |
Ethnicity Through The Prism Of Modernity |
| IIIA11 |
125 Rethinking, Reconstructing And Reinventing Musical Pasts And Future (NR) (Don Niles) |
| 9:00 |
Don Niles (PG) & Carlos Yoder (AR/SI) |
From IFMC To ICTM To What? Considering The Council’s Past While Moving Into The Future |
| 9:30 |
Maria Sonevytsky (US) |
Crimean Tatar Anthems And Indigenous Memory, Past And Present |
| 10:00 |
Imani Sanga (TZ) |
Zilipendwa Music, New Social Media and the Public Sphere: Meanings Generated by YouTube Users on Zilipendwa Music of Mbaraka Mwinshehe and Marijani Rajab |
| IIIA12 |
335 ICTM Study Group Business Meeting: Musics Of East Asia |
| 9:00 |
|
|
| IIIA13 |
108 ICTM Study Group Business Meeting: Musics Of The Slavic World |
| 9:00 |
|
|
| 11:00 |
Tea And Coffee Break |
| IIIB |
ZH PLENARY SESSION: Visual Representation Of Music Cultures (Keith Howard) |
| 11:30 |
Barley Norton (UK) |
Ethnomusicological Filmmaking And Theorizing |
| 12:00 |
Donna Lee Kwon (US) |
Glimpses Beyond The Curtain: Making Sense Of North Korean Musical Performance In The Age Of Social Media And Youtube |
| 12:30 |
Wim van Zanten (NL) |
The Validity Of Visual Representations Of Music Of The Baduy Minority Group In West Java |
| IIIC |
ZH 42nd ICTM General Assembly |
| 14:30 |
|
|
| 16:30 |
Tea And Coffee Break |
| IIID1 |
304 Roundtable: ICTM And UNESCO: Briefing On ICTM Quadrennial Report To UNESCO On Activities Related To Safeguarding Intangible Cultural Heritage, And Discussion On Further Prospects |
| 17:00 |
Naila Ceribašić (HR), Chair |
Panellists: Sanubar Baghirova (AZ), Velika Stojkova Serafimovska (MK), Tan Sooi Beng (MY), Stephen Wild (AU), Wim van Zanten (NL) |
| IIID2 |
404 Composers And Their Compositions Today (CM) (Ulrich Morgenstern) |
| 17:00 |
Rita Seumanutafa (AU) |
Fatupese: A Composer Of Pese Fa'asamoa |
| 17:30 |
Kapambwe Lumbwe (ZM) |
Singing Knowledge, Tradition, Culture And Politics Beyond Ethnic And National Boundaries: The Music Of Chitwansombo A Royal Musician Among The Bemba Of Zambia |
| 18:00 |
Ulrich Morgenstern (AT) |
Berthold Eppensteiner. A Folk Musician And Composer From The Mostviertel (Lower Austria). Traditional Practice – Cultural Activism – Media Usage |
| IIID3 |
425 Music And Political Geography In Europe And Asia (PG) (Lonán Ó Briain) |
| 17:00 |
Tatjana Markovic (AT) |
Ottoman Imperial Legacy In Serbian Music At The Fin De Siècle: Sevdalinka, From Folk To Classical Music |
| 17:30 |
Judith E. Olson (US) |
Hungarian Dance In Transylvania: A Study In Conflicting Transnational Identities |
| 18:00 |
Lonán Ó Briain (IE) |
Sounding Ethnicity: Musical Articulations And Manipulations Of Identity In Vietnam |
| IIID4 |
301 Creativity And Experience In Dance (CM) (Andrée Grau) |
| 17:00 |
María Gabriela López Yánez (EC) |
Understanding An Ecuadorian Dance Style As Affective Experience |
| 17:30 |
Kendra Stepputat (AT) |
Some Lead, Some Follow – Exploring The International Tango Argentino Performing Arts Scene Through The Study Of Key Individuals |
| 18:00 |
Debanjali Biswas (IN) |
Dancing The Detritus: New Choreographies In A Time Of Violence |
| IIID5 |
403 Latin American Song And Dance Traditions (DB) (Miguel Ángel García) |
| 17:00 |
Logan Elizabeth Clark (US) |
Sirens And Sones: Maya Marimba Music And Sonic Interaction In South Los Angeles |
| 17:30 |
Marita Fornaro Bordolli (UY) |
The People And “The Others”: Their Body Representation In Hispanic-Uruguayan Murga |
| 18:00 |
Daniel Orlando Díaz Benavides (PE) |
Peruvian Folk Dances: From Challenges And Singularities |
| IIID6 |
CH Workshop |
| 17:00 |
Aiza Reshetnikova (RU) |
How To Introduce Music and Folklore in Museums and Galleries Exhibitions |
| IIID7 |
238 Film (Katie Freeze) |
| 17:00 |
Li Zhan Ping (CN) |
The Mantra "Om Mani Padme Hum" In Tibetan Life (60 minutes) |
| IIID8 |
202 Music Education In Kazakh History And Society (NR) (Gulshat Shanbatyrova) |
| 17:00 |
Gulshat Shanbatyrova (KZ) |
Some Observations On Kazakh Music Education: Requirement To Encourage 21St Century Skills Implementation In Teaching Practice |
| 17:30 |
Kamila Dossanova (KZ) |
Tolerance Education By Means Of Kazakh Traditional Musical Art |
| 18:00 |
Gulzhannat Dukembay (KZ) |
Cultural Heritage Of Modern Kazakhstan – Patriotic, Moral And Cultural Education Of Young Generation Through National Music (On The Example Of Creating A Musical-Pedagogical Complex For Traditional Music) |
| IIID9 |
332 Genesis And Evolution Of Musical Language Of Kazakh Traditional Song (NR) (Saida Yelemanova) |
| 17:00 |
Saida Yelemanova (KZ) |
On The Musical Language Of Kazakh Traditional Songs |
| 17:30 |
Gulnar Abdirakhman (KZ) |
Kazakh Traditional Song In The Soviet Period Of Society Development |
| IIID10 |
333 Global–Local Interactions (NR) (George Murer) |
| 17:00 |
Yukako Yoshida (JP) |
Globalization Of Performing Arts And Its Materiality: How Japanese Performers Treat Balinese Gamelan Instruments And Masks |
| 17:30 |
Alena Libanska (CZ) |
Czech-Balkan Counterpoint: Balkan Music In The Czech Republic |
| 18:00 |
George Murer (US) |
Coastal Affinities: The Musical Embrace Of Urban Hadramawt In Kuwait |
| IIID11 |
125 Engendering Musical Identities (DB) (Heather MacLachlan) |
| 17:00 |
Marko Kölbl (AT) |
Cultural Empowerment And Gender Agency. Ethnomusicological Perspectives |
| 17:30 |
Heather MacLachlan (US) |
The Gay And Lesbian Choral Movement And Social Change In America |
| IIID12 |
335 Marginal Voices: Sounding New Fantasies And Anxious Futures (Tony Dumas) |
| 17:00 |
Tony Dumas (US) |
Can I Play With Madness?: Myth And Mysticism In Flamenco From Carmen To Flametal |
| 17:30 |
Natalie Sarrazin (US) |
Techno-Global Identities: Musical Networks And Negotiations Among Delhi Youth |
| 18:00 |
Victor A. Vicente (HK) |
“Here We Are Again Now” – The Immigrant Experience In Portuguese Popular Song |
| IIID13 |
108 ICTM Study Group Business Meeting: African Musics |
| 17:00 |
|
|
Evening Concert in Zhambyl Hall
Contemporary Kazakh Symphonic Music |
| 19:00 |
By Tles Kazhgaliev, Erkegali Rahmadiev, Serik Erkimbekov, Serik Abdinurov and others. |
Sunday, 19 July 2015 — Day IV: Excursions
Monday, 20 July 2015
| VA1 |
304 Central Asian Soundscapes (SE) (Saule Utegalieva) |
| 9:00 |
Saule Utegalieva (KZ) |
Phenomenon Of Sound In Instrumental Music Of Turkic Peoples Of Central Asia: Experience And Perspectives Of Study |
| 9:30 |
Meruyert Kurmangaliyeva (KZ) |
The Sound And Music In Ethnosystem Kazakh Traditional Society. |
| 10:00 |
Umitzhan Jumakova (KZ) |
Music For The Kazakh Folk Instruments In Contemporary Culture |
| 10:30 |
Ongarbek Taskarin (KZ) |
House Museum Of Shafer’s Recorded Music. |
| VA2 |
404 Changing Modes of Musical Transmission (VR) (Leonardo D'Amico) |
| 9:00 |
Damascus Kafumbe (US) |
Notating Musical Texts Of The Kawuugulu Ensemble Of Buganda, Uganda |
| 9:30 |
Leonardo D'Amico (IT) |
Watching Music. The Transmission Of Musical Knowledge: From The Oral-Aural To The Oral-Aural-Visual Process Communication. |
| 10:00 |
Laura Ellestad (NO) |
Kappleiks And House Parties: Norwegian Folk Fiddle In North American Contexts, 1910-1970 |
| 10:30 |
Gretel Schwörer-Kohl (DE) |
Lahu Prophets In Northern Thailand And Myanmar As Creators And Innovators Of Dance And Music |
| VA3 |
425 Displacing And Emplacing Identities In Music And Dance Performances (DB) (Wim van Zanten) |
| 9:00 |
Hannah Balcomb (US) |
Confronting/Reinscribing The White Argentine Imaginary: The Paradox Of The Argentine “Indian” |
| 9:30 |
Kai Viljami Åberg (FI) |
Finnish “Gypsy Dance” As A Stereotype: Mystery, Secrecy, Passion And Sex |
| 10:00 |
Shahanum Md Shah (MY) |
The Malay Gamelan: Changing Landscapes |
| 10:30 |
Atinuke Adenike Idamoyibo (NG) |
Music, Dance and Physicality: The Consequence of a Sensitive Ethical Cultural Interaction |
| VA4 |
301 Individual Creativity In Southeastern Europe, Turkey, And Georgia (CM) (Leslie Rosalind Hall) |
| 9:00 |
Mirjana Zakić (SR) |
Music Creators In Contemporary Instrumental Practice Of Serbia |
| 9:30 |
Danka Lajić Mihajlović (SR) |
The Guslar: Personality Within Tradition Of Performing Epic Songs |
| 10:00 |
Tamaz Gabisonia (GE) |
Creator's Competencies Of Oral Tradition In Georgian Ethnic Music |
| 10:30 |
Leslie Rosalind Hall (CA) |
Creators Of Classical Turkish Music |
| VA5 |
403 Performing Arts Of The Muslim Communities In Southeast Asia (DB) (Mohd Anis Md Nor) |
| 9:00 |
Sumarsam (US) |
Expressing And Contesting Java-Islam Encounters In The Performing Arts |
| 9:30 |
Lawrence Ross (MY) |
Gendang Silat: Martial Arts Music, Ethnicity, And Religion In Post-Independence Malaysia |
| 10:00 |
Mohd Anis Md Nor (MY) |
Zapin As Ritualized Dhikr: Silent Remembrance Of God Through Music And Dance |
| 10:30 |
Ricardo D. Trimillos (US) |
Discussant |
| VA6 |
128 Workshop |
| 9:00 |
Özgü Bulut (TR) |
Turkic Rhythms Through Body Music |
| 10:00 |
Cenk Güray and Ali Fuat Aydin (TR) |
Tracing the Performance of the Turkish Baglama |
| VA7 |
238 Film (Oli Wilson) |
| 9:00 |
Tony Lewis (AU) |
Garamut Making In Baluan (Papua New Guinea) (90 minutes) |
| VA8 |
202 Roundtable: Negotiating Personal And Professional: Ethnomusicologists And Uncomfortable Truths (NR) |
| 9:00 |
Margaret Sarkissian (US), Chair |
Panellists: Svanibor Pettan (SI), Rebecca Miller (US), Anne K. Rasmussen (US) |
| VA9 |
332 Interrogating The Concept Of Tradition (NR) (Violetta Iunusova) |
| 9:00 |
Violetta Iunusova (RU) & Alexander Kharuto (RU) |
Computer Analysis Of Performance Style In Oriental Traditional Music. |
| 9:30 |
Zilia Imamutdinova (RU) |
Computer Research Methods In Relation To The Sacral Tradition Of The Qur’ānic Recitation |
| 10:00 |
Reem Handal (PS) & Saleem Zoughbi (PS) |
Impact Of Socio-Historic Intonation Of Cultures On Arab Music: A Case Of Varying Globalization |
| 10:30 |
Sabina Ayazbekova (KZ) |
Place Of Music In Turkic Civilization: From Space To Humankind |
| VA10 |
333 Rethinking Historical Sources In Musical Practices (NR) (Stephan Shearon) |
| 9:00 |
Stephen Shearon (US) |
Pre-1920 Foundations Of Gospel Song In The American South |
| 9:30 |
Li Wai Chung (HK) |
Gurmat Sangit Revival: Modernization, Media, And Meanings Of Sikh Religious Music |
| 10:00 |
Jonathan W Johnston (US) |
Defining The Art Of Worship In The Apostolic And Protestant Churches Of Armenia: Static Eastern Ideology Vs. ‘Progressive Pseudo-Cultic’ Western Decadence |
| 10:30 |
Yanfang Liou (TW) |
The Construction Of Dynamic Network And Symbolic Functions In Tibetan Buddhist Music: The Case Study Of Thrangu Tara Abbey Nunnery |
| VA11 |
125 Cultural Politics In Changing Contexts (NR) (Megan Rancier) |
| 9:00 |
Megan Rancier (US) |
The Spirit Of Tengri: Contemporary Ethnic Music And Cultural Politics In Kazakhstan |
| 9:30 |
Heeyoung Choi (US) |
Influence Of Performing Arts On Nationalism And Cultural Interaction Between Ethnic Groups: Music And Dance Of Korean Immigrants In Hawai‘I During The Early 20th Century |
| 10:00 |
Marcia Ostashewski (CA) |
Integrating Emerging Technologies In Community-Engaged Research In Cape Breton: New Opportunities, New Challenges |
| 10:30 |
Gordon Ramsey (UK) |
'Step In Style': Class, Taste, Skill, And Political Identity In Ulster Marching Bands |
| VA12 |
335 ICTM Study Group Business Meeting: Applied Ethnomusicology |
| 9:00 |
|
|
| VA13 |
108 ICTM Study Group Business Meeting: Multipart Music |
| 9:00 |
|
|
| 11:00 |
Tea And Coffee Break |
| VB |
ZH PLENARY SESSION: Sound Environments: From Natural And Urban Spaces To Personal Listening (Miguel Ángel García) |
| 11:30 |
J. Martin Daughtry (US) |
Sound, Violence, And The Limits Of Musical Efficacy In Wartime Iraq |
| 12:00 |
Elizabeth Tolbert (US) |
Meaningful Music, Unmediated Sound: An Evolutionary History |
| 12:30 |
Ruth Davis (UK) |
Sound Archives, Music Collecting, And Fluctuating Political Geographies: Robert Lachmann’s Oriental Music Archive In Mandatory Palestine |
| VC1 |
304 European Sonic Ecologies (SE) (Ana Hofman) |
| 14:30 |
Marija Dumnić (SR) |
Producing Representative Sound Environments: “Old Urban Music” In Skadarlija (Serbia) |
| 15:00 |
Ivana Medić (SR) |
Reculturization Projects In Savamala (Serbia) |
| 15:30 |
Britta Sweers (CH) |
The Sonic Representation Of Traditional And Modern Identity In The Public Urban Context In Bern, Switzerland |
| 16:00 |
Mojca Kovačič (SI) |
Noise Versus Music: The Perception Of The Sound Of Bell Ringing In Ljubljana |
| VC2 |
404 Music After Conflict, Catastrophe And Crisis (Irene Markoff) |
| 14:30 |
Gillian Howell (AU) |
Sound Relief? Musical Interventions In Conflict-Affected Settings |
| 15:00 |
Oshio Satomi (JP) |
Musics That Build Ties Among People: Analysis Of Musical Activities Related To The Great East Japan Earthquake |
| 15:30 |
Erica Haskell (US) |
The Role Of Applied Ethnomusicology In Post-Conflict And Post-Catastrophe Communities |
| VC3 |
425 Diasporas And Music I (PG) (Jennifer C. Post) |
| 14:30 |
Shakhym Gullyev (TM) |
Turkmen Traditional Music Out Of Turkmenistan |
| 15:00 |
Tom Solomon (NO) |
Music In The Norway-Azerbaijan Connection: Imagined Geographies And Histories |
| 15:30 |
Jennifer C Post (US) |
Music And New Mobilities: Travel And Kazakh Musical Production In Mongolia |
| 16:00 |
Rimantas Sliužinskas (LT) |
Tartar Community And Their Musical Folklore Dissemination In Contemporary Klaipeda City (Lithuania) |
| VC5 |
403 Performing (Dis)Ability (DB) (Louise Wrazen) |
| 14:30 |
Anthea Skinner (AU) |
"I Love My Body": Depictions Of Sex And Romance In Disability Music Culture |
| 15:00 |
Park Ilwoo (KR) |
The ‘Lived Body’ As Different Meanings In Musical Performance: The Normal And Abnormal Bodies Of Irish Fiddle Players And The Korean Pianist With 4 Fingers |
| 15:30 |
Yohanes Don Bosko Bakok (ID) |
The Role Of Gamelan Music Accompaniment For Deaf Students In Ramayana Dance And Drama Performance. A Case Study In Deaf School Of Dena Upakara Wonosobo, Indonesia |
| 16:00 |
Louise Wrazen (CA) |
Spiraling To Redefine (Dis)Ability: A Case Study In Arts Programming For Children |
| VC6 |
CH Workshop |
| 14:30 |
Meruert Kurmangaliyeva (KZ) and Saida Yelemanova (KZ) |
The Art of Traditional Kazakh Singing with Erkin Chukmanov, Yerlan Ryskali, Tolganbay Sembayev, Kairat Kakimov, Aigul Kossanova & Rysty Suleimenova |
| VC7 |
238 Film (M. Emin Soydaş) |
| 14:30 |
Alex Kreger (US) |
"Before March 1St, After March 1St": The Life And Music Of Mansur Bildik (Turkey) (47 minutes) |
| VC8 |
202 Music, Sound And Society (NR) (Sławomira Żerańska-Kominek) |
| 14:30 |
Meng Meng (CN) |
The Study On The Artistic Features And Social Function Of Lusheng In Danzahi Paiya Village Of China |
| 15:00 |
Sylvia Bruinders (ZA) |
Music And Subjectivity: Constructing Respectable Subjectivities Through A Musical Practice |
| 15:30 |
Hee Sook Lee-Niinioja (FI) |
Ganggangsullae: An Excellent Mediator For “Unity In Diversity” In The Korean Society |
| 16:00 |
Marc-Antoine Camp (CH) |
Images And Values In Describing Musical Excellence |
| VC9 |
332 Diasporas And Music II (PG) (Hande Sağlam) |
| 14:30 |
Babak Nikzat (AT) |
Halāl Or Harām? The Role Of Islamic Instructions For Music In Daily Life Of Moslem Communities In Diaspora: A Case Study Of The Turks’ Musical Life In Styria/Austria |
| 15:00 |
Hande Sağlam (AT) |
Is It Music Or Not? Meaning And The Function Of Music For Islamic People From Turkey In Styria / Austria |
| VC10 |
333 Ritual Music (NR) (Teng Zhen) |
| 14:30 |
Mitra Jahandideh (IR) |
Music And Rituals Of Iranian Zoorkhaneh |
| 15:00 |
Rui Zijing (CN) |
Shanxi Yulin Zheng Music Research (China) |
| 15:30 |
Teng Zhen (CN) |
Deep Structural Analysis Of The Donjing Music In Dali (China) |
| 16:00 |
Bryan Levina Viray (PH) |
Embodying Knowledge Through The Body Senses: Putong Ritual And Its Practices In Village Communities Of Marinduque, Philippines |
| VC11 |
125 New Perspectives On Rock And Pop Music (NR) (Klaus Näumann) |
| 14:30 |
Klaus Näumann (DE) |
Rock Music In Belarus: Research Challenges, Issues And Problems Of A Non Native Speaker |
| 15:00 |
Andrew Terwilliger (US) |
Where Ethnos Fear To Tread: Criticizing Our Aversion To The Electronic And The Erotic |
| 15:30 |
Daniyar Ismailov (UK) |
The Establishment Of Grime: London's Distinctive Underground Subculture |
| 16:00 |
Nanako Taki (JP) |
Maya Rock and Political Identity after the Peace Accord in Guatemala |
| VC13 |
108 ICTM Study Group Business Meeting: Ethnochoreology |
| 14:30 |
|
|
| 16:30 |
Tea And Coffee Break |
| VD1 |
304 Naming The Creators Of Traditional Music And Dance In East Asia (CM) (Sheen Dae-Cheol) |
| 17:00 |
Keisuke Yamada (JP) |
Agency, Creativity, And Cultural Literacy: An Ethnographic Depiction Of An Oyama-Ryu Tsugaru Shamisen Player |
| 17:30 |
Colleen Christina Schmuckal (JP) |
Shamisen Essence Within Japanese Modern Music: An Analysis Of Kinichi Nakanoshima’s Banshiki-Chou |
| 18:00 |
Sheen Dae-Cheol (KR) |
Sejong The Great (Reigned 1418~1450): The Greatest Music Creator In The History Of Korean Music |
| VD2 |
404 Music In Ottoman And Persian Miniatures (VR) (Sławomira Żerańska-Kominek) |
| 17:00 |
Sławomira Żerańska-Kominek (PL) |
Representations Of Musical Figures In The Ottoman Costume Album. Collection Of Stanislaus Ii August Poniatowski, Poland’s Last King |
| 17:30 |
Helene Eriksen (US) |
Persian Miniatures And The Development Of Neo Classical Persian Art Dance |
| 18:00 |
M. Emin Soydaş (TR) |
Using Visual Depictions As Sources For The Reconstruction Of Ottoman Kopuz And Şeşhane |
| VD3 |
425 New Perspectives On Mediated Music (NR) (Aoyagi Takahiro) |
| 17:00 |
Patrick E. Savage (JP) |
Cantometrics Goes Digital: Automated Analysis of Thousands of Global Music Recordings |
| 17:30 |
Judith A. Gray (US) |
New Sounds From Old Sound Carriers |
| 18:00 |
Shrinkhla Sahai (IN) |
Alaap On The Airwaves: Indian Classical Music On Web Radio And Digital Technologies |
| VD4 |
301 Music And Sound Cartographies In Neoliberal Contexts (PG) (Samuel Araújo) |
| 17:00 |
Ana Hofman (SI) |
“Sing As You Think, Write As You Feel”: Researching (Self)Emancipatory Musical Alliances Under Neoliberalism |
| 17:30 |
Deise Lucy Oliveira Montardo (BR) |
Music And Politics In The Alto Rio Negro, In Northwestern Brazilian Amazonia |
| 18:00 |
Samuel Araújo (BR) |
Sounds Of Neoliberal Peace; Sound Praxis And The Commodification Of Social Life |
| VD5 |
403 Inscription And Creators In Dance Traditions (CM) (Sherry Johnson) |
| 17:00 |
Kristin Harris Walsh (CA) |
The New Reality Of “Old Style” Step Dance: Incorporation And Inscription In Irish Sean-Nós Step Dance |
| 17:30 |
Galina Tavlai (RU) |
Belorussian Round Dance In The Context Of Comparative Musicology |
| VD6 |
CH Workshop |
| 17:00 |
Amanjol Ismagulov (KZ) |
Traditional Kuy from the Aktobe Region of Kazakhstan with Abdulkhamit Raimbergenov, Zhumabay Zhansugurov, Nurbolat Zhanamanov, Dzhaylau Assylkhanov & Edil Basygara |
| VD7 |
238 Film (Ruth Davis) |
| 17:00 |
Sanubar Baghirova (AZ) |
Azerbaijan: The Ancient Arts Of Mugham And Ashiq In The 21st Century (90 minutes) |
| VD8 |
202 Roundtable: African Musics In Higher Education: Experiences And Challenges (NR) |
| 17:00 |
Jean Ngoya Kidula, Chair (KE/US) |
Panellists: Marie Agatha Ozah (US), George W. K. Dor (US), Roberta King (US), Patricia Opondo (ZA) |
| VD9 |
332 Roundtable: The Performance Of Spirits – An Auditory Anthropology Of Creating Movement And Sound |
| 17:00 |
Bernd Brabec de Mori (AT), Chair |
Panellists: Esteban Arias (FR), Nora Bammer (AT), Cornelia Gruber (AT), Matthias Lewy (BR), Wei-Ya Lin (AT) |
| VD10 |
333 Compositions, Creativity And Tradition (NR) (Gulnara Kuzbakova) |
| 17:00 |
Liu Hsin-Yuan (TW) |
From Dance Song To Opera Aria: The Spread And Variation Of A Tune Family In South-East China And Taiwan |
| 17:30 |
Gulnara Kuzbakova (KZ) |
Genre Synthesis In Contemporary Musical Culture Of Kazakhstan |
| 18:00 |
Jittapim Yamprai (US) |
Siamese Musical Identity In The Seventeenth French Baroque Composition: A Reconstructing Of Siamese-French Musical Authenticity |
| VD11 |
125 Kazakh Song Letters During World War II (Alla Sokolova) |
| 17:00 |
Gulnar Alpeissova (KZ) |
Kazakh Song Letters From World War II: The Outline Of The Problem |
| 17:30 |
Zhanar Shaikenova (KZ) |
Kazakh Song Letters From World War II: On The Issue Of Genre Identification |
| 18:00 |
Alya Alpeissova (KZ) |
Kazakh Song Letters From World War II: Historical And Cultural Phenomenon |
| VD12 |
335 Embodying The Political (DB) (Anna Hoefnagels) |
| 17:00 |
Anna Hoefnagels (CA) |
Sisters In Spirit And Song: Singing For Justice For Missing And Murdered Aboriginal Women In Canada |
| 17:30 |
David Verbuč (CZ) |
Between Discourse And Embodiment: Politics And Aesthetics Of Socio-Musical Participation At Diy (“Do-It-Yourself”) Live Shows In The US |
| 18:00 |
Thede Kahl (AT) & Ioana Nechiti (AT) |
Djangar, Healing Cure For A Dying Culture? Kalmykia (Russia) |
| VD13 |
108 ICTM Study Group Business Meeting: Music And Dance Of Oceania |
| 17:00 |
|
|
Evening Concert in Zhambyl Hall
Music of City, Village, and Steppe |
| 19:00 |
Music of the Turkic-speaking World: Azerbaijani, Kazakh, Kyrgyz, Turkish, Turkmen, Uzbek, and Uyghur musicians perform classical vocal and instrumental genres of traditional music. |
Tuesday, 21 July 2015
| VIA1 |
304 Pacific Mobilities I (DB) (Stephen Wild) |
| 9:00 |
Monika Stern (FR) |
Digital Developments And Music Circulations In Port Vila (Vanuatu) |
| 9:30 |
Dan Bendrups (AU) |
Easter Island Music Online: Mobility And Mobilization |
| 10:00 |
Kirsty Gillespie (AU) |
Stories And Their Songs: The Role Of The Sung Refrain In Lihir Oral Literature |
| VIA2 |
404 Embodied Expressions Of Identity In North America (DB) (Judith Cohen) |
| 9:00 |
Gearóid Ó hAllmhuráin (CA) |
Beyond The Body Politic Of Musical Diaspora: Navigating The Liminal And Hybrid Spaces Of Canada’s Celtic Soundscape |
| 9:30 |
Bryan Burton (US) |
Our Music, Our Dance, Our Identity: Two Native American Case Studies |
| VIA3 |
425 Music And Cultural Politics In The Turkic World I (PG) (Chuen-Fung Wong) |
| 9:00 |
Chuen-Fung Wong (HK) |
The Politics Of Virtuosity: Technicality, Minority Virtuosi, And Modern Uyghur Music In Post-1949 China |
| 9:30 |
Latofat Tolibjonova (UZ) |
The Music Industry In Uzbekistan: Globalization, Technology And Changes |
| 10:00 |
Ali Fuat Aydin (TR) |
The Change Of Intervals In Hicaz Maqam In The Zeybek Melodies From Aydin |
| VIA4 |
301 The Cultural Work Of Dance Performances In Eastern Europe (DB) (Colin Quigley) |
| 9:00 |
Colin Quigley (IE) |
Shifting Identifications In Traditional Music/Dance On The Central Transylvanian Plain. |
| 9:30 |
Könczei Csilla (RO) |
”We Are The Thunder Team!” Keeping And Constructing Social Status And Network Through The Borica Dance Ritual In “Seven Villages” (Hétfalu) In Brașov County, Romania |
| 10:00 |
Andreja Vrekalić (HR) |
"Keep Calm And Just Dance": About The Experience Of The Body Through Music (Croatia) |
| 10:30 |
Daniela Ivanova-Nyberg (US) |
Wedding As A Stage: Examples From The Bulgarian Urban Wedding Scene |
| VIA5 |
403 Embodiment In East And Southeast Asian Theatrical And Courtly Performances (DB) (Haekyung Um) |
| 9:00 |
Indija Mahjoeddin (AU) |
The Schematic Space Of Randai: Understanding Circularity In A West Sumatran Music Theatre. |
| 9:30 |
Takanori Fujita (JP) |
Patron-Amateurs And Ascetic Practices In The Lesson Of Dance And Song Of Noh Drama |
| 10:00 |
Hirama Michiko (JP) |
Eating, Drinking, Wearing, Listening, Watching, And Performing In The Ancient Japanese Court |
| 10:30 |
Muhammad Fazli Taib Bin Saearani (MY) |
The Interpretation And Creation Of Gender’s Embodiment In Classical Dance Of Yogyakarta Style: Analysis On Role Of Formal And Non-Formal Institutions (Indonesia) |
| VIA6 |
CH Workshop |
| 9:00 |
Andre Rodrigues (CA) |
Choro And Waltz–Builders Of The Music Of Seresteiros In The Brazil Guitar Reperoire |
| VIA7 |
Film (Trần Quang Hải) |
| 9:00 |
Trần Quang Hải (FR) |
Trần Quang Hải: The Vietnamese Musician |
| VIA8 |
202 Between Tradition And Modernization (NR) (Alla Bairamova) |
| 9:00 |
Baigonys Aiganym (KZ) |
Turk Totems In Animated Films Of Kazakhstan |
| 9:30 |
Ahyoung Yoon (KR) |
Korean Traditional Musical ‘Miso’ With High Quality And Sophistication |
| 10:00 |
Robert Amos Chanunkha (MW) |
Indigenous Malawian Music Metaphors: The Case Of Vimbuza, Nyau, Nyeranyera, And M’bwiza |
| 10:30 |
Mohamed Adam Sulaiman Abualbashar (SD) |
Beja Absolute Music |
| VIA9 |
332 Roundtable: Theorizing Gender In Ethnomusicology (NR) |
| 9:00 |
Barbara L. Hampton, Chair (US) |
Panellists: Susan Thomas, Anne Rasmussen (US), Marko Kölbl (AT), Barbara L. Hampton (US), Elizabeth Tolbert (US) |
| VIA10 |
333 Regional, National And Transnational Perspectives On Music (NR) (Jacqueline P. Ekgren) |
| 9:00 |
Jacqueline P Ekgren (NO) |
Norwegian Stev, A Key To The Singing-Reciting Style (Kveding) In Norway And Iceland: How Performance Of Norwegian Stev Compares And Contrasts With Icelandic Rimur |
| 9:30 |
Wang Xiaodong (CN) |
The Structure Of Music Inheritance, A Case Study Of Lai Qing Mongolian In Keerqin |
| 10:00 |
Sun Kezhen (CN) |
The Sound of the Silk Road: The Preexistence and Life of “Huaer” in Zhangjiachuan |
| VIA11 |
125 Performance, Power, And Identity: Case Studies From Ghana (NR) (Daniel Avorgbedor) |
| 9:00 |
Joshua Amuah (GH) |
Stylistic And Compositional Trends In Contemporary Choral Music In Ghana: Three Case Studies |
| 9:30 |
Nii Dortey (GH) |
Re-Defining African Traditional/Folk Theatre In Ghana: Saka Acquaye’s Folk Operas |
| 10:00 |
Edward Nanbigne (GH) |
Power And Conflict: Music Creativity And Performance Among The Dagaaba Of Northwestern Ghana |
| 10:30 |
Daniel Avorgbedor (GH) |
Invention, Resistance, And Resiliency: The Pan-African Orchestra In Context |
| VIA12 |
335 Roundtable: The Transformation Of The Notion Of “Zuoqu” From The Traditional To The Contemporary: Creativity In Chinese Instrumental Music (NR) |
| 9:00 |
Ho-Chak Law, Chair (HK) |
Panellists: Kingpan Ng (HK), Sharon Chan (HK), Shin En Liao (HK) |
| VIA13 |
108 ICTM Study Group Business Meeting: Mediterranean Music Studies |
| 9:30 |
|
|
| 11:00 |
Tea And Coffee Break |
| VIB |
ZH PLENARY SESSION: Music, Dance, The Body, And Society (Catherine Foley) |
| 11:30 |
Anthony Seeger (US) |
The End Of Mourning: Water, Body Paint, And The Reintegration Of Mourning Bodies Among The Kïsêdjê Of Mato Grosso, Brazil |
| 12:00 |
Urmimala Sarkar (IN) |
A Corporeal Reading Of The Nachni: Social Absence Versus Performative Presence |
| 12:30 |
Haekyung Um (UK) |
K-Pop Cover Dance In Cosmopolitan London And Global Youth Culture In The Making |
| VIC1 |
304 Sound Analysis (SE) (Violetta Yunusova) |
| 14:30 |
Nikolay Burtsev (RU) |
Modern Theory Of Music And Music Of Khomus |
| 15:00 |
Mahmud Salah Agarahim Oglu (AZ) |
Expression Of Heart – Beating, Pulse And Natural Sounds On The Tambourine Musical Instrument |
| 15:30 |
Ann G. Alyabyeva (RU) |
Computer Research Of Balkarian And Karachai Vocal Tradition |
| 16:00 |
Zdravko Blažeković (US) |
Organological Work Of Franjo Ksaver Kuhač And His Classification Of The Sound Sources From 1882 |
| VIC2 |
404 Music On The Internet I (VR) (Elizabeth A. Clendinning) |
| 14:30 |
Great Lekakul (UK) |
The Effects Of Youtube On Prachan And Thai Music Culture |
| 15:00 |
Elizabeth A. Clendinning (US) |
Audiovisual Representation And Relevance Online: A Balinese Case Study |
| 15:30 |
Kobinata Hidetoshi (JP) |
Sangeet On The Internet - As A New Research Subject And Tool |
| 16:00 |
Olga Pashina (RU) |
Non-Material Cultural Heritage Of The Peoples Of The Russian Federation On The Internet: Forms Of Presentation And Feedback |
| VIC4 |
301 Creators Of Revivals And Applications (CM) (Rebecca Miller) |
| 14:30 |
Chao Hao-Ming Nancy Chin (TW) |
Transmission, Reconstruction, Creation Of The Tang Court Music And Dance: Comparative Study Of The Performance Between China, Japan And Korea |
| 15:00 |
Deirdre Morgan (UK) |
Hidden Creators: The Role Of Blacksmiths In The International Jew’s Harp Revival |
| 15:30 |
Mayco A Santaella (MY) |
Applied Fieldwork As An Alternative Research Methodology: Three Case Studies From Central Sulawesi, Indonesia |
| 16:00 |
Manfred Bartmann (AT) |
Making Music Of Speech: Experimental Approaches (Applied Ethnomusicology, Prosody, Interculturalism) |
| VIC5 |
403 Encounters With Musical Modernity In East Asia (CM) (Mu Qian) |
| 14:30 |
Alison Tokita (JP) |
Globetrotters And Performance Circuits In East Asia, 1900-1945 |
| 15:00 |
Mu Qian (UK) |
Constructing Chinese Folk Music In Washington D.C.: The China Programme Of 2014 Smithsonian Folklife Festival |
| 15:30 |
Ai Fujimoto (JP) |
Kawachi Ondo; A “Traditional” Bon Dance With The Tide (Japan) |
| 16:00 |
Aoyagi Takahiro (JP) |
Capitalizing On Tradition: Wa As A Theme For Popular Music In The Modern-Day Japan |
| VIC6 |
CH Workshop |
| 14:30 |
Ted Levin (US) |
Music And Development: The Aga Khan Music Initiative. Aikanysh Mamyralieva And Student Komuz Ensemble Of Kerege-Tash Village (Issyq-Qul, Kyrgyzstan); Ensemble Ustatshakirt (Bishkek, Kyrgyzstan) With Bek Alagushev, Aizada Kasabolotova, Samat Köchörbaev, Kutman Sultanbekov; Abdulhamit Raiymbergenov And Students Of Muragher Programme (Astana, Kazakhstan), Sirojiddin Juraev (Dushanbe, Tajikistan) |
| VIC7 |
238 Film (Bryan Levina Viray) |
| 14:30 |
Terada Yoshitaka (JP) & Michiyo Yoneno-Reyes (PH) |
Two Films On Kalinga Music From The Philippines (50 minutes) |
| VIC8 |
202 Roundtable: Sustainable Futures For Music Cultures: An Ecological Approach (NR) |
| 14:30 |
Salwa El-Shawan Castelo-Branco (PT), Chair |
Panellists: Salwa El-Shawan Castelo-Branco (PT), Anthony Seeger (US), Dan Bendrups (AU), Keith Howard (UK), Catherine Grant (AU), Huib Schippers (AU) |
| VIC9 |
332 Musical Creativity Between Tradition And Modernity (NR) (Wang Min Erh) |
| 14:30 |
Wang Min Erh (TW) |
Expressing Chinese Music Through Symphonization: A Case Study On The Debate Of Chinese Orchestra Modernization From1980’S To 1990’S |
| 15:00 |
Bernardo Thiago Paiva Mesquita (BR) |
Modernization Of Carimbo |
| 15:30 |
Wong Ting Yiu (HK) |
A Chinese Musical Genre That Was Not ‘Improved’ In The Early Twentieth Century China — The Modernization Of Cantonese Instrumental Music In Shanghai |
| 16:00 |
Chalermsak Pikulsri (TH) |
Lao Music In The New Economic Mechanism (NEM) Age |
| VIC10 |
333 Dance And Music In Changing Contexts (NR) (Jean Kidula) |
| 14:30 |
Juan Felipe Miranda Medina (NO) |
A Musical And Choreological Insight Into The Zapateo Criollo: Analyzing An Afro-Peruvian Tap Dancing Performance |
| 15:00 |
Mumbua Kioko (KE) |
Rhythm Integration In Gonda Drumming: A Giriama Dance |
| 15:30 |
George Dor (US) |
Foregrounding The Agency Of Creators Of Traditional Music And Dance Genres In ICTM |
| 16:00 |
Aizhan Berdibay (KZ) |
The Diversity Of Musical And Poetic Form Songs Zhayau Musa As A Result Of Cross-Cultural Interaction |
| VIC11 |
125 Creating Identity Through Musicking And Singing (NR) (Miguel Ángel García) |
| 14:30 |
Reinhard Straub (TW) |
Singing In A Tonal Language: A Case Study Of Minnan Language/Lam-Koan (Nanguan) Music |
| 15:00 |
Teja Klobčar (SI) |
Hidden In Plain View: The Musicking Of Slovenian Kantavtorji |
| 15:30 |
Larisa Khaltaeva (RU) |
Modal Thinking In Bourdone Multi Voices Of Turkic-Mongolian Tradition |
| 16:00 |
Miguel Ángel García (AR) |
Words For Sounds In Pilaga Society |
| VIC12 |
335 Music, Theory And Methodology (Valentina Suzukei) |
| 14:30 |
Valentina Suzukei (RU) |
Methodological Problems Of The Ethnomusicology (On Example Of The Tuvan Music Culture) |
| 15:00 |
Marina Dubrovskaya (RU) |
To The Research Of Methodology Of Traditional Musical Culture In The Aspect Of The Religions Syncretism |
| 15:30 |
Karomatullo Rahimov (TJ) |
The Specialties Of Compositional Structure Of Canonical Model Of Tajik Version Of The Epos Gurughli |
| 16:00 |
Dauresh Akhmetbekova (KZ) |
Kazakh Song Of Masses: Genesis, Typology And History |
| VIC13 |
108 ICTM Study Group Business Meeting: Music And Minorities |
| 14:30 |
|
|
| 16:30 |
Tea And Coffee Break |
| VID1 |
304 Chinese Soundscapes (SE) (Xiao Mei) |
| 17:00 |
Rong Liu (CN) |
Soundscape And Cultural Ecology Construction:Based On Fenghuang Of Western Hunan Province |
| 17:30 |
Xu Xin (CN) |
Natural Soundscape And The Sound Of Music: The Acoustic Eco-System In Biphonic Music Of The Nomadic And Hunting Ethnic Groups In North China |
| VID3 |
425 Music And Politics In Kyrgyzstan (PG) (Don Niles) |
| 17:00 |
Kalyiman Umetbaeva (JP) |
Transition Of Komuz In Kyrgyzstan |
| 17:30 |
Kanykei Mukhtarova (CA) |
Kyrgyz Opera And National Identity |
| VID4 |
301 The Study Of Choreographers (DB) (Egil Bakka) |
| 17:00 |
Muzaffer Sümbül (TR) |
The Choreography Of An Adana Folk Dance And Its Choreographer: An Ethnographic Research On Gel Gel Dance And Mustafa Bal |
| 17:30 |
Egil Bakka (NO) |
Choreography And Choreographers In The Nordic Folkdance Movements |
| VID5 |
403 Pacific Mobilities II (DB) (Kirsty Gillespie) |
| 17:00 |
Jane Freeman Moulin (US) |
'Ori Tahiti Moves: Japanese Bodies In A Tahitian Space |
| 17:30 |
Raymond Ammann (CH) |
Metaphysical Mobility In Melanesian Song Texts |
| 18:00 |
Oli Wilson (NZ) |
‘South Sea Island’ Music In Port Moresby And The Central Province Of Papua New Guinea |
| VID6 |
CH Workshop |
| 17:00 |
Raushan Maldybayeva (KZ) |
The Kazakh Traditional Art of Dombra Kuy with Jumabek Kadirkulov, Jangaly Juzbayev, Bazaraly Muptekeyev, Kayrolla Sadvokasov, Tolep Togzhan & Rustem Nurkenov |
| VID7 |
238 Films (George Dor) |
| 17:00 |
Angeline Yegnan-Touré (FR) |
Le Gbofé En Péril (Ivory Coast) (13 minutes) |
| |
Thabile Noxolo Buthelezi (ZA) |
An Ethnographic Study Of Amahubo Omkhosi Womhlanga (South Africa) (20 minutes) |
| VID8 |
202 Rethinking, Reconstriucting And Reinventing The Kazakh Musical Pasts (NR) (Meruert Kurmangaliyeva) |
| 17:00 |
Fatima Nurlybaeva (KZ) |
Formation Of Ethnomusicology In Kazakhstan (1920-1940) |
| 17:30 |
Dina Mosienko (KZ) |
"They Are By Nature Inherent In All Their Being And Their Way Of Life Penetrating Music": Foreign Researchers On Kazakh Music |
| 18:00 |
Galiya Begembetova (KZ) |
Vocal Performance In First Kazakh Operas |
| VID9 |
332 Rethinking, Reconstructing, And Reinventing Kazakh Music (NR) (Gulnara Kuzbakova) |
| 17:00 |
Dana Zhumabekova (KZ) |
The Premiereof The Rhaspsody For Violin And Orchestra By Myroslav Skorik |
| 17:30 |
Tatiana Kharlamova (KZ) |
Genre Tendencies In The Composers, Works Of Kazakhstan 90s Of 20th Century |
| 18:00 |
Sarah Kuzembay (KZ) |
The Genre «Bata» In The Traditional Folklore Music Of Kazakh’s People |
| VID10 |
333 Music Education In Kazakh History And Society (NR) (Megan Rancier) |
| 17:00 |
Layra Maimakova (KZ) & Aigul Sagatova (KZ) |
Methodical Aspects Of Ethno-Cultural Education Of Future Teachers Of Music |
| 17:30 |
Dmitriy Kovalev (KZ) |
The Willingness To Implement The Ethno-Cultural Study In Pedagogical System Of Kazakh School Education |
| 18:00 |
Negmetulla Karimov (KZ) |
The Viola School Of Kazakhstan |
| VID11 |
125 Crossing Borders: Mariachi Music The United States And Ecuador (NR) (Lauryn Salazar) |
| 17:00 |
Jessie M. Vallejo (US) |
Mariachi Music In Ecuador |
| 17:30 |
Lauryn Salazar (US) |
Mariachi Competitions In The United States |
| 18:00 |
Leonor Xochitl Perez (US) |
Women In Mariachi Music |
| VID12 |
335 BFE High Tea |
| 17:00 |
Event Sponsored By The British Forum Of Ethnomusicology, With Tea From London And Display Of Issues Of The Ethnomusicology Forum Journal. |
| VID13 |
108 ICTM Study Group Business Meeting: Performing Arts Of Southeast Asia |
| 17:00 |
|
|
Evening Concert in Zhambyl Hall
Legends of the Great Steppe: From Epic to Instrumental Kui |
| 19:00 |
The concert is dedicated to the great Khakas Khaidji storyteller and epic performer Semen Kadyshev (1885-1977). To commemorate his memory the International Organization of Turkic Culture TURKSOY announced the year 2015 as the Year of Semen Kadyshev. Kazakh and other Turkic traditional musicians will play Kobys, Chatkhan, Homus, Sybyzgi, Dombra, performing Terme and epics. |
Wednesday, 22 July 2015
| VIIA4 |
301 Individual Creators' Encounter With The Modern (CM) (Yves Defrance) |
| 9:00 |
Gay Jennifer Breyley (AU) |
Creator Or Created? Iran’s Pop Queen Googoosh |
| 9:30 |
Jeffrey P Charest (UK) |
Creative Freedom In The Confines Of The State: Ndue Shyti's Musical Innovations In Enver Hoxha's Communist Albania, And Beyond |
| 10:00 |
Rebecca Dirksen (US) |
"It’s The Monsters Who Make History": Musical Confrontations Of Loss, Exile, And Death In Haitian Composer Carmen Brouard’s Symphonic Poem Baron La Croix |
| VIIA6 |
Workshop (empty session) |
| VIIA7 |
238 Film (Don Niles) |
| 9:00 |
Aray Rakhimzhanova (UK) |
Kara Zhorga Is A Meaningful Dance Practice Within Kazakh Diaspora In China (25 minutes) |
| 9:45 |
Bayan Abisheva (KZ) |
The Image Of The Horse In The Music Of The Kazakhs And Other Turkic-Mongol Peoples (20 minutes) |
| VIIA8 |
202 Music Education In Kazakh History And Society (NR) (Nefen Michaelides) |
| 9:00 |
Gaini Yessembekova (KZ) |
New Direction Of "Bolashak" International Scholarship: Training Of Staff For Cultural Field And Arts |
| 9:30 |
Tatiyana Rudneva (KZ) |
On Establishment Of Kazakh Professional Vocal School |
| 10:00 |
Gulzada Khussainova (KZ) |
Ethno-Cultural Createasphere’s Formation Of Future Teachers Of Music |
| VIIA9 |
332 Roundtable: Bibliographic Control Of Ethnomusicology In Kazakhstan (NR) |
| 9:00 |
Zdravko Blažeković (US) and Valeriya Nedlina (KZ), Chairs |
Panellists: Valeriya Nedlina (KZ), Tamara Jumalieva (KZ), Dinko Fabris (IT), Saule Utegalieva (KZ), Gulmira Musagulova (KZ) |
10:00Sevil Farhadova (AZ)Mugham Study From Oriental Batin-Zahir (Intrinsic-Extrinsic) Approaches
| VIIA10 |
333 Mugham And Festivals In Changing Contexts (NR) (Alla Bairamova) |
| 9:00 |
Suraya Agayeva (AZ) |
Azerbaijani Mugham In The Past And Present In The New Encyclopedia Of Azerbaijani Mugham |
| 9:30 |
Narmin Qaralova (AZ) |
Comparative Analysis Of Azerbaijan And Iranian Dastgah “Shur” |
| VIIA11 |
125 Creating, Sustaining And Safeguarding Musical Communities (NR) (David Harnish) |
| 9:00 |
David Harnish (US) |
The Challenges Of Music Sustainability In Lombok (Indonesia) |
| 9:30 |
Irfan Zuberi (IN) |
Qawwālī: From The Khānaqāh To The Dargāh & From The Filmī To The Techno |
| 10:00 |
Paul Vivian Koerbin (AU) |
Players In The ‘Web Of Poetic Tradition’: Interpreting Self-Naming In Turkish Alevi Sacred And Secular Sung Poetry |
| 10:30 |
Meilu Ho (US) |
Ghazal – Malay Identity in Waves of Sounds Across the Indian Ocean |
| VIIA12 |
335 Interrogating The Concept Of Chinese Tradition In Contemporary Context (Jonathan Stock) |
| 9:00 |
Guowen Lu (CN) & Li Zi |
The Adaptation And Dissemination Of Chinese Kazak Folk Songs |
| 9:30 |
Adjourn |
(no paper) |
| 10:00 |
Yang Shuo (CN) |
Old Lijiang Meets The New World: A Case Study Of Musical Transculturation At The Coart Festival In Lijiang, Yunnan |
| VIIA13 |
108 ICTM Study Group Business Meeting: Maqām |
| 9:00 |
|
|
| 11:00 |
Tea And Coffee Break |
| VIIB |
ZH PLENARY SESSION: New Research (Saule Utegalieva) |
| 11:30 |
Valentina Kholopova (RU) |
Russian Study On The Theory Of Musical Content |
| 12:00 |
John Lawrence Witzleben (US) |
Han Chinese Musical Renderings Of The Silk Road |
| 12:30 |
Ihor Macijewski (RU) |
The Structure Of The Universe In Music And Spatial Arts Of Nomadic People |
| VIIC2 |
404 Tradition and Modernity in African Music (Barbara L. Hampton) |
| 14:30 |
Essele Kisito (CM) |
Structuring Funeral Ceremonies Through Sound. Permanencies And Changes Of Acoustic Expressions Among The Beti-Eton From Southern Cameroon |
| 15:00 |
Aggrey Nganyi Wetaba (KE) |
The Women Of Traditional Music And Dance Performance Of Busia, Kenya: An Enigmatic Group Of Musical Prowess And Preservation |
| 15:30 |
Alvin Petersen (ZA) |
Singing Our Praises In Honour Of Nelson Mandela – Musical Creativity On An Unprecedented Scale |
| 16:00 |
Nhlakanipho Ngcobo (ZA) |
Protest Song, A Tool Of Questioning The Quality Of Democracy In South Africa |
| VIIC3 |
425 Transnational Perspectives On Central Asian Music (PG) (Alexander Djumaev) |
| 14:30 |
Elena Shishkina (RU) |
Traditional Musical Heritage Of The Ethnic Groups Of Eurasian Steppes |
| 15:00 |
Nurbanu Zholdassova (KZ) |
Comparative Analysis Of The Kazakh Kuy For Kyl-Kobyz “Kazan” And The Bashkir Kuy Kuray “Kazandy Algan Koy:” Origin And Genre Features |
| 15:30 |
Amangeldi Kuzeubay (KZ) |
Existing Problems With Preservation And Dispersion Of Kazakh Traditional Music |
| 16:00 |
Mayra Turlybekkyzy Dauletbak (KZ) |
Abay’s “Ayttym Salem Kalamkas” Song In Jazz |
| VIIC4 |
301 European Music in Comparative Perspectives (NR) (Essica Marks) |
| 14:30 |
Essica Marks (IL) |
Rabbi Shlomo Carlebach And His Impact On Jewish Liturgical Music Today |
| 15:00 |
Yeonok Jang (KR) |
A Comparative Study Of Trancelike States Experienced By Performers Of Korean P’ansori, Spanish Flamenco, Persian Gusher And Algerian Rai |
| 15:30 |
Rob Schultz (US) |
Community And Competition In The Songs Of The Sicilian Carrettieri |
| VIIC5 |
403 What Traditions Do About Modernity (CM) (Yves Defrance) |
| 14:30 |
Jennifer Kim Newsome (AU) |
Supporting Indigenous Performers And Performance: A Case Study And Model From South Australia |
| 15:00 |
Daniel Tércio (PT) & Sophie Coquelin (PT) |
From A Dance Archive To The Body As Archive: How To Deal With Intangibility? |
| 15:30 |
Yves Defrance (FR) |
The French Quadrille Today, A Case Of Social Discrimination |
| VIIC6 |
CH Workshop |
| 14:30 |
Bolat Ospanov (KZ) |
Traditional Epic of the Syr (Kyzyl-Orda) Region of Kazakhstan with Almas Almatov, Ruslan Akhmetov, Bidas Rustembekov, Aibek Tanirbergenov, Tolep Togzhan, Demeu Zholymbetov & Elmira Zhanabergenova |
| VIIC7 |
238 Film (Rebecca Dirksen) |
| 14:30 |
Jeff Roy (US) |
(Con)Figuring "Third Gender" Performativity Through Documentary Filmmaking (54 minutes) |
| VIIC8 |
202 Cultural Heritage In Contemporary Context (NR) (Britta Sweers) |
| 14:30 |
Alexander M. Cannon (US) |
Emergent Creativity And Cultural Heritage In Southern Vietnamese Traditional Musi |
| 15:00 |
Matthew Gillan (JP) |
Hearing The Okinawan Singing Voice In Context |
| 15:30 |
William Tallotte (UK) |
Analysing Musical Improvisation In Context: A Case Study Of South Indian Temple Music |
| 16:00 |
John Napier (AU) |
Exemplifying A Subjunctive Life: Shifting Social And Performer-Audience Relationships In A North Indian Folk Performance |
| VIIC10 |
202 Singing And Creating Identity Through Musical Creativity (NR) (Evert Bisschop Boele) |
| 14:30 |
Evert Bisschop Boele (NL) |
Singing Like A Sailor. Some Theoretical And Methodological Remarks On Studying A Dutch Shanty Choir. |
| 15:00 |
Kezhen Sun (CN) |
The Song On The Silk Road: The Preexistence And This Life Of “”Huaer” In Zhangjiachuan County |
| 15:30 |
Ke Wei-Ting (TW) |
The Study Of Register Alternation From Real Voice To Falsetto In Taiwan Singing Style |
| VIIC11 |
125 Scholarly Concepts And Artistic Interpretations Of Music And Performance (NR) (Marziet Anzarokova) |
| 14:30 |
Inna Smailova (KZ) |
Features Of Formation Of Graphic Culture In The Kazakh Feature Film |
| 15:00 |
Alma Utekesheva (KZ) |
"Kiz Zhibek": The Poetic Tradition Of The National Epic In The Film |
| 15:30 |
Marziet Anzarokova (RU) |
“Tleperysh” In Russia And In Turkey: Professional Artistic Interpretation As A Generator Of Cultural Transformations |
| VIIC13 |
108 ICTM Study Group Business Meeting: Music And Gender |
| 14:30 |
|
|
| 16:30 |
Tea And Coffee Break |
| VIID |
ZH Closing Ceremony |
| 17:00 |
Invitation To The 44th World Conference And Farewell |
| Gala Closing Concert in Zhambyl Hall |
| 19:00 |
TBA |
